1
00:00:06,640 --> 00:00:09,710
"MELISSA & JOEY" IS RECORDED IN
FRONT OF A LIVE STUDIO AUDIENCE.

2
00:00:09,743 --> 00:00:13,547
- JOE, I GOT YOUR TEXT. IS EVERYONE OKAY?
- YEAH, EVERYTHING'S FINE.

3
00:00:13,581 --> 00:00:15,583
YOU 9-1-1'd ME. YOU DO KNOW
WHAT THAT MEANS, RIGHT?

4
00:00:15,616 --> 00:00:17,751
IT MEANS YOU'LL HUSTLE UP AND
GET HOME WHEN I NEED YOU.

5
00:00:17,785 --> 00:00:21,089
I WAS IN THE MIDDLE OF A
CRITICAL BUDGET MEETING.

6
00:00:21,122 --> 00:00:22,990
9-1-1 IS FOR EMERGENCIES ONLY.

7
00:00:23,023 --> 00:00:25,626
- YOUR NEW CABINET DOORS ARE HERE.
- WHY DIDN'T YOU TELL ME SOONER?

8
00:00:25,659 --> 00:00:27,361
I WOULD'VE GOTTEN
A POLICE ESCORT!

9
00:00:27,395 --> 00:00:28,796
YIPPEE, CABINETS.

10
00:00:30,264 --> 00:00:32,166
WHAT ARE YOUR CLOTHES
DOING IN THE LIVING ROOM?

11
00:00:32,200 --> 00:00:35,002
I'M SORRY, YOU'RE RIGHT. THEY
SHOULD REALLY ALL BE IN MY ROOM.

12
00:00:35,035 --> 00:00:36,604
OH WAIT, I DON'T HAVE ONE.

13
00:00:36,637 --> 00:00:39,240
SPEAKING OF OTHER WAYS YOU
PERSONALLY INCONVENIENCE ME...

14
00:00:39,273 --> 00:00:41,275
- OH, PLEASE DO.
- YOU KNOW I WILL.

15
00:00:41,309 --> 00:00:43,444
...I WENT DOWN TO THE
DRUGSTORE FOR YOU TODAY.

16
00:00:43,477 --> 00:00:46,680
SORRY TO SAY, THEY DIDN'T HAVE
YOUR MAGIC LADY OINTMENT,

17
00:00:46,714 --> 00:00:49,483
BUT I DID GET YOU THIS.

18
00:00:49,517 --> 00:00:51,585
CURTIS GLADWELL?

19
00:00:51,619 --> 00:00:54,522
- I BROKE UP WITH HIM OVER A YEAR AGO.
- I KNOW, I KNOW,

20
00:00:54,555 --> 00:00:56,790
BUT I RAN INTO HIM TODAY AND HE
ASKED ME IF YOU WERE STILL SINGLE

21
00:00:56,824 --> 00:00:58,659
AND I SAID, YOU KNOW,
"OF COURSE SHE IS."

22
00:00:58,692 --> 00:01:00,694
I'M JUST LOOKING OUT
FOR YOU, BURKE.

23
00:01:00,728 --> 00:01:02,596
WOW, JOE, THANK YOU SO MUCH

24
00:01:02,630 --> 00:01:04,298
FOR TAKING A PROACTIVE STANCE

25
00:01:04,332 --> 00:01:06,367
IN MY PERSONAL DATING LIFE,

26
00:01:06,400 --> 00:01:08,469
BUT, UH, JUST SHOW ME
THE FRICKIN' CABINETS.

27
00:01:08,502 --> 00:01:10,504
ALL RIGHT, FINE.
CLOSE YOUR EYES.

28
00:01:10,538 --> 00:01:12,740
OKAY, HERE WE GO. GET READY.

29
00:01:12,773 --> 00:01:15,843
BE-FRICKIN'-HOLD. HUH?

30
00:01:18,078 --> 00:01:19,680
( gasps ) MY CABINETS.

31
00:01:19,713 --> 00:01:21,682
AREN'T THEY GREAT?

32
00:01:21,715 --> 00:01:23,351
I HATE THEM.

33
00:01:24,685 --> 00:01:27,355
NO. NO NO NO NO NO,
THEY'RE ALL WRONG.

34
00:01:27,388 --> 00:01:29,590
NO NO NO NO NO NO, THEY'RE
ALL EXACTLY RIGHT.

35
00:01:29,623 --> 00:01:31,292
NO, THESE ARE NOT THE
ONES I PICKED OUT.

36
00:01:31,325 --> 00:01:32,826
THESE ARE... LEO?

37
00:01:32,860 --> 00:01:34,695
THEY'RE THE EXACT
ONES YOU PICKED OUT.

38
00:01:34,728 --> 00:01:36,564
YOU DREW LITTLE
HEARTS AROUND THEM.

39
00:01:36,597 --> 00:01:38,266
YEAH, YOU DID. LOOK AT THAT.

40
00:01:38,299 --> 00:01:39,600
AND YOU WROTE SOMETHING
DOWN HERE TOO.

41
00:01:39,633 --> 00:01:42,436
WHAT DID YOU WRITE? "MR. AND MRS.
MEL CABINETS FOREVER."

42
00:01:42,470 --> 00:01:45,839
- SEE THAT?
- THESE PICTURES ARE NOT LIKE THOSE.

43
00:01:45,873 --> 00:01:48,108
OH, THAT HAPPENS.

44
00:01:48,142 --> 00:01:49,843
IT'S LIKE MY PHOTO
ON TOLEDO MATCH-UP.

45
00:01:52,846 --> 00:01:55,849
TRUST ME. I'VE SEEN MORE
DISAPPOINTED FACES THAN YOURS.

46
00:01:57,451 --> 00:01:59,587
THERE'S PLENTY OF OTHER
CHOICES IN HERE.

47
00:01:59,620 --> 00:02:01,822
I DON'T BELIEVE THEM. I
DON'T BELIEVE ANY OF THEM.

48
00:02:01,855 --> 00:02:03,857
OKAY. ALL RIGHT, LOOK...
THE BAD CATALOG IS GONE.

49
00:02:03,891 --> 00:02:05,726
OKAY? IT'LL NEVER HURT
ANYBODY EVER AGAIN.

50
00:02:05,759 --> 00:02:08,429
I TELL YOU WHAT: WHY DON'T WE JUST
RIP THESE CABINETS OUT, OKAY?

51
00:02:08,462 --> 00:02:11,265
AND WE CAN FIND YOU A
CABINET SPECIALIST.

52
00:02:11,299 --> 00:02:13,734
OH, I KNOW A GUY. I
GOT HIS CARD HERE...

53
00:02:13,767 --> 00:02:16,604
- SOMEWHERE.
- GREAT, OKAY. YOU WORK ON THAT.

54
00:02:16,637 --> 00:02:18,339
LOOK, THE MOST IMPORTANT THING

55
00:02:18,372 --> 00:02:19,740
IS THAT WE KEEP THE
KITCHEN ON TRACK.

56
00:02:19,773 --> 00:02:20,841
BECAUSE THE KITCHEN
IS KING, ALL RIGHT?

57
00:02:20,874 --> 00:02:22,643
AND NICE CABINETS? THESE
ARE THE LINCHPIN.

58
00:02:22,676 --> 00:02:23,744
'CAUSE AS SOON AS THEY'RE DONE,

59
00:02:23,777 --> 00:02:26,380
THEN ALL THE KITCHEN CRAP
COMES BACK INTO THE KITCHEN,

60
00:02:26,414 --> 00:02:27,848
AND ALL THE LIVING ROOM CRAP
COMES BACK UP FROM DOWNSTAIRS...

61
00:02:27,881 --> 00:02:30,318
AND YOU CAN GO BACK TO
THAT LOVELY BASEMENT.

62
00:02:30,351 --> 00:02:32,620
YES. FINALLY WE WILL BE
BACK IN OUR OWN ROOMS.

63
00:02:32,653 --> 00:02:34,655
YEAH, NOT ON TOP OF
EACH OTHER ANYMORE.

64
00:02:34,688 --> 00:02:37,858
YEAH, THANK GOD, 'CAUSE THE LAST PLACE
ON EARTH I WANNA BE IS ON TOP OF YOU.

65
00:02:37,891 --> 00:02:40,628
UGH. THAT'D BE MORE HORRIBLE
THAN THOSE CABINETS.

66
00:02:41,795 --> 00:02:43,464
( theme music playing )

67
00:02:43,497 --> 00:02:44,865
- ♪ IT'S ALL GOOD
- ♪ All good

68
00:02:44,898 --> 00:02:46,900
- ♪ IT'S OKAY
- ♪ Okay

69
00:02:46,934 --> 00:02:48,502
- ♪ IT'S ALL RIGHT
- ♪ All right

70
00:02:48,536 --> 00:02:50,404
♪ AS FAR AS I CAN SEE

71
00:02:50,438 --> 00:02:51,772
- ♪ IT'S ALL GOOD
- ♪ All good

72
00:02:51,805 --> 00:02:53,874
- ♪ IT'S OKAY
- ♪ Okay

73
00:02:53,907 --> 00:02:56,143
- ♪ IT'S ALL RIGHT
- ♪ All right

74
00:02:56,176 --> 00:02:58,479
♪ I GUESS YOU'RE STUCK ♪

75
00:02:58,512 --> 00:03:01,415
♪ WITH ME ♪

76
00:03:05,786 --> 00:03:08,789
HEY, ROOMIE, YOU LOOK CHEERY
AND BRIGHT THIS MORNING.

77
00:03:08,822 --> 00:03:11,825
SO I GUESS THE FLOOR IS NOT
HURTING YOUR BACK ANYMORE?

78
00:03:11,859 --> 00:03:13,927
NO, I ACTUALLY STARTED USING

79
00:03:13,961 --> 00:03:16,697
THAT LITTLE MASSAGER THAT
YOU KEEP BY YOUR BED.

80
00:03:16,730 --> 00:03:17,798
OH?

81
00:03:17,831 --> 00:03:20,334
OH! THAT...

82
00:03:20,368 --> 00:03:22,536
IS EXACTLY WHAT THAT'S FOR.

83
00:03:22,570 --> 00:03:24,938
YEAH, WELL, I FEEL LIKE I
HAVEN'T SLEPT IN FOREVER.

84
00:03:24,972 --> 00:03:26,440
I MEAN, JOE GETS UP AT 5:00 A.M.

85
00:03:26,474 --> 00:03:28,409
AND DOES HIS 500 PUSH-UPS.

86
00:03:28,442 --> 00:03:30,210
I'M SURE HE DOESN'T DO 500.

87
00:03:30,244 --> 00:03:32,246
OH, YES HE DOES AND
HE COUNTS THEM OUT

88
00:03:32,280 --> 00:03:34,248
IN ITALIAN.

89
00:03:34,282 --> 00:03:36,950
DON'T WORRY. YOU'LL HAVE YOUR
OWN ROOM AGAIN VERY SOON.

90
00:03:36,984 --> 00:03:38,786
HERE, HAVE SOME COFFEE.

91
00:03:38,819 --> 00:03:40,721
IT'S LIKE CHEERLEADERS
IN YOUR BRAIN.

92
00:03:40,754 --> 00:03:43,824
CHUG IT, RYDER, I HAVE
TO GET TO SCHOOL EARLY.

93
00:03:43,857 --> 00:03:46,527
I HAVE A STUPID MEETING WITH
THE STUPID SPIRIT COMMITTEE

94
00:03:46,560 --> 00:03:48,762
THAT THE STUPID VICE
PRINCIPAL PUT ME ON.

95
00:03:48,796 --> 00:03:51,832
AH, THAT'S A LOT OF STUPID
TO BE IN CHARGE OF.

96
00:03:51,865 --> 00:03:53,867
THIS IS PUNISHMENT. I
DON'T WANT TO SERVE

97
00:03:53,901 --> 00:03:55,936
ON SOME RAH-RAH STUDENT
GOVERNMENT COMMITTEE

98
00:03:55,969 --> 00:03:57,971
WITH A BUNCH OF
GOOD-LOOKING POPULAR KIDS.

99
00:03:58,005 --> 00:04:01,342
WOW, I'M SURE THEY'RE SUPER-STOKED
ABOUT WORKING WITH YOU.

100
00:04:01,375 --> 00:04:02,843
FOR THE RECORD, THERE
IS NOTHING WRONG

101
00:04:02,876 --> 00:04:04,412
WITH GOOD-LOOKING
PEOPLE IN GOVERNMENT.

102
00:04:04,445 --> 00:04:07,515
GOVERNMENT CAN BE FISCALLY
SOUND AND ADORABLE.

103
00:04:09,283 --> 00:04:11,251
EH, IT'LL BE ALL THE
USUAL SUSPECTS...

104
00:04:11,285 --> 00:04:14,221
YOU KNOW, THE SUCK-UP KIDS WHO ARE
FACEBOOK FRIENDS WITH THE PRINCIPAL?

105
00:04:14,254 --> 00:04:17,425
LOOK, LENNOX, YOU KNOW HOW YOU'RE ALWAYS
TRYING TO CHANGE THE WORLD FOR THE BETTER?

106
00:04:17,458 --> 00:04:19,327
WELL, YOU KNOW, THIS
COMMITTEE COULD BE

107
00:04:19,360 --> 00:04:22,496
YOUR CITY BUS THAT PULLS YOUR
SKATEBOARD OF SELF-RIGHTEOUSNESS

108
00:04:22,530 --> 00:04:25,299
THROUGH THE CONGESTED STREETS
OF HIGH SCHOOL APATHY.

109
00:04:25,333 --> 00:04:27,968
THIS IS WHY I HAVE
SPEECHWRITERS.

110
00:04:28,001 --> 00:04:31,472
HEY, BURKE, THE ONE-MAN CABINET
SWAT TEAM HAS ARRIVED.

111
00:04:31,505 --> 00:04:32,873
COME ON IN HERE AND MEET HIM.

112
00:04:32,906 --> 00:04:36,344
JULES, HEY, I WANT YOU TO MEET
THE LADY OF THE HOUSE HERE

113
00:04:36,377 --> 00:04:38,646
AND I USE THE TERM
"HOUSE" LOOSELY.

114
00:04:38,679 --> 00:04:40,881
MEL BURKE MEET JULES D. SAWYER.

115
00:04:40,914 --> 00:04:42,850
( Australian accent ) THIS
HOUSE IS GONNA BE A BEAUT.

116
00:04:42,883 --> 00:04:45,486
- IT'S GOT GREAT BONES.
- HE'S FROM NEW JERSEY.

117
00:04:46,887 --> 00:04:49,490
LOOK, I'M COMING OFF A PRETTY
BAD CABINET EXPERIENCE.

118
00:04:49,523 --> 00:04:51,859
I DIDN'T GET WHAT I
THOUGHT I WAS GETTING

119
00:04:51,892 --> 00:04:54,462
( choked ) AND IT
ENDED PRETTY BADLY.

120
00:04:55,863 --> 00:04:57,798
WE DON'T HAVE TO RUSH
INTO ANYTHING HERE.

121
00:04:57,831 --> 00:04:59,467
WE CAN TAKE IT SLOW.

122
00:04:59,500 --> 00:05:01,034
YEAH, THAT'S FINE. SURE.

123
00:05:01,068 --> 00:05:03,904
AS LONG AS YOU GO SLOW AS
QUICK AS YOU POSSIBLY CAN.

124
00:05:03,937 --> 00:05:06,340
ALL RIGHT, THERE HE IS. TELL
HIM WHAT YOU WANT. GO NOW.

125
00:05:06,374 --> 00:05:08,909
OKAY. UH, WELL, I'D LIKE
SOMETHING CONTEMPORARY,

126
00:05:08,942 --> 00:05:10,511
BUT, YOU KNOW, STILL CLASSIC.

127
00:05:10,544 --> 00:05:11,679
I WANT THE CABINETS TO LOOK...

128
00:05:11,712 --> 00:05:13,714
DON'T TELL ME HOW
THEY SHOULD LOOK.

129
00:05:13,747 --> 00:05:17,885
I WANT YOU TO TELL ME HOW
THEY SHOULD MAKE YOU FEEL.

130
00:05:17,918 --> 00:05:19,387
HOW THEY MAKE ME FEEL?

131
00:05:19,420 --> 00:05:21,054
WELL, I BET THERE'S
AN EMOTIONAL MEMORY,

132
00:05:21,088 --> 00:05:23,391
SOME TIME YOU WERE IN A
KITCHEN THAT SPOKE TO YOU.

133
00:05:23,424 --> 00:05:25,893
"PSST. HEY, MEL...

134
00:05:27,094 --> 00:05:29,430
I REALLY LIKE YOUR CANS.

135
00:05:29,463 --> 00:05:30,998
OF SOUP."

136
00:05:32,900 --> 00:05:35,736
I'M SORRY. I DON'T MEAN TO
DISRESPECT YOUR WHOLE PROCESS.

137
00:05:35,769 --> 00:05:38,372
YOU KNOW WHAT? I DO HAVE A
KITCHEN STORY, ACTUALLY.

138
00:05:38,406 --> 00:05:40,340
WHEN I WAS 16, MY PARENTS
TOOK ME TO PARIS

139
00:05:40,374 --> 00:05:42,976
AND WE WERE EATING
DINNER AT THIS BISTRO.

140
00:05:43,010 --> 00:05:44,978
IT USED TO BE A HOME AND
STILL HAD THAT FEEL.

141
00:05:45,012 --> 00:05:46,947
THAT'S WHAT I WANT.

142
00:05:46,980 --> 00:05:50,350
WHEN I WALK IN MY KITCHEN, I WANT TO
FEEL LIKE MY KITCHEN IS HUGGING ME.

143
00:05:52,085 --> 00:05:54,755
GOOD LUCK WITH THAT, PAL.

144
00:05:54,788 --> 00:05:56,857
TELL YOU WHAT: I'M GONNA
LEAVE YOU TWO ALONE.

145
00:05:56,890 --> 00:05:58,692
I HAVE TO RUN DOWN TO
THE HARDWARE STORE

146
00:05:58,726 --> 00:06:00,394
AND GRAB A COUPLE
MORE CANS OF PAINT

147
00:06:00,428 --> 00:06:02,430
AND PERHAPS A HAMMER
THAT WANTS TO HUG ME.

148
00:06:04,432 --> 00:06:06,434
OKAY, MEL. I'M GONNA
NEED A LITTLE MORE.

149
00:06:06,467 --> 00:06:09,069
WHEN YOU IMAGINE YOUR CABINETS,
WHAT MUSIC DO YOU HEAR?

150
00:06:09,102 --> 00:06:12,840
MUSIC? REALLY? FIRST
FEELINGS, NOW MUSIC?

151
00:06:12,873 --> 00:06:15,075
I NEED TO KNOW THE EMOTION
YOU'RE GOING FOR.

152
00:06:15,108 --> 00:06:17,478
IT'S MY PROCESS. JUST GO
WITH ME FOR A MINUTE.

153
00:06:17,511 --> 00:06:19,680
WELL, I COULD TELL YOU
WHAT THE WOOD LOOKS LIKE

154
00:06:19,713 --> 00:06:21,915
OR DESCRIBE THE GRAIN
OR THE FINISH,

155
00:06:21,949 --> 00:06:23,984
BUT YOU HONESTLY EXPECT
ME TO TELL YOU WHAT SONG

156
00:06:24,017 --> 00:06:25,986
I THINK MY CABINETS
ARE SING-ING?

157
00:06:27,020 --> 00:06:29,056
( vocalizing "CanCan" )

158
00:06:36,730 --> 00:06:39,399
HEY, JULES. WHAT ARE
YOU STILL DOING HERE?

159
00:06:39,433 --> 00:06:41,134
SHHH.

160
00:06:46,173 --> 00:06:47,975
NOW I KNOW THEY'RE
JUST SKETCHES, MEL,

161
00:06:48,008 --> 00:06:49,710
BUT ARE THEY SINGING TO YOU?

162
00:06:49,743 --> 00:06:52,913
OH, LIKE MICHAEL BUBLE.

163
00:06:52,946 --> 00:06:56,083
WOW, JULES, THESE ARE EXACTLY
THE CABINETS I WANTED.

164
00:06:56,116 --> 00:06:57,985
OH, I CAN'T WAIT TO GET MY HANDS

165
00:06:58,018 --> 00:06:59,853
ALL OVER THESE BAD BOYS.
( groans )

166
00:06:59,887 --> 00:07:02,122
PERFECT. IT'S SOLD.

167
00:07:02,155 --> 00:07:04,925
ALL RIGHT. SO GET GOING
WITH THE CARVEY-CARVEY.

168
00:07:04,958 --> 00:07:06,860
MORE SKETCHES? WHAT ARE THESE?

169
00:07:06,894 --> 00:07:08,829
OH THAT. THAT'S
JUST A NOTION I HAD

170
00:07:08,862 --> 00:07:10,898
FOR THAT EMPTY ROOM
ABOVE YOUR GARAGE.

171
00:07:10,931 --> 00:07:13,634
YOU WERE TALKING ABOUT MAKING
THAT INTO AN OFFICE, RIGHT?

172
00:07:13,667 --> 00:07:15,503
- WELL, SOMEDAY.
- WHY NOT NOW?

173
00:07:15,536 --> 00:07:17,838
SKYLIGHT. COFFERED CEILINGS.

174
00:07:17,871 --> 00:07:19,907
CHERRY WOOD WINDOW SEAT.

175
00:07:19,940 --> 00:07:22,175
- IT'D BE YOUR OWN PRIVATE SANCTUARY.
- ( gasps )

176
00:07:22,209 --> 00:07:24,044
OH, I'VE ALWAYS
WANTED A SANCTUARY.

177
00:07:24,077 --> 00:07:26,446
YOU KNOW, THE SUMMER
AFTER WE WENT TO FRANCE,

178
00:07:26,480 --> 00:07:29,116
MY FAMILY AND I WENT TO GREECE
AND THERE WAS THIS MONASTERY...

179
00:07:29,149 --> 00:07:32,052
BURKE, BURKE, BURKE, BURKE.
COME ON BACK HERE TO AMERICA.

180
00:07:32,085 --> 00:07:34,087
ALL RIGHT? YOUR
COUNTRY NEEDS YOU.

181
00:07:34,121 --> 00:07:35,689
JUST STAY ON-TASK
IN THE KITCHEN.

182
00:07:35,723 --> 00:07:38,091
SO WHY DON'T YOU MAKE LIKE
YOUR MATES, THE KANGAROOS,

183
00:07:38,125 --> 00:07:40,160
AND HOP TO IT, OKAY?

184
00:07:40,193 --> 00:07:43,430
JOE, NEVER INSULT THE PEOPLE
WHO BROUGHT US "SHARK WEEK."

185
00:07:43,463 --> 00:07:47,034
LOOK, JULES, I WANT YOU
TO BUILD MY DREAM OFFICE.

186
00:07:47,067 --> 00:07:49,637
GO, MAKE MY LIFE PERFECT.

187
00:07:49,670 --> 00:07:51,672
I WON'T REST TILL
YOU'RE SATISFIED.

188
00:07:51,705 --> 00:07:53,541
OOH, I LIKE THE SOUND OF THAT.

189
00:07:53,574 --> 00:07:56,143
I'LL BE BACK IN THE MORNING
WITH A LOT MORE WOOD.

190
00:07:56,176 --> 00:07:58,145
WELL, I'LL BE WAITING.

191
00:08:03,150 --> 00:08:05,553
- WHAT THE HELL WAS THAT?
- WHAT?

192
00:08:05,586 --> 00:08:08,622
( mocking ) "I'LL BE WAITING."

193
00:08:08,656 --> 00:08:10,691
- I DIDN'T SAY IT LIKE THAT.
- NO, YOU'RE RIGHT.

194
00:08:10,724 --> 00:08:12,560
I ACTUALLY TONED DOWN
THE DESPERATION.

195
00:08:12,593 --> 00:08:14,061
I DON'T KNOW WHAT
YOUR PROBLEM IS,

196
00:08:14,094 --> 00:08:17,230
UNLESS FOR SOME TWISTED SICK
REASON YOU FEEL THREATENED.

197
00:08:17,264 --> 00:08:19,132
WHAT? NO. NOT AT ALL.
I'M JUST SAYIN'.

198
00:08:19,166 --> 00:08:20,968
HE'S TRYING TO WORK HIS WAY
INTO EVERY ROOM IN THIS HOUSE.

199
00:08:21,001 --> 00:08:22,169
IF THAT HAPPENS,
HE'LL NEVER LEAVE.

200
00:08:22,202 --> 00:08:24,171
I MEAN, IS THAT WHAT YOU WANT?

201
00:08:24,204 --> 00:08:26,173
WELL, HE IS KINDA
EASY ON THE EYES

202
00:08:26,206 --> 00:08:29,042
AND NOT SO YAPPY ON THE EARS.

203
00:08:29,076 --> 00:08:31,078
YOU KNOW WHAT THIS IS, BURKE?
THIS IS JOB CREEP.

204
00:08:31,111 --> 00:08:33,981
CLASSIC JOB CREEP. THE
GUY'S ASKED TO DO ONE JOB

205
00:08:34,014 --> 00:08:37,818
- AND HE CREEPS HIS WAY INTO EVERYTHING ELSE.
- OH REALLY, JOB CREEPER?

206
00:08:37,851 --> 00:08:39,720
WOW, YEAH. YOU
STARTED AS MY NANNY,

207
00:08:39,753 --> 00:08:41,655
BUT THEN YOU BECAME MY
CONSTRUCTION MANAGER.

208
00:08:41,689 --> 00:08:44,625
NOW YOU'RE JUST THE SENIOR VICE
PRESIDENT OF PISSING-ME-OFF!

209
00:08:44,658 --> 00:08:46,660
REALLY?

210
00:08:46,694 --> 00:08:48,962
YOU'D THINK I'D HAVE A BETTER
PARKING SPOT THEN, BABY.

211
00:08:53,300 --> 00:08:56,169
OKAY, TEAM, BOBCAT SPIRIT
IS AT AN ALL-TIME LOW.

212
00:08:56,203 --> 00:08:58,806
THAT'S WHY THE
ADMINISTRATION ASKED US,

213
00:08:58,839 --> 00:09:01,174
THE SCHOOL OPINION-MAKERS...

214
00:09:01,208 --> 00:09:04,544
AND OTHERS... TO HELP.

215
00:09:04,578 --> 00:09:06,947
YOU KNOW WHAT WE NEED, AIDAN?
COOL EVENTS.

216
00:09:06,980 --> 00:09:08,682
AND I'VE GOT THE
GREATEST ONE EVER.

217
00:09:08,716 --> 00:09:10,217
DRESS-UP FRIDAYS.

218
00:09:10,250 --> 00:09:13,621
I SO HEART DRESS-UP DAYS.

219
00:09:13,654 --> 00:09:16,924
WELL, WE ALL HEART
YOUR ENTHUSIASM.

220
00:09:16,957 --> 00:09:19,760
WE COULD DO DISCO DRESS-UP
DAY, '60s DRESS-UP DAY...

221
00:09:19,793 --> 00:09:23,731
- '70s DRESS-UP DAY.
- OOH OOH, '80s DRESS-UP DAY.

222
00:09:23,764 --> 00:09:26,066
WE'RE GONNA RUN OUT OF
DECADES BY THANKSGIVING.

223
00:09:26,099 --> 00:09:28,602
SEBASTIAN, DO YOU
HAVE ANY IDEAS?

224
00:09:33,073 --> 00:09:35,075
WHAT ABOUT YOU, LENNOX?

225
00:09:35,108 --> 00:09:37,110
I SEE YOU'VE WRITTEN

226
00:09:37,144 --> 00:09:39,246
"SHUT UP" ABOUT 100 TIMES
ON YOUR PAD THERE.

227
00:09:40,580 --> 00:09:44,151
WELL, UH, YEAH. I MEAN,
AS AWESOME AS IT IS

228
00:09:44,184 --> 00:09:45,819
TO FIND OUT WHAT'S IN
EVERYONE'S CLOSET...

229
00:09:45,853 --> 00:09:48,155
I HAVE A RED MICHAEL
JACKSON JACKET.

230
00:09:48,188 --> 00:09:51,258
...IT MIGHT ALSO BE COOL TO
FIND OUT WHAT'S IN THEIR MINDS.

231
00:09:51,291 --> 00:09:54,695
LIKE EVERY THURSDAY AT ASSEMBLY
WE COULD PUT UP A MICROPHONE

232
00:09:54,728 --> 00:09:56,730
WHERE STUDENTS CAN SAY
WHATEVER THEY WANT.

233
00:09:56,764 --> 00:09:58,799
LIKE A FREEDOM MIC.

234
00:09:58,832 --> 00:10:00,200
OKAY.

235
00:10:00,233 --> 00:10:02,703
WHAT DO WE THINK
OF LENNOX'S IDEA?

236
00:10:04,271 --> 00:10:07,941
- ( gasps ) '90s DRESS-UP DAY!
- YES, THAT'S SO UNEXPECTED!

237
00:10:07,975 --> 00:10:12,279
OKAY, WELL, YOU GUYS SEEM TO
HAVE THIS ALL UNDER CONTROL,

238
00:10:12,312 --> 00:10:14,715
SO I'M JUST GONNA STEP
OUT FOR A MINUTE.

239
00:10:14,748 --> 00:10:16,216
AND NOT COME BACK.

240
00:10:21,955 --> 00:10:23,924
HEY, I GOT YOUR TEXT.

241
00:10:23,957 --> 00:10:26,126
OH HEY, I JUST NEED
YOU TO TAKE A GANDER

242
00:10:26,159 --> 00:10:27,895
AT SOMETHING AND SIGN OFF ON IT.

243
00:10:27,928 --> 00:10:29,963
WELL, I APPROVE.

244
00:10:31,298 --> 00:10:32,866
I HAVEN'T SHOWN
YOU ANYTHING YET.

245
00:10:32,900 --> 00:10:34,802
WELL, I GUESS I'M JUST
IN A BUYING MOOD.

246
00:10:34,835 --> 00:10:36,103
ALL RIGHT.

247
00:10:36,136 --> 00:10:38,839
WELL, WHAT DO YOU THINK?

248
00:10:38,872 --> 00:10:41,074
OH, THEY'RE PERFECT.

249
00:10:43,977 --> 00:10:46,246
I GUESS I'LL LET THE
ARTIST GET BACK TO WORK.

250
00:10:47,681 --> 00:10:49,817
HEY, I WAS JUST ABOUT
TO BREAK FOR LUNCH.

251
00:10:49,850 --> 00:10:51,685
I PACKED AN EXTRA SAMMIE.

252
00:10:53,120 --> 00:10:55,322
IT'S BUFFALO MOZZARELLA
AND HEIRLOOM TOMATO.

253
00:10:55,355 --> 00:10:58,826
THEY WERE GROWN IN MY BACKYARD...
THE TOMATOES, NOT THE BUFFALOES.

254
00:10:58,859 --> 00:11:02,129
OH, WELL, I GUESS I COULD STAY
FOR A SAMMIE WITH TOMATO.

255
00:11:02,162 --> 00:11:05,132
I'LL JUST, UH, CLEAR SOME
OF THIS MESS OUT OF HERE.

256
00:11:08,902 --> 00:11:11,204
WOW, YOU MANAGED TO MAKE
THAT LOOK VERY MACHO.

257
00:11:12,773 --> 00:11:15,275
CIABATTA OR BAGUETTE?
I MADE THEM MYSELF.

258
00:11:15,308 --> 00:11:17,110
WOW, IS THERE ANYTHING
YOU CAN'T MAKE?

259
00:11:17,144 --> 00:11:19,246
AND DOES YOUR GIRLFRIEND
KNOW HOW LUCKY SHE IS?

260
00:11:19,279 --> 00:11:21,214
AH. A GIRLFRIEND...

261
00:11:21,248 --> 00:11:23,917
THERE'S SOMETHING I
WISH I COULD BUILD.

262
00:11:23,951 --> 00:11:26,253
I ONCE BUILT A BOYFRIEND OUT OF PILLOWS.
( chuckles )

263
00:11:26,286 --> 00:11:28,255
I WAS 10. I WAS 10.

264
00:11:31,859 --> 00:11:34,327
MMM. MMM!

265
00:11:34,361 --> 00:11:37,464
OH, IT GETS BETTER.
TRY THIS OLIVE.

266
00:11:38,866 --> 00:11:40,100
MMM!

267
00:11:41,368 --> 00:11:43,871
HELLO. I'M HERE.

268
00:11:43,904 --> 00:11:47,074
BEEN HERE. LONGEST 30
SECONDS OF MY LIFE.

269
00:11:48,475 --> 00:11:50,978
WHAT ARE YOU EVEN DOING HERE?
DID YOU FORGET SOMETHING?

270
00:11:51,011 --> 00:11:52,445
LIKE YOUR MANNERS?

271
00:11:52,479 --> 00:11:55,015
( cell phone ringing )

272
00:11:57,951 --> 00:12:00,053
( groans ) MRS. WESTBURN.

273
00:12:00,087 --> 00:12:01,955
THIS WOMAN IS A TOTAL NIGHTMARE.

274
00:12:01,989 --> 00:12:03,924
WHY CAN'T ALL MY
CLIENTS BE LIKE YOU?

275
00:12:06,927 --> 00:12:08,896
BECAUSE THEY HAVE BOUNDARIES.

276
00:12:08,929 --> 00:12:10,397
IT'S THE MIDDLE OF
THE DAY, BURKE.

277
00:12:10,430 --> 00:12:11,932
WHAT ARE YOU EVEN DOING HERE?

278
00:12:11,965 --> 00:12:14,868
WELL, JULES NEEDED ME TO
APPROVE THE CABINET DOORS.

279
00:12:14,902 --> 00:12:18,271
- OH REALLY? HOW COME HE DIDN'T CALL ME?
- THEY'RE MY DOORS.

280
00:12:18,305 --> 00:12:19,907
YEAH, BUT I'M THE
CONSTRUCTION MANAGER.

281
00:12:19,940 --> 00:12:20,908
THIS IS MY TERRITORY.

282
00:12:20,941 --> 00:12:22,409
- WHAT IS?
- YOU.

283
00:12:22,442 --> 00:12:24,812
NO, I MEAN YOUR HOUSE.

284
00:12:24,845 --> 00:12:27,380
I DON'T APPRECIATE ANOTHER
GUY JUST SWOOPING IN HERE

285
00:12:27,414 --> 00:12:29,249
AND SCREWING UP THE
CHAIN OF COMMAND.

286
00:12:29,282 --> 00:12:32,052
THIS HAS NOTHING TO DO WITH
CHAIN OF COMMAND OR SCREWING.

287
00:12:32,085 --> 00:12:33,821
UP.

288
00:12:33,854 --> 00:12:36,056
GOOD, LET'S KEEP IT THAT WAY.

289
00:12:38,091 --> 00:12:41,361
OH MEL, I'M SO SORRY. THERE'S AN
EMERGENCY AT MRS. WESTBURN'S HOUSE.

290
00:12:41,394 --> 00:12:43,463
IT NEVER ENDS WITH HER.
BUT TOMORROW WE'LL HUDDLE

291
00:12:43,496 --> 00:12:45,432
OVER THOSE PLANS FOR YOUR
NEW OFFICE SANCTUARY.

292
00:12:45,465 --> 00:12:47,500
OH WELL, I LIKE TO CUDDLE...
HUDDLE.

293
00:12:48,869 --> 00:12:50,838
HURRY BACK.

294
00:12:52,139 --> 00:12:54,041
LEAVE ME ALONE.

295
00:12:55,342 --> 00:12:57,410
DON'T YOU SEE THE GAME
THIS GUY IS PLAYING HERE?

296
00:12:57,444 --> 00:12:59,880
COME ON! HE STRUTS AROUND THIS
PLACE WITH HIS GUNS A-BLAZING

297
00:12:59,913 --> 00:13:02,082
AND ALL OF A SUDDEN, THERE'S
MORE CABINETS BEING ORDERED.

298
00:13:02,115 --> 00:13:03,917
THAT IS NOT WHAT'S
GOING ON HERE.

299
00:13:03,951 --> 00:13:05,352
LOOK, I'M GONNA SAY
SOMETHING, ALL RIGHT?

300
00:13:05,385 --> 00:13:07,821
YOU'RE NOT GONNA LIKE IT, BUT
I'M GONNA SAY IT ANYWAY.

301
00:13:07,855 --> 00:13:10,290
WHAT KIND OF A GUY COMES TO WORK

302
00:13:10,323 --> 00:13:12,125
WEARING T-SHIRTS THAT TIGHT?

303
00:13:13,360 --> 00:13:14,995
YOU KNOW WHAT I MEAN? MUSCLES
HANGING OUT EVERYWHERE?

304
00:13:15,028 --> 00:13:17,030
FRANKLY, IT'S GROSS, OKAY?

305
00:13:17,064 --> 00:13:20,067
CLEARLY, THE MAN IS JUST
OVERCOMPENSATING FOR SOMETHING.

306
00:13:22,102 --> 00:13:24,371
- YEAH, IT'S JUST SAD.
- IT IS.

307
00:13:24,404 --> 00:13:26,974
YOU'RE FALLING FOR
HIM, AREN'T YOU?

308
00:13:27,007 --> 00:13:28,942
WHAT?! NO! WHY WOULD
I FALL FOR A GUY

309
00:13:28,976 --> 00:13:31,945
WHO'S PERFECT AND ALL? YOU
THINK THAT'S MY TYPE?

310
00:13:31,979 --> 00:13:34,181
WELL, BLEH.

311
00:13:34,214 --> 00:13:37,017
YOU CAN'T EVEN BE HONEST WITH
YOURSELF FOR LIKE A SECOND.

312
00:13:37,050 --> 00:13:39,486
OH, I CAN BE HONEST...
BIG-TIME HONEST.

313
00:13:39,519 --> 00:13:41,388
YOU KNOW WHAT? ALL RIGHT.

314
00:13:41,421 --> 00:13:44,157
WHAT'S GOING ON HERE
IS TOTALLY UNHEALTHY.

315
00:13:44,191 --> 00:13:47,360
EXACTLY, YES. GETTING INVOLVED WITH
A HUNK WHO WORKS IN YOUR HOUSE

316
00:13:47,394 --> 00:13:51,498
- IS JUST NUTS.
- NO, YOU BEING SO INVOLVED IN MY LIFE

317
00:13:51,531 --> 00:13:54,434
IS UNHEALTHY. YOU'RE ALWAYS
HERE, HAVING OPINIONS.

318
00:13:54,467 --> 00:13:56,169
CAN I HELP IT IF I
HAVE GREAT IDEAS?

319
00:13:56,203 --> 00:13:59,039
WELL, WE WON'T KNOW UNTIL
YOU ACTUALLY HAVE ONE.

320
00:13:59,072 --> 00:14:00,540
EVEN THOUGH MY
KITCHEN'S NOT DONE,

321
00:14:00,573 --> 00:14:02,342
- YOU'RE ALL UP IN MY GRILL.
- OH YEAH.

322
00:14:02,375 --> 00:14:05,178
'CAUSE YOU'RE NEVER IN MY PERSONAL
BUSINESS. WORKS BOTH WAYS, BURKEY.

323
00:14:05,212 --> 00:14:07,447
NO, TH DOESN'T WORK.
THIS IS TOXIC.

324
00:14:07,480 --> 00:14:09,116
YOU KNOW WHAT? YOU'RE RIGHT.
I WANT OUT.

325
00:14:09,149 --> 00:14:12,019
WELL, FINALLY. A GREAT IDEA.
GOOD, GO.

326
00:14:12,052 --> 00:14:14,487
- GREAT, I'M GOING.
- YEAH, PACK UP YOUR STUFF AND GO

327
00:14:14,521 --> 00:14:16,523
TO...

328
00:14:16,556 --> 00:14:18,225
TO...

329
00:14:18,258 --> 00:14:20,160
THE NEW ROOM ABOVE THE GARAGE!

330
00:14:20,193 --> 00:14:22,362
YOU KNOW WHAT? YEAH, I WILL!

331
00:14:22,395 --> 00:14:24,164
ALL RIGHT? BUT I'M GONNA
TELL YOU SOMETHING:

332
00:14:24,197 --> 00:14:26,266
ONCE I GO, I AIN'T
COMING BACK...

333
00:14:26,299 --> 00:14:28,368
TO THE BASEMENT.

334
00:14:28,401 --> 00:14:30,070
I'M COUNTING ON IT.

335
00:14:30,103 --> 00:14:32,105
IT'LL BE WORTH
LOSING MY MONASTERY.

336
00:14:32,139 --> 00:14:35,275
- SANCTUARY.
- WHATEVER-ARY. IT'S YOURS.

337
00:14:38,912 --> 00:14:42,182
AND ALL THEY CARED ABOUT WAS
ORGANIZING DIFFERENT DRESS-UP DAYS.

338
00:14:42,215 --> 00:14:44,017
DISCO DAY, PAJAMA DAY.

339
00:14:44,051 --> 00:14:46,519
OOH, HOW ABOUT SLUTTY
CHEERLEADER DAY?

340
00:14:46,553 --> 00:14:48,288
STOP SUGGESTING THAT.

341
00:14:48,321 --> 00:14:51,191
ANYWAY, I'M NOT GOING BACK.

342
00:14:51,224 --> 00:14:53,026
WHAT DO YOU MEAN?
YOU WERE APPOINTED,

343
00:14:53,060 --> 00:14:56,529
LIKE A PRETTY BLONDE
SUPREME COURT JUSTICE.

344
00:14:56,563 --> 00:14:59,566
AND I THOUGHT AIDAN, MR. "I
GET ALONG WITH EVERYBODY,"

345
00:14:59,599 --> 00:15:02,002
WOULD AT LEAST TAKE WHAT
I HAD TO SAY SERIOUSLY.

346
00:15:02,035 --> 00:15:04,237
I HAD THIS GREAT IDEA ABOUT
PUTTING UP A FREEDOM MIC

347
00:15:04,271 --> 00:15:06,139
WHERE EVERYBODY COULD SPEAK OUT.

348
00:15:06,173 --> 00:15:07,640
YEAH, BECAUSE THEN EVERYBODY
COULD FINALLY SAY...

349
00:15:07,674 --> 00:15:09,342
BE QUIET ALREADY.

350
00:15:10,643 --> 00:15:12,912
HONEY, LET ME TELL YOU
HOW GOVERNMENT WORKS.

351
00:15:12,946 --> 00:15:14,881
YOU KNOW, EVEN SOMETIMES
WITH A GOOD IDEA LIKE YOURS

352
00:15:14,914 --> 00:15:16,950
YOU STILL HAVE TO
PUSH PUSH PUSH.

353
00:15:16,984 --> 00:15:19,186
BUT IF YOU'RE NOT
THERE IN THE ROOM,

354
00:15:19,219 --> 00:15:21,288
- YOU CAN'T PUSH.
- YEAH, WHATEVER.

355
00:15:21,321 --> 00:15:24,491
- I'M SO DONE WITH THOSE PEOPLE.
- QUITTER.

356
00:15:29,929 --> 00:15:32,632
YOU WANT ME TO SHOW YOU HOW TO MAKE THE
PERFECT PIECE OF TOAST OUT OF THAT THING?

357
00:15:32,665 --> 00:15:34,934
- UH, I CAN MAKE MY OWN...
- BAH BAH BAH BAH BAH.

358
00:15:34,968 --> 00:15:37,270
WATCH THIS.

359
00:15:38,505 --> 00:15:40,207
OHH.

360
00:15:40,240 --> 00:15:41,508
THANK YOU.

361
00:15:42,675 --> 00:15:44,244
NEED A LITTLE HELP THERE?

362
00:15:44,277 --> 00:15:47,147
I AM PERFECTLY CAPABLE OF
MAKING MY OWN SANDWICHES.

363
00:15:47,180 --> 00:15:49,349
SANDWICH-ES. OH, I SEE.

364
00:15:49,382 --> 00:15:51,684
WHAT ARE YOU DOING, PLANNING
ANOTHER LITTLE PICNIC

365
00:15:51,718 --> 00:15:55,122
WITH THE THUNDER
FROM DOWN UNDER?

366
00:15:55,155 --> 00:15:58,358
FOR YOUR INFORMATION THERE ARE
NO PICNICS PLANNED IN MY KITCHEN

367
00:15:58,391 --> 00:16:02,029
BECAUSE JULES IS STUCK ALL DAY OVER AT MRS.
NIGHTMARE'S HOUSE.

368
00:16:02,062 --> 00:16:04,264
OH, SO YOU'RE JUST GONNA TAKE THE
SANDWICHES OVER THERE AND THEN...

369
00:16:04,297 --> 00:16:08,235
YOU KNOW WHAT? I ALMOST DID
THAT WHOLE TOXIC THING AGAIN.

370
00:16:08,268 --> 00:16:11,238
MY FAULT. I VOLUNTEERED
INFORMATION.

371
00:16:11,271 --> 00:16:13,473
- YEAH. THAT WAS CLOSE.
- YEAH.

372
00:16:13,506 --> 00:16:15,108
( doorbell rings )

373
00:16:15,142 --> 00:16:18,145
- UGH, LENNOX, CAN YOU GET IT?
- I'M A LITTLE BUSY HERE.

374
00:16:19,146 --> 00:16:21,148
( scoffs ) FINE.

375
00:16:25,618 --> 00:16:27,687
OH, UH, HELLO.

376
00:16:27,720 --> 00:16:29,722
HI. LISTEN, I JUST
WANTED TO CATCH YOU

377
00:16:29,756 --> 00:16:32,192
BEFORE THAT SPIRIT
COMMITTEE MEETING TODAY

378
00:16:32,225 --> 00:16:33,960
WHICH I HOPE YOU'RE GOING TO.

379
00:16:33,993 --> 00:16:37,430
AH, YOU KNOW, AIDAN, THE SPIRIT
COMMITTEE KIND OF BROKE MY SPIRIT,

380
00:16:37,464 --> 00:16:39,332
SO I THINK I'M GONNA PASS.

381
00:16:39,366 --> 00:16:42,001
WHO'S THE CUTE BOY SELLING
DIMPLES DOOR-TO-DOOR?

382
00:16:42,035 --> 00:16:46,005
THAT'S AIDAN. HE'S PRESIDENT OF
EVERYTHING AND KING OF SCHOOL SPIRIT.

383
00:16:46,039 --> 00:16:49,609
LOOK, I KNOW MARTIN AND
STELLA HAVE SOME BAD IDEAS.

384
00:16:49,642 --> 00:16:51,644
NO, THEY'RE NOT BAD.
THEY'RE JUST...

385
00:16:51,678 --> 00:16:54,381
INCREDIBLY LAME AND
ABSOLUTELY AWFUL.

386
00:16:54,414 --> 00:16:56,149
( both chuckle )

387
00:16:56,183 --> 00:16:58,551
BUT YOURS WASN'T. WHY
DON'T YOU COME BACK?

388
00:16:58,585 --> 00:17:01,288
I DON'T HAVE THE DISCO
BALLS TO FIGHT THOSE TWO.

389
00:17:01,321 --> 00:17:03,390
YEAH, BUT TOGETHER,

390
00:17:03,423 --> 00:17:06,393
YOU AND ME, WE COULD
CHANGE THINGS.

391
00:17:06,426 --> 00:17:08,561
ALL WE HAVE TO DO
IS PUSH PUSH PUSH.

392
00:17:09,562 --> 00:17:11,531
I CAN'T PUSH ALONE.

393
00:17:11,564 --> 00:17:14,534
I GOTTA SAY, THAT
MAKES A LOT OF CUTE.

394
00:17:14,567 --> 00:17:17,304
SENSE. SENSE.

395
00:17:17,337 --> 00:17:19,206
WHY DIDN'T I SEE THAT BEFORE?

396
00:17:22,075 --> 00:17:23,576
THAT'S EXACTLY WHAT I SAID.

397
00:17:23,610 --> 00:17:26,246
YEAH, BUT DID YOU SAY IT
WITH THE CUTE BOY DIMPLES?

398
00:17:26,279 --> 00:17:28,348
HM, GOOD POINT.

399
00:17:37,157 --> 00:17:39,492
M-MEL!

400
00:17:39,526 --> 00:17:41,628
- WHAT ARE YOU DOING HERE?
- I HAVE SANDWICHES

401
00:17:41,661 --> 00:17:43,430
AND I BROUGHT "PO-TAH-TO" CHIPS.

402
00:17:43,463 --> 00:17:46,799
OH, THAT IS SO SWEET, BUT IF MRS.
WESTBURN CATCHES ME SLACKING,

403
00:17:46,833 --> 00:17:48,768
- SHE'LL CHEW MY HEAD OFF.
- Woman: JULES DARLING,

404
00:17:48,801 --> 00:17:50,370
DID YOU WANT THE PINOT
OR THE ZINFANDEL?

405
00:17:50,403 --> 00:17:53,406
GO GO. IT GETS UGLY ONCE
SHE STARTS DRINKING.

406
00:17:56,776 --> 00:17:58,678
( gasps ) MY CABINETS!

407
00:17:58,711 --> 00:18:00,713
WHO'S SHE?

408
00:18:00,747 --> 00:18:02,749
UH, MRS. WESTBURN,
I'D LIKE YOU TO MEET

409
00:18:02,782 --> 00:18:05,252
ANOTHER CLIENT OF MINE...
MS. BURKE.

410
00:18:05,285 --> 00:18:07,086
Westburn: MS. BURKE.

411
00:18:07,120 --> 00:18:10,257
OH, THE NEEDY ONE.

412
00:18:10,290 --> 00:18:11,658
SEE THOSE OLIVES RIGHT THERE?

413
00:18:11,691 --> 00:18:13,360
YOU MIGHT WANT TO WASH 'EM

414
00:18:13,393 --> 00:18:15,862
BEFORE HE PUTS 'EM IN YOUR MOUTH.
THEY'VE BEEN AROUND.

415
00:18:22,602 --> 00:18:24,171
- WHOA, HEY.
- HEY.

416
00:18:24,204 --> 00:18:25,838
SO HOW'S THE NEW ROOM
COMING UP THERE?

417
00:18:25,872 --> 00:18:29,309
IT'S GONNA BE AWESOME, ACTUALLY, AS
SOON AS I FIND ALL THE LOOSE NAILS.

418
00:18:29,342 --> 00:18:31,811
BUT I HAVE THIS GREAT SYSTEM:
WHAT I DO IS I STEP ON THEM

419
00:18:31,844 --> 00:18:33,680
AND THEN I JUST PULL
THEM OUT OF MY TOES.

420
00:18:35,415 --> 00:18:38,251
HEY, SO HOW DID YOUR PICNIC GO

421
00:18:38,285 --> 00:18:40,320
- WITH JULES?
- UGH.

422
00:18:40,353 --> 00:18:43,790
SO I SHOW UP LOOKING EXTRA
CUTE, EFFORTLESSLY,

423
00:18:43,823 --> 00:18:46,426
READY TO HAVE LUNCH
AND THEN, UH...

424
00:18:46,459 --> 00:18:49,296
WELL, YOU KNOW WHAT? I'M
SAYING TOO MUCH AGAIN.

425
00:18:49,329 --> 00:18:52,332
I DON'T WANT TO RUIN THIS HEALTHY
DISTANCE THING WE JUST STARTED.

426
00:18:52,365 --> 00:18:54,734
I THINK YOU'RE RIGHT. AND AS A
MATTER OF FACT, I HAVE TO SAY

427
00:18:54,767 --> 00:18:56,336
SINCE WE STEPPED UP THE PRIVACY,

428
00:18:56,369 --> 00:18:58,371
I CAN FEEL US BEING A LITTLE
MORE CIVIL TOWARD EACH OTHER.

429
00:18:58,405 --> 00:19:00,340
YEAH. YEAH, ME TOO.

430
00:19:00,373 --> 00:19:02,575
I THINK IT'S MUCH BETTER NOT
SHARING EVERY INTIMATE DETAIL.

431
00:19:02,609 --> 00:19:04,611
COULD NOT AGREE WITH YOU MORE.

432
00:19:04,644 --> 00:19:05,645
OH BY THE WAY, I
PICKED UP SOME MORE

433
00:19:05,678 --> 00:19:06,846
OF THAT QUILTED TOILET
PAPER THAT YOU LIKE.

434
00:19:06,879 --> 00:19:09,349
OH, THE ONE THE LITTLE
CARTOON BEARS USE?

435
00:19:09,382 --> 00:19:10,750
YEAH, THAT'S THE ONE.

436
00:19:10,783 --> 00:19:12,552
- THANKS.
- YOU'RE WELCOME.

437
00:19:15,355 --> 00:19:18,391
I GOTTA GET BACK UPSTAIRS AND
CONTINUE WORKING ON MY NEW ROOM.

438
00:19:18,425 --> 00:19:19,826
SO I'LL SEE YOU.

439
00:19:21,628 --> 00:19:23,796
- HEY, JOE?
- YEAH?

440
00:19:25,498 --> 00:19:27,367
YOU KNOW,

441
00:19:27,400 --> 00:19:29,636
NOW THAT YOU'RE IN THE
ROOM OVER THE GARAGE,

442
00:19:29,669 --> 00:19:31,671
IT'S GONNA BE A LITTLE WEIRD...

443
00:19:31,704 --> 00:19:34,407
I MEAN, YOU NOT BEING
WITHIN SHOUTING DISTANCE?

444
00:19:34,441 --> 00:19:36,476
YOU CAN SHOUT LOUDER
THAN YOU THINK, BURKE.

445
00:19:36,509 --> 00:19:38,345
AW, YOU'RE JUST SAYING THAT.

446
00:19:39,812 --> 00:19:43,316
- UH, WELL, GOOD NIGHT.
- GOOD NIGHT, LONGO.

447
00:19:47,387 --> 00:19:49,389
JOE, QUICK!

448
00:19:49,422 --> 00:19:51,458
- YEAH? WHAT?
- NOTHING. JUST TESTING.

449
00:19:54,461 --> 00:19:56,496
( counting in Italian )

450
00:20:01,568 --> 00:20:03,603
( panting )

451
00:20:14,914 --> 00:20:16,949
SO MUCH FOR PRIVACY.

452
00:20:18,418 --> 00:20:20,453
SO MUCH FOR DISTANCE.

453
00:20:24,524 --> 00:20:26,959
- Aidan: HEY RYDER, IS LENNOX HERE?
- LENNOX!

454
00:20:26,993 --> 00:20:29,562
OH, YOU KNOW WHAT? SHE
MUST BE UPSTAIRS.

455
00:20:29,596 --> 00:20:31,698
( shouts ) LENNOX!

456
00:20:31,731 --> 00:20:33,300
Lennox: I HEARD YOU!

457
00:20:33,333 --> 00:20:35,268
WOULD YOU STOP YELLING?

458
00:20:35,302 --> 00:20:37,937
OH HEY, AIDAN.

459
00:20:37,970 --> 00:20:41,374
WAIT, I KNOW YOU GUYS ARE ON THAT
STUDENT COUNCIL SPIRIT THING.

460
00:20:41,408 --> 00:20:44,277
- I KNOW YOU'RE TAKING SUGGESTIONS...
- MM-HMM. GET OUT.

461
00:20:44,311 --> 00:20:47,280
I'LL SAVE IT FOR
THE FREEDOM MIC.

462
00:20:48,615 --> 00:20:51,818
HERE'S THE PROPOSAL THAT'S
GOING TO THE VICE PRINCIPAL.

463
00:20:51,851 --> 00:20:55,488
IT LOOKS GOOD. I GUESS THAT'S
THE END OF OUR COMMITTEE.

464
00:20:55,522 --> 00:20:58,291
MAYBE WE COULD KEEP ON MEETING.

465
00:20:58,325 --> 00:20:59,792
YOU MEAN LIKE MORE SPIRIT STUFF?

466
00:20:59,826 --> 00:21:01,428
NO, LIKE,

467
00:21:01,461 --> 00:21:04,497
I WAS THINKING A SMALLER
COMMITTEE, JUST TWO PEOPLE.

468
00:21:04,531 --> 00:21:07,367
AND WE COULD TALK ABOUT
OTHER IMPORTANT ISSUES

469
00:21:07,400 --> 00:21:09,436
LIKE, UH, WHAT MOVIE TO GO SEE?

470
00:21:11,504 --> 00:21:13,906
YOU'RE ASKING ME
OUT, AREN'T YOU?

471
00:21:13,940 --> 00:21:15,375
I WAS TRYING.

472
00:21:16,543 --> 00:21:18,378
I DON'T KNOW.

473
00:21:18,411 --> 00:21:21,381
DATING A KID LIKE YOU COULD
REALLY HURT MY STREET CRED.

474
00:21:23,015 --> 00:21:24,751
BUT I'LL RISK IT.