﻿1
00:00:07,708 --> 00:00:10,010
MELISSA & JOEY IS RECORDED IN
FRONT OF A LIVE STUDIO AUDIENCE.

2
00:00:11,482 --> 00:00:12,642
ALL SET TO SHOOT YOUR SEGMENT?

3
00:00:12,643 --> 00:00:14,414
OH, ALMOST, KYLE.

4
00:00:14,415 --> 00:00:15,515
- HEY, JOE.
- YEAH.

5
00:00:15,516 --> 00:00:17,617
WHICH POSE SAYS "ELECT
ME TO STATE SENATE,

6
00:00:17,618 --> 00:00:20,120
BUT I'M ALSO SEXY,
FUN, AND DATEABLE..."

7
00:00:20,121 --> 00:00:22,322
THE FINGER ON THE CHIN
OR THE HAND ON THE HIP?

8
00:00:22,323 --> 00:00:25,225
I THINK THIS IS
WAY MORE BEYONCE.

9
00:00:25,226 --> 00:00:26,356
BURKE, YOU'RE STANDING
IN THE KITCHEN.

10
00:00:26,357 --> 00:00:28,459
THE WHOLE SETUP IS
REALLY UNBELIEVABLE.

11
00:00:29,460 --> 00:00:31,061
Kyle: OKAY, WE ARE GOOD TO GO.

12
00:00:31,062 --> 00:00:34,734
THIS IS HOUSEHOLD SAFETY
SPOT, TAKE ONE...

13
00:00:34,735 --> 00:00:36,106
AND GO.

14
00:00:36,107 --> 00:00:39,139
HELLO, TOLEDO. I'M
COUNCILWOMAN MEL BURKE.

15
00:00:39,140 --> 00:00:42,612
AND IF DISASTER STRIKES, I
WANT YOU TO BE PREPARED.

16
00:00:42,613 --> 00:00:44,274
YOU KNOW, IT IS EASY

17
00:00:44,275 --> 00:00:45,645
TO PREPARE YOURSELF BY
STOCKING YOUR KITCHEN

18
00:00:45,646 --> 00:00:48,047
WITH EMERGENCY
WATER, CANNED GOODS,

19
00:00:48,048 --> 00:00:51,422
AND A MANUAL CAN OPENER,
JUST LIKE THE COWBOY DAYS.

20
00:00:52,783 --> 00:00:55,625
UH, AND YOU JUST...

21
00:00:55,626 --> 00:00:57,087
OOP.

22
00:00:57,088 --> 00:01:00,090
I'M USED TO USING THE
ELECTRIC KIND, BUT...

23
00:01:00,091 --> 00:01:02,061
OKAY, WELL, NO
WONDER THE COWBOYS

24
00:01:02,062 --> 00:01:03,333
USED TO ALWAYS SHOOT
AT EACH OTHER.

25
00:01:03,334 --> 00:01:05,064
( chuckles ) UM...

26
00:01:05,065 --> 00:01:06,297
COME ON, BESSIE!

27
00:01:07,798 --> 00:01:09,399
ALLOW ME, COUNCILWOMAN.

28
00:01:09,400 --> 00:01:11,241
- ( clears throat )
- OKAY, LET THIS POP.

29
00:01:11,242 --> 00:01:13,443
- THERE WE GO.
- OKAY.

30
00:01:13,444 --> 00:01:16,075
- I LOOSENED IT FOR YOU.
- ( laughs )

31
00:01:16,076 --> 00:01:18,348
BY BANGING IT AGAINST THE
COUNTER LIKE A MONKEY.

32
00:01:18,349 --> 00:01:19,679
THIS IS JOE

33
00:01:19,680 --> 00:01:22,152
- MY CAN OPENER.
- WOW, CAN OPENER.

34
00:01:22,153 --> 00:01:23,353
THAT WOULD BE A PROMOTION.

35
00:01:23,354 --> 00:01:25,216
OKAY, HOW ABOUT CAN
OPEN, MOUTH CLOSED?

36
00:01:26,617 --> 00:01:29,119
ALL RIGHT, JOE, YOU CAN TAKE
A FEW STEPS TO THE RIGHT.

37
00:01:29,120 --> 00:01:31,221
- WELL, I...
- NO, SO THE CAMERA CAN'T SEE YOU.

38
00:01:31,222 --> 00:01:33,593
THANK YOU. ALL RIGHT, UM...
( clears throat )

39
00:01:33,594 --> 00:01:34,864
WHERE WAS I?

40
00:01:34,865 --> 00:01:36,566
WELL, YOU WERE HAVING
TROUBLE OPENING THIS CAN.

41
00:01:36,567 --> 00:01:37,867
AND THEN I CAME
IN AND SAVED YOU.

42
00:01:37,868 --> 00:01:39,369
AND NOW YOU WANT TO TALK
ABOUT HOW IMPORTANT IT IS

43
00:01:39,370 --> 00:01:40,630
TO HAVE BOTTLED WATER ON HAND.

44
00:01:40,631 --> 00:01:41,801
ABSOLUTELY.

45
00:01:41,802 --> 00:01:44,175
EVERYONE SHOULD HAVE
TWO GOOD-SIZED JUGS.

46
00:01:45,806 --> 00:01:47,778
I CAN'T ARGUE WITH THAT.

47
00:01:49,140 --> 00:01:50,710
THAT WAS GREAT.

48
00:01:50,711 --> 00:01:52,612
WE'LL START AIRING THESE ON "GOOD
MORNING TOLEDO" RIGHT AWAY.

49
00:01:52,613 --> 00:01:54,644
YOU KNOW, MEL, YOU ARE
A NATURAL ON CAMERA.

50
00:01:54,645 --> 00:01:55,715
OH, I KNOW. BACK IN COLLEGE,

51
00:01:55,716 --> 00:01:57,147
DURING SPRING BREAK,

52
00:01:57,148 --> 00:01:59,289
I WAS ONE OF THE VERY
FIRST GIRLS TO GO WILD.

53
00:01:59,290 --> 00:02:00,790
LISTEN,

54
00:02:00,791 --> 00:02:02,722
I'M LOSING MY REGULAR
HOST FOR A LITTLE WHILE.

55
00:02:02,723 --> 00:02:04,194
HE'S HAVING A LITTLE
MEDICAL PROCEDURE.

56
00:02:04,195 --> 00:02:05,255
CAN'T SAY MUCH MORE THAN THAT,

57
00:02:05,256 --> 00:02:07,727
BUT, UH...

58
00:02:07,728 --> 00:02:09,799
I HEAR YOU. MY MOM'S
ALL ABOUT THE...

59
00:02:09,800 --> 00:02:10,830
NOT TO MENTION THE...
( whistles )

60
00:02:10,831 --> 00:02:13,163
AND THE... ( sucking sound ).

61
00:02:13,164 --> 00:02:14,404
SAY NO MORE.

62
00:02:14,405 --> 00:02:15,835
SO HOW WOULD YOU LIKE TO
BE GUEST HOST FOR A WEEK?

63
00:02:15,836 --> 00:02:17,407
- ME?
- MM-HMM.

64
00:02:17,408 --> 00:02:18,868
OH, THAT'S VERY FLATTERING,

65
00:02:18,869 --> 00:02:20,370
BUT I DON'T KNOW.

66
00:02:20,371 --> 00:02:22,712
WITH MY WORK SCHEDULE AND THE
STATE SENATE CAMPAIGN...

67
00:02:22,713 --> 00:02:24,214
IT WOULD PUT YOUR FACE
IN FRONT OF THE VOTERS.

68
00:02:24,215 --> 00:02:25,345
AFTER ALL, MOST PEOPLE VOTE

69
00:02:25,346 --> 00:02:26,576
FOR THE MOST FAMOUS
NAME ON THE BALLOT.

70
00:02:26,577 --> 00:02:28,147
AS OUR FOREFATHERS INTENDED.

71
00:02:28,148 --> 00:02:29,249
I MEAN YOU THINK LINCOLN
WOULD HAVE BEEN ELECTED

72
00:02:29,250 --> 00:02:30,780
WITHOUT THAT MOVIE?

73
00:02:30,781 --> 00:02:32,252
EXACTLY.

74
00:02:32,253 --> 00:02:33,283
SO YOU ON BOARD?

75
00:02:33,284 --> 00:02:36,186
WELL, I CAN'T SAY NO TO OHIO.

76
00:02:36,187 --> 00:02:37,527
THAT'S GREAT. HEY, JOE,

77
00:02:37,528 --> 00:02:39,429
- SHE'S IN.
- HEY, FANTASTIC.

78
00:02:39,430 --> 00:02:40,530
WAIT, WHAT'S GOING ON?

79
00:02:40,531 --> 00:02:42,532
HI, I'M YOUR NEW CO-HOST.

80
00:02:42,533 --> 00:02:44,464
WHAT? NO, I'M THE HOST.

81
00:02:44,465 --> 00:02:46,165
THERE'S NO CO-ANYTHING.

82
00:02:46,166 --> 00:02:48,438
I SPARKLED ON CAMERA.
YOU JUST OPENED A CAN.

83
00:02:48,439 --> 00:02:50,241
A CAN OF AWESOME.

84
00:02:51,442 --> 00:02:52,902
SEE? THIS SNAPPY BACK-AND-FORTH,

85
00:02:52,903 --> 00:02:54,304
THAT'S TV GOLD.

86
00:02:54,305 --> 00:02:55,445
THAT'S WHAT NEXT WEEK
IS GONNA BE ALL ABOUT.

87
00:02:55,446 --> 00:02:56,546
NO, NO, NO. I CAN DO
THE BACK-AND-FORTH

88
00:02:56,547 --> 00:02:57,907
ALL BY MYSELF. NO, YOU CAN'T.

89
00:02:57,908 --> 00:02:59,779
YES, I CAN.

90
00:02:59,780 --> 00:03:00,811
WAIT, I FORGET WHICH
ONE I AM NOW.

91
00:03:02,383 --> 00:03:03,854
FINE, I'LL CO-HOST.

92
00:03:06,917 --> 00:03:08,858
- ♪ IT'S ALL GOOD ♪
- ♪ All good ♪

93
00:03:08,859 --> 00:03:10,890
- ♪ IT'S OKAY ♪
- ♪ Okay ♪

94
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- ♪ IT'S ALL RIGHT ♪
- ♪ All right ♪

95
00:03:12,493 --> 00:03:14,294
♪ AS FAR AS I CAN SEE ♪

96
00:03:14,295 --> 00:03:15,925
- ♪ IT'S ALL GOOD ♪
- ♪ All good ♪

97
00:03:15,926 --> 00:03:17,967
- ♪ IT'S OKAY ♪
- ♪ Okay ♪

98
00:03:17,968 --> 00:03:19,599
- ♪ IT'S ALL RIGHT ♪
- ♪ All right ♪

99
00:03:19,600 --> 00:03:22,432
♪ I GUESS YOU'RE STUCK ♪

100
00:03:22,433 --> 00:03:25,436
♪ WITH ME ♪

101
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GOOD MORNING.

102
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HEY, GOOD MORNING, BUDDY.

103
00:03:28,779 --> 00:03:30,610
I'M ACTUALLY FEELING
GENEROUS TODAY.

104
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SO HOW ABOUT YOU TAKE A LITTLE
BREAK FROM YOUR SCHOOLWORK

105
00:03:32,212 --> 00:03:34,614
AND YOU WATCH YOUR AUNT AND
I ON "GOOD MORNING TOLEDO"?

106
00:03:34,615 --> 00:03:38,548
I'D RATHER DO CHEMISTRY OR
SLAM MY FINGERS IN A DRAWER.

107
00:03:38,549 --> 00:03:39,949
YEAH, I KNOW.

108
00:03:39,950 --> 00:03:41,421
YOU CAN JUST PRESS THE MUTE
BUTTON WHEN YOUR AUNT TALKS.

109
00:03:41,422 --> 00:03:42,992
THAT'S WHAT I USUALLY
DO IN MY HEAD.

110
00:03:42,993 --> 00:03:44,324
OH NO.

111
00:03:44,325 --> 00:03:46,356
NO, NO, NO, NO, NO. YOU
TAKE THAT SHIRT OFF.

112
00:03:46,357 --> 00:03:47,457
WHAT? WHY?

113
00:03:47,458 --> 00:03:48,998
IT'S THE SAME COLOR AS MY DRESS.

114
00:03:48,999 --> 00:03:49,999
ARE YOU CRAZY?

115
00:03:50,000 --> 00:03:51,601
THIS SHIRT IS
CERULEAN, ALL RIGHT?

116
00:03:51,602 --> 00:03:54,834
WHAT YOU'RE WEARING THERE,
THAT'S LIKE COBALT AT BEST.

117
00:03:54,835 --> 00:03:55,905
NO, NO, NO. THIS IS CERULEAN.

118
00:03:55,906 --> 00:03:57,367
RYDER, AM I WRONG?

119
00:03:57,368 --> 00:03:59,909
YEAH, LIKE I WANT TO GET
IN THE MIDDLE OF THIS.

120
00:03:59,910 --> 00:04:02,472
WE LOOK LIKE A SINGING
DUO FROM THE '70s.

121
00:04:02,473 --> 00:04:03,643
NO, YOU'VE GOT TO
CHANGE YOUR SHIRT.

122
00:04:03,644 --> 00:04:04,714
WHY DO I HAVE TO CHANGE?

123
00:04:04,715 --> 00:04:05,815
BECAUSE YOU AND I

124
00:04:05,816 --> 00:04:06,916
HAVE TO LEAVE IN FIVE MINUTES.

125
00:04:06,917 --> 00:04:08,618
AND YOUR OUTFIT DOESN'T INVOLVE

126
00:04:08,619 --> 00:04:10,550
COMPLICATED ELASTIC
UNDERGARMENTS...

127
00:04:10,551 --> 00:04:11,981
AS FAR AS I KNOW.

128
00:04:11,982 --> 00:04:14,454
FINE, I'LL CHANGE.

129
00:04:14,455 --> 00:04:15,555
YOU KNOW, YOU'RE
LUCKY I LOOK GOOD

130
00:04:15,556 --> 00:04:16,626
IN EVERY COLOR OF THE RAINBOW.

131
00:04:16,627 --> 00:04:19,258
EXCEPT LIKE TAUPE OR BEIGE

132
00:04:19,259 --> 00:04:21,391
BECAUSE THEY SORT OF
JUST LIKE BLAH ME OUT.

133
00:04:21,392 --> 00:04:23,593
LENNOX, BREAKFAST!

134
00:04:23,594 --> 00:04:24,694
WHERE IS YOUR SISTER?

135
00:04:24,695 --> 00:04:25,965
OH, SHE GOT IN LATE LAST NIGHT.

136
00:04:25,966 --> 00:04:27,867
I COULD TELL BY HER
DISTINCTIVE DOOR-SLAM.

137
00:04:27,868 --> 00:04:29,268
WHAT DO YOU MEAN LATE?

138
00:04:29,269 --> 00:04:29,940
SHE WAS AT A YEARBOOK
MEETING AT EMMA'S HOUSE.

139
00:04:29,941 --> 00:04:31,941
OKAY.

140
00:04:31,942 --> 00:04:33,343
LIGHTEN UP, JOE.
I'M SURE THEY JUST

141
00:04:33,344 --> 00:04:34,604
WATCHED A MOVIE
AFTER THE MEETING.

142
00:04:34,605 --> 00:04:35,676
YOU KNOW, INNOCENT FUN.

143
00:04:36,977 --> 00:04:37,977
HEY, EVERYBODY.

144
00:04:37,978 --> 00:04:39,409
THERE SHE IS.

145
00:04:39,410 --> 00:04:41,381
HEY, EVERYBODY.

146
00:04:41,382 --> 00:04:44,283
AND THERE HE IS...

147
00:04:44,284 --> 00:04:45,615
MYSTERIOUSLY COMING
FROM THE SAME DIRECTION

148
00:04:45,616 --> 00:04:46,686
AS LENNOX'S BEDROOM.

149
00:04:46,687 --> 00:04:49,859
I'M SURE NOTHING
INAPPROPRIATE HAPPENED.

150
00:04:49,860 --> 00:04:51,591
RYDER, GET OUT.

151
00:04:51,592 --> 00:04:53,463
BUT THIS COULD BE GOOD.

152
00:04:53,464 --> 00:04:55,064
- OUT!
- FINE.

153
00:04:55,065 --> 00:04:56,526
YOU KNOW, I MISS
ALL THE FUN STUFF.

154
00:04:56,527 --> 00:04:57,867
ONE OF THESE DAY,
I'M GONNA RUN AWAY,

155
00:04:57,868 --> 00:04:58,928
BUILD MY OWN HOUSE IN THE WOODS,

156
00:04:58,929 --> 00:05:00,300
AND THEN YOU'LL BE SORRY.

157
00:05:02,473 --> 00:05:05,435
SO WOULD YOU LIKE TO TELL US WHY

158
00:05:05,436 --> 00:05:07,537
ZANDER IS JOINING US FOR
BREAKFAST THIS MORNING?

159
00:05:07,538 --> 00:05:09,779
ABSOLUTELY. HE SPENT
THE NIGHT HERE

160
00:05:09,780 --> 00:05:11,511
BECAUSE IT WAS THE
RESPONSIBLE THING TO DO.

161
00:05:11,512 --> 00:05:13,012
SEE, JOE, RESPONSIBLE.

162
00:05:13,013 --> 00:05:15,485
LAST NIGHT AT EMMA'S,
HE HAD A FEW BEERS.

163
00:05:15,486 --> 00:05:17,587
ROOT BEERS, I'M SURE.

164
00:05:17,588 --> 00:05:18,948
RIGHT, YES.

165
00:05:18,949 --> 00:05:20,690
AND WITH ALL OF THOSE
IMPORTED ROOT BEERS

166
00:05:20,691 --> 00:05:22,852
IN HIS SYSTEM, I DIDN'T
WANT HIM TO DRIVE HOME.

167
00:05:22,853 --> 00:05:23,893
SO WE WALKED BACK FROM EMMA'S

168
00:05:23,894 --> 00:05:25,355
AND SPENT THE NIGHT
HERE AND THEN...

169
00:05:25,356 --> 00:05:28,528
PLEASE, NO MORE "THEN."
STOP AT "THEN."

170
00:05:28,529 --> 00:05:29,559
NOTHING HAPPENED.
AFTER THE BEERS,

171
00:05:29,560 --> 00:05:30,801
I WASN'T REALLY UP FOR IT.

172
00:05:32,703 --> 00:05:35,064
OH, THAT'S SO KIND OF YOU.

173
00:05:35,065 --> 00:05:36,836
YOU KNOW, I DON'T THINK
YOUR PARENTS WOULD BE

174
00:05:36,837 --> 00:05:38,668
TOO THRILLED TO FIND
OUT ABOUT ALL THIS.

175
00:05:38,669 --> 00:05:39,869
NO, NO, NO. PLEASE, PLEASE.
I'LL TELL THEM MYSELF.

176
00:05:39,870 --> 00:05:41,541
I'LL TOTALLY COME CLEAN.

177
00:05:41,542 --> 00:05:42,872
AND IF I'M LYING,

178
00:05:42,873 --> 00:05:44,674
MAY I LOSE MY ABILITY
TO DRAW HANDS.

179
00:05:44,675 --> 00:05:48,017
THAT'S SERIOUS... 'CAUSE HE
IS VERY GOOD AT DRAWING HANDS

180
00:05:48,018 --> 00:05:49,018
AND BREASTS.

181
00:05:49,019 --> 00:05:51,350
OH MY GOD.

182
00:05:51,351 --> 00:05:52,652
OKAY, I'M SURE WE CAN ALL AGREE

183
00:05:52,653 --> 00:05:53,783
THAT ZANDER IS VERY GIFTED,

184
00:05:53,784 --> 00:05:55,755
BUT I VOTE THAT WE ALLOW ZANDER

185
00:05:55,756 --> 00:05:56,856
TO TELL HIS FOLKS HIMSELF.

186
00:05:56,857 --> 00:05:58,958
BUT IF YOU DON'T, I WILL UNLEASH

187
00:05:58,959 --> 00:06:00,931
THIS OVERLY BUILT
RAGE MONSTER ON YOU.

188
00:06:02,633 --> 00:06:05,595
PERFECTLY PROPORTIONED
RAGE MONSTER.

189
00:06:05,596 --> 00:06:07,667
IT'S UNDERSTOOD.

190
00:06:07,668 --> 00:06:09,368
ALL RIGHT, COME ON, MEL.
WE GOT TO JAM.

191
00:06:09,369 --> 00:06:10,500
BUT YOU GOT TO CHANGE FIRST.

192
00:06:10,501 --> 00:06:11,771
DON'T WORRY ABOUT IT.
I ALWAYS KEEP

193
00:06:11,772 --> 00:06:13,573
A FRESHLY PRESSED SUIT
AND SHIRT IN THE CAR.

194
00:06:13,574 --> 00:06:15,074
FOR WHAT? IN CASE YOU'RE
SITTING AT A RED LIGHT

195
00:06:15,075 --> 00:06:17,147
AND SOMEBODY SUDDENLY OFFERS
YOU AN EXECUTIVE JOB?

196
00:06:18,949 --> 00:06:20,611
IT COULD HAPPEN.

197
00:06:22,983 --> 00:06:23,983
AND THAT'S WHY TOMATOES

198
00:06:23,984 --> 00:06:25,755
SHOULD BE YOUR
FAVORITE VEGETABLE.

199
00:06:25,756 --> 00:06:27,917
ACTUALLY, JOE, YOU MAY
DISAGREE WITH ME,

200
00:06:27,918 --> 00:06:29,959
BUT TOMATOES ARE A FRUIT.

201
00:06:29,960 --> 00:06:31,461
YOU KNOW WHAT? YOU'RE RIGHT.

202
00:06:31,462 --> 00:06:34,664
NO ARGUMENT THERE BECAUSE THE
SEEDS ARE ON THE INSIDE.

203
00:06:34,665 --> 00:06:36,796
Mel: INDEED THEY ARE.
AND WE WILL

204
00:06:36,797 --> 00:06:38,728
SEED YOU BACK HERE

205
00:06:38,729 --> 00:06:40,700
RIGHT AFTER THIS
COMMERCIAL MESSAGE.

206
00:06:40,701 --> 00:06:42,872
AND WE'RE CLEAR.

207
00:06:42,873 --> 00:06:45,575
SO HOW DO YOU GUYS
THINK IT'S GOING?

208
00:06:45,576 --> 00:06:46,576
- PRETTY GOOD.
- WELL, WE'RE GETTING...

209
00:06:46,577 --> 00:06:47,977
IT WAS TERRIBLE.

210
00:06:47,978 --> 00:06:48,978
WHAT HAPPENED TO YOU GUYS?

211
00:06:48,979 --> 00:06:50,039
IT'S OUR FIRST DAY.

212
00:06:50,040 --> 00:06:51,881
THIS IS TOLEDO TELEVISION.

213
00:06:51,882 --> 00:06:53,583
YOU GOT TO BRING IT
AND BRING IT NOW.

214
00:06:53,584 --> 00:06:56,116
I WANT TO SEE SPARKS,
CHEMISTRY, BACK-AND-FORTH.

215
00:06:58,188 --> 00:06:59,919
HEY, I'M PROVIDING THE BACK.
WHERE ARE YOU WITH THE FORTH?

216
00:06:59,920 --> 00:07:01,020
ARE YOU KIDDING ME RIGHT NOW?

217
00:07:01,021 --> 00:07:02,121
I'M DOING DOUBLE-DUTY HERE.
YOU KNOW WHY?

218
00:07:02,122 --> 00:07:03,053
I'M DOING THE BACK AND
I'M DOING THE FORTH.

219
00:07:03,054 --> 00:07:04,594
OKAY, YOU KNOW WHAT I THINK?

220
00:07:04,595 --> 00:07:05,655
I THINK YOU'RE STILL
DISTRACTED ABOUT THAT THING

221
00:07:05,656 --> 00:07:06,826
WITH LENNOX AND
ZANDER THIS MORNING.

222
00:07:06,827 --> 00:07:07,957
OH, EXCUSE ME FOR BEING WORRIED

223
00:07:07,958 --> 00:07:09,599
ABOUT A DRUNK TEENAGE BOY

224
00:07:09,600 --> 00:07:10,800
SLEEPING OVER IN YOUR
NIECE'S BEDROOM.

225
00:07:10,801 --> 00:07:12,001
YOU SHOULD BE A LITTLE
DISTRACTED ABOUT THAT TOO.

226
00:07:12,002 --> 00:07:13,903
SLEEPING, JOE. THEY
WERE JUST SLEEPING.

227
00:07:13,904 --> 00:07:15,765
AH, MAYBE THEY SLEPT AFTERWARDS.

228
00:07:15,766 --> 00:07:17,637
OKAY, BEFORE YOU SCHEDULE
THE HONOR KILLING,

229
00:07:17,638 --> 00:07:19,469
WE BOTH KNOW LENNOX AND
ZANDER ARE SEXUALLY ACTIVE.

230
00:07:19,470 --> 00:07:21,571
ANYWAY, YOU SHOULD BE HAPPY
THAT ZANDER WAS TOO DRUNK

231
00:07:21,572 --> 00:07:22,973
TO HAVE SEX WITH
LENNOX LAST NIGHT.

232
00:07:25,576 --> 00:07:28,178
UH, HOW LONG HAS THAT
ON-AIR LIGHT BEEN ON?

233
00:07:29,620 --> 00:07:31,851
JUDGING BY THE SMILE
ON KYLE'S FACE,

234
00:07:31,852 --> 00:07:34,223
I THINK IT'S BEEN
ON FOR A WHILE.

235
00:07:34,224 --> 00:07:35,955
( mouthing silently )

236
00:07:35,956 --> 00:07:38,858
OKAY, WELL, IT WOULD APPEAR

237
00:07:38,859 --> 00:07:40,990
THAT SOME OF OUR
PERSONAL CONVERSATION

238
00:07:40,991 --> 00:07:43,062
HAS MADE ITS WAY ONTO THE AIR.

239
00:07:43,063 --> 00:07:44,764
AND PERHAPS MY CO-HOST

240
00:07:44,765 --> 00:07:46,035
COULD BE A LITTLE MORE
DISCREET IN THE FUTURE.

241
00:07:46,036 --> 00:07:47,867
OH, WAIT A MINUTE NOW. YOU'RE
THE ONE THAT BROUGHT UP

242
00:07:47,868 --> 00:07:49,098
THE WHOLE LENNOX-ZANDER THING.

243
00:07:49,099 --> 00:07:51,941
AND APPARENTLY, THE FUTURE
HAS NOT YET ARRIVED.

244
00:07:51,942 --> 00:07:54,844
AND IT'S NOT LIKE HE
HASN'T SLEPT OVER BEFORE.

245
00:07:54,845 --> 00:07:56,976
WHAT?! WHEN DID THAT HAPPEN?

246
00:07:56,977 --> 00:07:59,048
THAT'S NOT IMPORTANT.

247
00:07:59,049 --> 00:08:01,010
YES, IT IS... WE'RE
TALKING ABOUT

248
00:08:01,011 --> 00:08:03,152
A UNDERAGE BOY AND GIRL
HAVING SEX IN YOUR HOUSE.

249
00:08:03,153 --> 00:08:05,815
SEE NOW, THIS IS
GOOD TELEVISION.

250
00:08:05,816 --> 00:08:08,718
OKAY, YOU KNOW WHAT?
I THINK IT IS TIME

251
00:08:08,719 --> 00:08:09,920
TO GO TO ANOTHER
COMMERCIAL BREAK.

252
00:08:10,961 --> 00:08:12,722
( mouthing silently )

253
00:08:12,723 --> 00:08:15,665
NO? IT'S NOT TIME
FOR A COMMERCIAL?

254
00:08:15,666 --> 00:08:16,996
LET ME HANDLE THIS.
KYLE, WE NEED TO GO

255
00:08:16,997 --> 00:08:18,227
TO A COMMERCIAL RIGHT NOW.

256
00:08:18,228 --> 00:08:20,030
OKAY? ( snaps )

257
00:08:21,572 --> 00:08:22,933
THAT'S NOT HOW IT WORKS?

258
00:08:24,905 --> 00:08:26,777
OKAY, I'M LEARNING A LOT HERE.

259
00:08:28,078 --> 00:08:29,639
DEAR GOD, IF YOU REALLY EXIST,

260
00:08:29,640 --> 00:08:31,111
PLEASE SEND A
COMMERCIAL TO SAVE US.

261
00:08:36,116 --> 00:08:37,847
HEY LOOK, BEFORE WE GO IN THERE,

262
00:08:37,848 --> 00:08:39,018
I DON'T THINK LENNOX IS GONNA
BE TOO THRILLED WITH THE FACT

263
00:08:39,019 --> 00:08:40,289
WE JUST TALKED ABOUT
HER SEX LIFE ON TV.

264
00:08:40,290 --> 00:08:44,193
SO DO YOU HAVE A PLAN OR
MAYBE SOME BODY ARMOR?

265
00:08:44,194 --> 00:08:47,957
WELL, I'M PREPARED TO FACE HER
WITH HONESTY AND HUMILITY...

266
00:08:47,958 --> 00:08:49,859
AND THIS $100 GIFT CARD.

267
00:08:49,860 --> 00:08:52,131
A BRIBE? OH, THAT'S
JUST GREAT PARENTING.

268
00:08:52,132 --> 00:08:55,004
CAN IT BE FROM BOTH OF US?

269
00:08:55,005 --> 00:08:56,266
NO, YOU'RE ON YOUR
OWN, LOUDMOUTH.

270
00:08:59,039 --> 00:09:01,540
HEY, LENNOX.

271
00:09:01,541 --> 00:09:02,812
WHAT?

272
00:09:02,813 --> 00:09:04,614
LOOK, HONEY, I DON'T
KNOW WHAT TO SAY.

273
00:09:04,615 --> 00:09:06,175
I MEAN SOMETIMES STUFF
COMES OUT OF YOUR MOUTH

274
00:09:06,176 --> 00:09:08,678
AND YOU CAN'T STUFF IT BACK IN.

275
00:09:08,679 --> 00:09:10,079
OH MY GOSH, WHAT HAPPENED?

276
00:09:10,080 --> 00:09:11,781
I DIDN'T SEE IT.

277
00:09:11,782 --> 00:09:12,982
JOE, SHE DIDN'T SEE IT!

278
00:09:12,983 --> 00:09:16,085
NO, I'M SORRY. I'VE BEEN
STUDYING FOR FINALS.

279
00:09:16,086 --> 00:09:18,287
BUT WE CAN WATCH IT TOGETHER
ON THE D.V.R RIGHT NOW.

280
00:09:18,288 --> 00:09:21,591
- YES, THAT IS A GREAT IDEA.
- IT IS?

281
00:09:21,592 --> 00:09:23,032
HOLD ON. I'M GONNA PULL
THIS THING UP RIGHT NOW.

282
00:09:23,033 --> 00:09:24,894
- THERE IT IS. HERE WE GO.
- ( beeps )

283
00:09:24,895 --> 00:09:27,937
OH MY GOODNESS... I JUST PRESSED
PERMANENT DELETE ON THAT THING.

284
00:09:27,938 --> 00:09:30,039
WHAT IS MY PROBLEM? NOW
IT'S GONE FOREVER.

285
00:09:30,040 --> 00:09:31,741
DAMN, JOE.

286
00:09:31,742 --> 00:09:33,072
NOW YOU'LL NEVER GET TO SEE IT.

287
00:09:33,073 --> 00:09:34,844
BUT YOU KNOW WHAT? YOU'RE
NOT MISSING ANYTHING.

288
00:09:34,845 --> 00:09:36,976
OH, I GET IT.

289
00:09:36,977 --> 00:09:39,980
YOU GUYS ARE EMBARRASSED
BECAUSE YOU SUCKED.

290
00:09:41,281 --> 00:09:43,112
BUT, YOU KNOW, THAT'S OKAY.
YOU'RE JUST BORING

291
00:09:43,113 --> 00:09:44,283
AND YOU DON'T HAVE ANYTHING
INTERESTING TO SAY.

292
00:09:44,284 --> 00:09:45,584
( doorbell rings )

293
00:09:45,585 --> 00:09:47,817
- THAT'S IT.
- YEP, ON THE NOSE.

294
00:09:47,818 --> 00:09:49,760
WE GOT AWAY WITH IT.
SHE'LL NEVER FIND OUT.

295
00:09:50,791 --> 00:09:53,092
ZANDER, WHAT ARE YOU DOING HERE?

296
00:09:53,093 --> 00:09:54,924
MY PARENTS KICKED ME OUT.

297
00:09:54,925 --> 00:09:56,225
THEY HEARD WHAT THESE
TWO SAID ON TV.

298
00:09:56,226 --> 00:09:58,297
WHAT DID YOU SAY?

299
00:09:58,298 --> 00:10:00,299
UM...

300
00:10:00,300 --> 00:10:02,932
YOU KNOW WE WERE ON THE
AIR FOR TWO HOURS.

301
00:10:02,933 --> 00:10:05,074
IT'S HARD TO REMEMBER
EVERY LITTLE DETAIL.

302
00:10:05,075 --> 00:10:06,876
THEY JUST SAID THAT WE
HAVE SEX ALL THE TIME...

303
00:10:06,877 --> 00:10:08,607
OH, UNLESS I'M TOO DRUNK.

304
00:10:08,608 --> 00:10:11,811
THAT WAS JUST A TINY
PART OF THE SEGMENT.

305
00:10:11,812 --> 00:10:14,243
WHY WOULD YOU SAY THAT ON TV?

306
00:10:14,244 --> 00:10:17,116
IN OUR DEFENSE, THAT
ON-AIR LIGHT...

307
00:10:17,117 --> 00:10:18,919
IT'S VERY TINY,
VERY HARD TO SEE.

308
00:10:20,220 --> 00:10:22,351
IT'S NOT LIKE WE KICKED
YOU OUT OF THE HOUSE.

309
00:10:22,352 --> 00:10:24,123
IF WE'RE POINTING FINGERS,

310
00:10:24,124 --> 00:10:26,756
REALLY WE SHOULD POINT
ONE AT ZANDER'S PARENTS.

311
00:10:26,757 --> 00:10:29,158
THEY KICKED HIM OUT
BECAUSE OF WHAT YOU SAID.

312
00:10:29,159 --> 00:10:30,960
OKAY, LOOK, ZANDER,

313
00:10:30,961 --> 00:10:31,961
I'M GONNA CALL YOUR
PARENTS RIGHT NOW

314
00:10:31,962 --> 00:10:33,102
AND EXPLAIN HOW THIS WHOLE THING

315
00:10:33,103 --> 00:10:34,133
GOT BLOWN OUT OF PROPORTION.

316
00:10:34,134 --> 00:10:35,665
WHAT? NO! DON'T CALL.

317
00:10:35,666 --> 00:10:37,166
NOT SO CRAZY ABOUT
YOU RIGHT NOW.

318
00:10:37,167 --> 00:10:38,938
THEY SAID SOMETHING ABOUT
YOU BEING TOO PERMISSIVE

319
00:10:38,939 --> 00:10:41,040
AND GOING TO HELL.

320
00:10:41,041 --> 00:10:42,912
I'M NOT JUDGING, JUST REPORTING.

321
00:10:42,913 --> 00:10:45,014
OKAY, WELL, LOOK, ZANDER,
YOU CAN STAY HERE

322
00:10:45,015 --> 00:10:46,976
UNTIL EVERYTHING COOLS
DOWN AT YOUR HOUSE.

323
00:10:46,977 --> 00:10:48,317
- THANKS, I APPRECIATE IT.
- YEAH, SURE.

324
00:10:48,318 --> 00:10:51,080
YOU CAN SLEEP IN MY ROOM
DUCT-TAPED TO MY WEIGHT BENCH.

325
00:10:51,081 --> 00:10:52,922
JOE, YOU'RE THE NANNY,
NOT THE PRISON GUARD.

326
00:10:52,923 --> 00:10:54,223
( chuckles )

327
00:10:54,224 --> 00:10:56,285
I CAN BE BOTH.

328
00:10:56,286 --> 00:10:59,428
LOOK, HONEY, I FEEL REALLY
TERRIBLE ABOUT WHAT I SAID TODAY.

329
00:10:59,429 --> 00:11:00,990
SO TOMORROW, I'M
GONNA OPEN THE SHOW

330
00:11:00,991 --> 00:11:02,732
- WITH A BIG APOLOGY.
- NO!

331
00:11:02,733 --> 00:11:04,433
DO NOT SAY ANYTHING ON TV.

332
00:11:04,434 --> 00:11:06,135
DON'T EVEN MENTION MY NAME.

333
00:11:06,136 --> 00:11:07,366
WELL, I JUST THOUGHT
IF I CLARIFIED...

334
00:11:07,367 --> 00:11:10,170
YOU DON'T KNOW ME.

335
00:11:11,301 --> 00:11:14,073
I RESPECT YOUR WISHES, L...
WHATEVER YOUR NAME IS.

336
00:11:14,074 --> 00:11:17,406
UM, BUT WHO DO I GIVE
THIS $100 GIFT CARD TO

337
00:11:17,407 --> 00:11:19,249
THAT'S MADE OUT TO
LENNOX SCANLON?

338
00:11:20,210 --> 00:11:22,112
I'LL MAKE SURE SHE GETS IT.

339
00:11:25,385 --> 00:11:27,356
MEL, JOE, HOW ARE MY
TWO FIRECRACKERS?

340
00:11:27,357 --> 00:11:29,158
EVERYBODY ONLINE'S LOVING
THE BACK-AND-FORTH.

341
00:11:29,159 --> 00:11:30,219
KEEP IT UP.

342
00:11:30,220 --> 00:11:31,721
YOU GOT IT, PRODUCER MAN.

343
00:11:31,722 --> 00:11:33,023
- ( tongue clicks )
- HEY YEAH. ( tongue clicks )

344
00:11:34,224 --> 00:11:35,925
I'M TELLING YOU, MEL.
WE ARE A HIT.

345
00:11:35,926 --> 00:11:39,228
OKAY, WHAT MADE YOU SO
HAPPY-GO-JOE ALL OF A SUDDEN?

346
00:11:39,229 --> 00:11:40,870
YOU WANT TO KNOW
WHAT MADE ME HAPPY?

347
00:11:40,871 --> 00:11:42,431
FOR THE FIRST TIME IN YEARS,
WHEN I GOOGLE MYSELF,

348
00:11:42,432 --> 00:11:44,173
FINANCIAL SCANDAL ISN'T THE
ONLY THING THAT COMES UP.

349
00:11:44,174 --> 00:11:46,776
WAIT, HOW OFTEN DO
YOU GOOGLE YOURSELF?

350
00:11:46,777 --> 00:11:48,207
NO MORE THAN ANYBODY ELSE.

351
00:11:48,208 --> 00:11:50,479
I MEAN, JUST SOMETIMES AT NIGHT

352
00:11:50,480 --> 00:11:52,341
BEFORE I GO TO SLEEP. I MEAN,
THE COMPUTER'S RIGHT THERE,

353
00:11:52,342 --> 00:11:53,784
SO I JUST...

354
00:11:54,885 --> 00:11:56,185
IT HELPS ME SLEEP. DON'T
GIVE ME THAT LOOK!

355
00:11:56,186 --> 00:11:57,788
YOU DO IT TOO!

356
00:12:00,320 --> 00:12:03,152
Mel: JAMIE, YOU WROTE THE
BOOK ON SCHOOL LUNCHES.

357
00:12:03,153 --> 00:12:05,224
SO WHICH IS THE BIGGER
VILLAIN HERE...

358
00:12:05,225 --> 00:12:07,026
TATER TOTS OR FRENCH FRIES?

359
00:12:07,027 --> 00:12:09,228
ACTUALLY, I WATCHED
THE SHOW YESTERDAY

360
00:12:09,229 --> 00:12:10,930
AND I THINK THE REAL HOT TOPIC

361
00:12:10,931 --> 00:12:12,201
IS WHAT HAPPENED
WITH THE DRUNK BOY

362
00:12:12,202 --> 00:12:13,202
WHO SLEPT WITH YOUR NIECE.

363
00:12:13,203 --> 00:12:15,334
OH.

364
00:12:15,335 --> 00:12:17,236
YEAH, NOBODY WANTS
TO HEAR ABOUT THAT.

365
00:12:17,237 --> 00:12:19,809
( applause, cheering )

366
00:12:19,810 --> 00:12:23,742
OKAY. WELL, MAYBE
ONE OR TWO PEOPLE.

367
00:12:23,743 --> 00:12:26,315
MY WIFE AND I GOT INTO A BIG
DISAGREEMENT LAST NIGHT

368
00:12:26,316 --> 00:12:28,247
ABOUT HOW YOU GUYS HANDLED
THAT THING WITH LENNOX.

369
00:12:28,248 --> 00:12:29,348
AH, NO NAMES. NO NAMES.

370
00:12:29,349 --> 00:12:30,950
MY NIECE IS A LITTLE SENSITIVE,

371
00:12:30,951 --> 00:12:32,751
YOU KNOW, A LITTLE
TOO TOUCHY-WOUCHY.

372
00:12:32,752 --> 00:12:34,153
( television chatter )

373
00:12:34,154 --> 00:12:36,786
- I'M TOO TOUCHY-WOUCHY?!
- NO, NO.

374
00:12:36,787 --> 00:12:38,027
GUYS, PLEASE, I'M
TRYING TO WATCH

375
00:12:38,028 --> 00:12:39,259
MY FAVORITE MORNING TV SHOW.

376
00:12:41,091 --> 00:12:42,261
NEITHER ONE OF YOU GUYS

377
00:12:42,262 --> 00:12:44,864
KNOWS HOW TO HANDLE
TEENAGERS AT ALL.

378
00:12:44,865 --> 00:12:46,065
WELL, THAT'S NOT REALLY FAIR

379
00:12:46,066 --> 00:12:47,536
BECAUSE LE... ( coughs )

380
00:12:47,537 --> 00:12:51,000
THE GIRL-WHO-MUST-NOT-BE-NAMED

381
00:12:51,001 --> 00:12:53,372
IS NOT THE ONLY TEENAGER WE
HAVE LIVING IN OUR HOUSE.

382
00:12:53,373 --> 00:12:54,804
WE ACTUALLY HAVE A TEENAGE
BOY IN OUR HOUSE.

383
00:12:54,805 --> 00:12:56,105
WE HAVE NONE OF THESE
PROBLEMS WITH HIM.

384
00:12:56,106 --> 00:12:58,547
SO HE'S NOT GETTING DRUNK
AND SLEEPING AROUND?

385
00:12:58,548 --> 00:13:00,249
GOD, NO. TRUST ME.

386
00:13:00,250 --> 00:13:01,480
NOT RYDER.

387
00:13:01,481 --> 00:13:03,552
UH, NO NAMES. NO NAMES.

388
00:13:03,553 --> 00:13:05,084
YEAH, SORRY. NO.

389
00:13:05,085 --> 00:13:08,317
BUT MY POINT IS THAT
THE NAMELESS YOUNG MAN

390
00:13:08,318 --> 00:13:10,189
IS IN NO WAY SEXUALLY ACTIVE.

391
00:13:10,190 --> 00:13:12,892
AND I DON'T SEE ANYTHING
LIKE THAT HAPPENING FOR HIM

392
00:13:12,893 --> 00:13:16,495
- for a long, long time.
- OH GOD.

393
00:13:16,496 --> 00:13:18,528
MAKE IT STOP! MAKE IT STOP!

394
00:13:19,930 --> 00:13:21,330
OUCH, I'M SORRY, BUDDY.

395
00:13:21,331 --> 00:13:23,272
DON'T WORRY, BRO'.
I GOT YOUR BACK.

396
00:13:23,273 --> 00:13:25,304
OVER-SHARING IS A
TWO-WAY STREET.

397
00:13:25,305 --> 00:13:26,535
( computer beeps )

398
00:13:26,536 --> 00:13:28,377
SO THE BOY HAS SOCIAL PROBLEMS.

399
00:13:28,378 --> 00:13:29,839
HE'S ODD.

400
00:13:29,840 --> 00:13:31,810
NO, I WOULDN'T SAY ODD.

401
00:13:31,811 --> 00:13:33,212
IT'S JUST THAT, YOU KNOW, HE...

402
00:13:33,213 --> 00:13:35,214
HE JUST TENDS TO ROLL SOLO.

403
00:13:35,215 --> 00:13:36,146
YOU KNOW? I MEAN NOT...

404
00:13:36,147 --> 00:13:37,816
NOT LIKE ALONE IN HIS ROOM

405
00:13:37,817 --> 00:13:39,148
WITH PORNOGRAPHY OR ANYTHING.

406
00:13:39,149 --> 00:13:41,490
I DON'T THINK. I MEAN, I JUST...

407
00:13:41,491 --> 00:13:43,392
YOU KNOW, I... I... I...

408
00:13:43,393 --> 00:13:46,155
SEE, HE'S... I MEANT THAT...

409
00:13:46,156 --> 00:13:48,427
I... HE'S A... HE'S A...

410
00:13:48,428 --> 00:13:50,159
I... WHAT DID I MEAN, BURKE?

411
00:13:50,160 --> 00:13:52,431
YOU MEANT THAT IT IS TIME

412
00:13:52,432 --> 00:13:55,104
TO GO TO OUR SOCIAL-MEDIA
CORRESPONDENT,

413
00:13:55,105 --> 00:13:56,505
ASHLEY, AND HER SEGMENT,
"WHAT'S TRENDING?"

414
00:13:56,506 --> 00:13:57,506
ASHLEY?

415
00:13:57,507 --> 00:13:59,869
WELL, MEL, TURNS OUT
YOU'RE TRENDING.

416
00:13:59,870 --> 00:14:01,971
OH, GOOD. THAT'S GOOD TO HEAR.

417
00:14:01,972 --> 00:14:03,542
OKAY, SO WHAT'S THE
BUZZ, GIRLFRIEND?

418
00:14:03,543 --> 00:14:06,115
CHECK OUT THIS TWEET
I GOT SECONDS AGO

419
00:14:06,116 --> 00:14:08,277
FROM @LENNOXSCANLON13.

420
00:14:08,278 --> 00:14:12,251
"AUNT MEL TALKS A LOT ABOUT
HOW MUCH OTHER PEOPLE DRINK,

421
00:14:12,252 --> 00:14:14,553
BUT IT TAKES HER THREE
GLASSES OF WINE

422
00:14:14,554 --> 00:14:16,085
TO UNWIND FROM A TOUGH DAY.

423
00:14:16,086 --> 00:14:18,627
HYPOCRITE MUCH?"

424
00:14:18,628 --> 00:14:19,929
Audience: OOH.

425
00:14:19,930 --> 00:14:24,633
OH, MY NIECE IS SUCH
A PRACTICAL JOKER.

426
00:14:24,634 --> 00:14:26,295
YOU KNOW, YOU CAN'T BELIEVE

427
00:14:26,296 --> 00:14:28,097
EVERYTHING YOU READ ON
THE INTERNET, ASHLEY.

428
00:14:28,098 --> 00:14:29,099
OH, AND SHE LINKED THIS PHOTO.

429
00:14:31,641 --> 00:14:32,943
THAT COULD BE ANYBODY.

430
00:14:35,075 --> 00:14:37,047
- AH!
- ( laughter )

431
00:14:44,654 --> 00:14:46,355
JOE, HOLD MY PURSE.

432
00:14:46,356 --> 00:14:48,087
STRANGLING LENNOX IS GONNA
BE A TWO-HANDED JOB.

433
00:14:48,088 --> 00:14:49,258
WAIT A MINUTE. WAIT A MINUTE.

434
00:14:49,259 --> 00:14:51,190
CALM DOWN THERE, KILLER.
BEFORE WE GO IN THERE,

435
00:14:51,191 --> 00:14:53,062
I WANT YOU TO TAKE A DEEP
BREATH AND COUNT TO TEN.

436
00:14:53,063 --> 00:14:54,924
- ALL RIGHT?
- TEN!

437
00:14:54,925 --> 00:14:56,295
HOW COULD YOU DO THAT TO ME?

438
00:14:56,296 --> 00:14:57,927
YOU TOTALLY HUMILIATED ME.

439
00:14:57,928 --> 00:15:01,430
GOSH, AUNT MEL, AREN'T YOU BEING
A LITTLE TOO TOUCHY-WOUCHY?

440
00:15:01,431 --> 00:15:04,673
THAT WAS ON TV IN FRONT OF
A LOT OF POTENTIAL VOTERS.

441
00:15:04,674 --> 00:15:08,537
OH, SO IT WAS AN INAPPROPRIATE
FORUM FOR PERSONAL BUSINESS?

442
00:15:08,538 --> 00:15:10,079
LADIES, PLEASE, LET'S NOT GO

443
00:15:10,080 --> 00:15:12,241
ALL ROLLER DERBY ON
EACH OTHER HERE, OKAY?

444
00:15:12,242 --> 00:15:13,642
IT WAS AN ACCIDENT.

445
00:15:13,643 --> 00:15:16,445
SO YOU TALKED ABOUT ME ON TV
FOR THE SECOND DAY IN A ROW

446
00:15:16,446 --> 00:15:17,486
ACCIDENTALLY?

447
00:15:17,487 --> 00:15:19,218
EXACTLY!

448
00:15:19,219 --> 00:15:20,549
AS LONG AS YOU'RE
TALKING ON THAT SHOW,

449
00:15:20,550 --> 00:15:21,550
I'M NOT TALKING TO YOU.

450
00:15:21,551 --> 00:15:23,253
WH... LENNOX.

451
00:15:25,195 --> 00:15:27,396
SHE'S GONNA COOL DOWN.
WON'T SHE?

452
00:15:27,397 --> 00:15:29,698
LOOK, MEL, YOU GOT TO EXPECT
SOME SORT OF REACTION

453
00:15:29,699 --> 00:15:31,430
WHEN YOU TALK ABOUT A
GIRL'S PERSONAL LIFE ON TV.

454
00:15:31,431 --> 00:15:33,332
WHO'S SIDE ARE YOU ON, CO-HOST?

455
00:15:33,333 --> 00:15:35,434
HEY LOOK, ADMIT IT. YOU
KNOW, YOU WERE WRONG.

456
00:15:35,435 --> 00:15:37,206
I MEAN, YOU SCREWED THE POOCH.

457
00:15:37,207 --> 00:15:38,938
HEY, JOE.

458
00:15:41,411 --> 00:15:43,543
THANKS FOR NEUTERING ME ON TV.

459
00:15:46,016 --> 00:15:49,478
IT'S A GOOD THING THAT SEX
WAS NEVER ON MY BUCKET LIST.

460
00:15:49,479 --> 00:15:52,551
ALL I SAID WAS YOU WERE A VIRTUOUS
YOUNG MAN WHO IS RESPECTFUL OF WOMEN.

461
00:15:52,552 --> 00:15:54,483
YEAH, BECAUSE THAT'S WHAT ALL
THE WOMEN ARE LOOKING FOR,

462
00:15:54,484 --> 00:15:57,426
YOU KNOW, THE GUY WITH
THE HOT, HOT VIRTUE.

463
00:15:57,427 --> 00:15:59,388
YOU CALLED ME A SEXUAL ZERO.

464
00:15:59,389 --> 00:16:02,091
EVERYBODY STARTS AT ZERO, PAL,

465
00:16:02,092 --> 00:16:04,363
YOU KNOW, UNTIL YOU SCORE.

466
00:16:04,364 --> 00:16:06,435
WELL, NOW I'M GONNA HAVE
TO MOVE TO ANOTHER COUNTRY

467
00:16:06,436 --> 00:16:08,498
WHERE WOMEN HAVE NEVER SEEN TV.

468
00:16:09,569 --> 00:16:10,570
( scoffs )

469
00:16:12,002 --> 00:16:13,172
WHAT ARE YOU LOOKING AT?

470
00:16:13,173 --> 00:16:16,376
SOMEONE WHO DID VERY
BAD THINGS TO A POOCH.

471
00:16:20,010 --> 00:16:21,480
IS WATER GOOD,

472
00:16:21,481 --> 00:16:24,113
OR WOULD YOU PREFER SOMETHING
A LITTLE STRONGER?

473
00:16:24,114 --> 00:16:25,514
UH, THAT'S VERY AMUSING

474
00:16:25,515 --> 00:16:28,018
BECAUSE PEOPLE SAY I DRINK.
JUST WATER, THANK YOU.

475
00:16:29,459 --> 00:16:30,989
DO YOU SEE WHAT
LENNOX DID TO ME?

476
00:16:30,990 --> 00:16:33,022
SHE TOTALLY HUMILIATED ME
IN FRONT OF ALL OF OHIO.

477
00:16:33,023 --> 00:16:35,094
YEAH, BUT YOU KNOW WHAT? YOUR
NAME RECOGNITION IS WAY UP.

478
00:16:35,095 --> 00:16:36,365
I MEAN, PEOPLE KNOW WHO YOU ARE.

479
00:16:36,366 --> 00:16:39,428
YEAH, THE CRAZY
DRUNK TO VOTE FOR.

480
00:16:39,429 --> 00:16:42,101
SHE DIDN'T SAY THAT
YOU WERE CRAZY.

481
00:16:42,102 --> 00:16:44,033
WELL, SO YOU THINK ALL
OF THIS IS JUST PEACHY?

482
00:16:44,034 --> 00:16:45,704
WELL, IT'S NOT BAD. I MEAN,
THEY'RE PAYING US...

483
00:16:45,705 --> 00:16:47,406
HECK OF A LOT MORE
THAN NANNY MONEY.

484
00:16:47,407 --> 00:16:48,537
OH, AND CHECK THIS OUT.

485
00:16:48,538 --> 00:16:50,409
SOMEONE CREATED A
LITTLE FAN PAGE FOR ME.

486
00:16:50,410 --> 00:16:51,680
- ( phone beeps )
- LOOK AT THIS.

487
00:16:51,681 --> 00:16:53,582
"LADIES WHO ARE LOCO
FOR LONGO," HUH?

488
00:16:53,583 --> 00:16:55,414
HMM, WELL, I'M
VERY HAPPY FOR YOU

489
00:16:55,415 --> 00:16:57,446
AND THOSE DERANGED
MIDDLE-AGED LADIES.

490
00:16:57,447 --> 00:16:59,318
MEL AND JOE, MY TWO
FAVORITE GUEST HOSTS.

491
00:16:59,319 --> 00:17:00,449
I HAVE SOME EXCELLENT NEWS.

492
00:17:00,450 --> 00:17:02,421
THE REGULAR HOST...
STILL IN THE HOSPITAL.

493
00:17:02,422 --> 00:17:03,592
THAT'S EXCELLENT NEWS?

494
00:17:03,593 --> 00:17:05,794
OH, NOT FOR HIM. THAT
FACE-LIFT DID NOT TAKE.

495
00:17:05,795 --> 00:17:07,726
FRANKLY HE LOOKS LIKE A PICASSO.

496
00:17:07,727 --> 00:17:10,699
BUT HIS BOTCHED SURGERY
IS YOUR LUCKY DAY.

497
00:17:10,700 --> 00:17:13,332
"GOOD MORNING TOLEDO" WANTS TO EXTEND
YOUR CONTRACT FOR THE NEXT MONTH

498
00:17:13,333 --> 00:17:14,703
WITH A BUMP IN PAY.

499
00:17:14,704 --> 00:17:18,337
REALLY? EXACTLY HOW
BIG IS THIS BUMP?

500
00:17:18,338 --> 00:17:20,038
BIGGER THAN MY AUNT
EILEEN'S BUTT.

501
00:17:20,039 --> 00:17:22,271
YOU DON'T KNOW
HER, BUT IT'S BIG.

502
00:17:22,272 --> 00:17:24,343
HEY, TOLEDO WANTS YOU
GUYS ON THE AIR.

503
00:17:24,344 --> 00:17:26,375
FOR A WHOLE MONTH? WHAT ARE
WE SUPPOSED TO TALK ABOUT?

504
00:17:26,376 --> 00:17:28,377
YOUR CONSTANT DISASTERS AT HOME.

505
00:17:28,378 --> 00:17:30,048
YOUR LACK OF PARENTING SKILLS

506
00:17:30,049 --> 00:17:31,480
IS VERY RELATABLE
TO OUR AUDIENCE.

507
00:17:31,481 --> 00:17:34,083
OKAY, SO THE ONLY REASON
YOU WANT US ON THIS SHOW

508
00:17:34,084 --> 00:17:35,324
IS TO EXPLOIT MY
FAMILY'S PROBLEMS

509
00:17:35,325 --> 00:17:36,425
FOR LIGHT ENTERTAINMENT?

510
00:17:36,426 --> 00:17:38,257
HOW DO I SAY THIS
WITH SENSITIVITY?

511
00:17:38,258 --> 00:17:39,428
YEAH.

512
00:17:39,429 --> 00:17:42,761
WOW, YOU MAKE
POLITICS LOOK NOBLE.

513
00:17:42,762 --> 00:17:44,333
YOU KNOW WHAT, KYLE?

514
00:17:44,334 --> 00:17:46,135
I DID THIS TO HELP
MY STATE SENATE RUN,

515
00:17:46,136 --> 00:17:48,768
NOT TO PUT MY FAMILY ON DISPLAY
LIKE LOBSTERS IN A TANK.

516
00:17:50,270 --> 00:17:52,571
LOOK, JOE, YOU CAN DO
WHATEVER YOU WANT TO DO,

517
00:17:52,572 --> 00:17:54,503
BUT I'M OUT.

518
00:17:54,504 --> 00:17:56,545
MEL, BUT... PLEASE. WE
CAN'T DO THIS WITHOUT YOU.

519
00:17:56,546 --> 00:17:58,348
YOU'RE ESSENTIAL TO THE SHOW!

520
00:17:59,479 --> 00:18:02,811
JOE, I'M GONNA PAIR
YOU WITH ASHLEY...

521
00:18:02,812 --> 00:18:04,483
THE NEW BACK-AND-FORTH.

522
00:18:04,484 --> 00:18:05,514
SHE ASKS YOU ABOUT THE KIDS.

523
00:18:05,515 --> 00:18:06,685
YOU GIVE US THE
GRUESOME DETAILS.

524
00:18:06,686 --> 00:18:09,418
HEY, YOU CAN EVEN TRASH
YOUR OLD CO-HOST.

525
00:18:09,419 --> 00:18:12,191
KYLE, LOOK, NORMALLY
I DISAGREE WITH MEL

526
00:18:12,192 --> 00:18:13,423
ON JUST ABOUT
EVERYTHING, BUT UM...

527
00:18:15,094 --> 00:18:17,326
NOT ON THIS ONE, MAN.
I'M OUT TOO.

528
00:18:17,327 --> 00:18:18,767
LET ME AT LEAST TELL YOU
HOW MUCH THE BUMP IS.

529
00:18:18,768 --> 00:18:20,229
OKAY. NO!

530
00:18:20,230 --> 00:18:21,570
NO, ACTUALLY, DON'T TELL ME.

531
00:18:21,571 --> 00:18:23,472
IT'LL JUST MAKE ME CRY.

532
00:18:23,473 --> 00:18:24,873
I'M JUST GONNA GO HOME

533
00:18:24,874 --> 00:18:27,436
AND WHIP OUT MY COMPUTER AND...

534
00:18:27,437 --> 00:18:28,808
SEARCH MYSELF TO SLEEP.

535
00:18:30,780 --> 00:18:32,211
Ashley: My twin sister and I

536
00:18:32,212 --> 00:18:33,583
both stripped our way
through college.

537
00:18:34,884 --> 00:18:37,586
I finally got out, but
she stayed in the life.

538
00:18:37,587 --> 00:18:40,549
Eventually she
gained 200 pounds,

539
00:18:40,550 --> 00:18:41,720
but she kept stripping

540
00:18:41,721 --> 00:18:43,523
because it was the only
work she could get.

541
00:18:45,355 --> 00:18:49,258
She was a philosophy major.

542
00:18:49,259 --> 00:18:51,129
WOW, "GOOD MORNING TOLEDO"

543
00:18:51,130 --> 00:18:53,302
HAS REALLY TAKEN A
TURN TO THE TRASHY.

544
00:18:53,303 --> 00:18:55,164
THIS IS MINDLESS.

545
00:18:55,165 --> 00:18:57,167
OH MY GOD, I LOVE IT SO MUCH.

546
00:18:59,469 --> 00:19:01,270
- HEY, GUYS.
- Zander: HEY.

547
00:19:01,271 --> 00:19:02,811
SO HOW COME ASHLEY'S HOSTING?

548
00:19:02,812 --> 00:19:04,373
YEAH, WHAT HAPPENED TO YOU GUYS?

549
00:19:04,374 --> 00:19:06,745
OH... WELL, WHAT HAPPENED WAS...

550
00:19:06,746 --> 00:19:09,418
UH, THE TRUTH IS...

551
00:19:09,419 --> 00:19:11,220
THEY FIRED US.

552
00:19:11,221 --> 00:19:13,552
YEP, GAVE US THE BOOT.

553
00:19:13,553 --> 00:19:15,424
APPARENTLY, WE JUST WEREN'T
INTERESTING ENOUGH.

554
00:19:15,425 --> 00:19:17,786
OH, YOU COULDN'T JUST KEEP
DISHING DIRT ABOUT US?

555
00:19:17,787 --> 00:19:20,359
YEAH, NOBODY REALLY WANTED
TO HEAR ABOUT THAT.

556
00:19:20,360 --> 00:19:22,231
MM-HMM. NO, THAT GOT
OLD IN A HURRY.

557
00:19:22,232 --> 00:19:23,292
THEY DID A GOOD JOB WITH ASHLEY

558
00:19:23,293 --> 00:19:26,695
'CAUSE SHE IS A HOT TRAIN WRECK.

559
00:19:26,696 --> 00:19:28,497
HEY, I'M JUST HAPPY
NO ONE'S GONNA BE

560
00:19:28,498 --> 00:19:30,369
TALKING ABOUT US ON TV ANYMORE.

561
00:19:30,370 --> 00:19:32,401
YES, FROM NOW ON,
OUR FAMILY DRAMA

562
00:19:32,402 --> 00:19:34,673
WILL STAY IN THIS HOUSE
WHERE IT BELONGS.

563
00:19:34,674 --> 00:19:36,245
IN THAT CASE, I SHOULD
PROBABLY TAKE DOWN

564
00:19:36,246 --> 00:19:37,746
SOME UNFLATTERING PHOTOS OF JOE

565
00:19:37,747 --> 00:19:39,749
THAT MAY OR MAY NOT HAVE FOUND
THEIR WAY ONTO THE INTERNET.

566
00:19:41,481 --> 00:19:42,912
THAT WOULD BE A GOOD IDEA.

567
00:19:44,484 --> 00:19:46,855
HEY, LOOK, ABOUT ALL
THIS STUFF THIS WEEK...

568
00:19:46,856 --> 00:19:48,717
DO YOU THINK WE CAN JUST
FORGIVE EACH OTHER,

569
00:19:48,718 --> 00:19:50,719
ERASE OUR FACEBOOK
TIMELINES, AND MOVE ON?

570
00:19:50,720 --> 00:19:52,921
ABSOLUTELY NOT.

571
00:19:52,922 --> 00:19:54,363
BUT MAYBE BY TOMORROW.

572
00:19:54,364 --> 00:19:55,424
AND YOU KNOW, ANOTHER GIFT CARD

573
00:19:55,425 --> 00:19:56,865
WOULD REALLY JUST
SPEED THE HEALING.

574
00:19:56,866 --> 00:19:59,528
YEAH, DON'T PRESS YOUR LUCK.

575
00:19:59,529 --> 00:20:01,630
OKAY, WELL, JOE AND I WILL GO
IN THE KITCHEN AND MAKE OUR

576
00:20:01,631 --> 00:20:03,402
DYSFUNCTIONAL LITTLE
FAMILY A LOVELY DINNER.

577
00:20:03,403 --> 00:20:05,434
YES, AND BY "JOE AND
I," SHE MEANS JOE.

578
00:20:05,435 --> 00:20:06,535
YEAH, I THOUGHT THAT WAS CLEAR.

579
00:20:06,536 --> 00:20:07,906
OH, SO JUST LIKE "GOOD
MORNING TOLEDO,"

580
00:20:07,907 --> 00:20:09,278
I WILL BE CARRYING YOU AGAIN.

581
00:20:09,279 --> 00:20:10,539
YEAH, RIGHT. LIKE
YOU COULD CARRY

582
00:20:10,540 --> 00:20:11,541
ME AND THAT EGO.

583
00:20:13,343 --> 00:20:14,384
WAIT, LENNOX GOT A GIFT CARD?

584
00:20:19,919 --> 00:20:21,920
( phone rings )

585
00:20:21,921 --> 00:20:23,722
HELLO.

586
00:20:23,723 --> 00:20:24,993
YEAH, SURE. HOLD ON.

587
00:20:24,994 --> 00:20:26,756
IT'S ZANDER'S MOM FOR YOU.

588
00:20:27,657 --> 00:20:29,498
HELLO.

589
00:20:29,499 --> 00:20:31,430
WELL, YES, ZANDER'S HERE.
WHERE ELSE WOULD HE BE

590
00:20:31,431 --> 00:20:32,461
AFTER YOU KICKED HIM OUT?

591
00:20:32,462 --> 00:20:35,264
WELL, IS THAT RIGHT?

592
00:20:35,265 --> 00:20:36,765
WELL, THAT IS A VERY
DIFFERENT STORY.

593
00:20:36,766 --> 00:20:38,937
THANK YOU, OKAY.

594
00:20:38,938 --> 00:20:40,309
( phone turns off )

595
00:20:40,310 --> 00:20:41,411
OH, ZANDER.

596
00:20:43,773 --> 00:20:45,815
MAY I JUST SAY, YOU
LOOK LOVELY TONIGHT.

597
00:20:46,846 --> 00:20:48,817
AND MR. LONGO, THAT WAS
SUPERLATIVE CHICKEN.

598
00:20:48,818 --> 00:20:50,549
LIFE-CHANGING.

599
00:20:50,550 --> 00:20:52,751
SO YOUR MOM SAID

600
00:20:52,752 --> 00:20:53,952
THAT SHE DIDN'T KICK
YOU OUT AT ALL.

601
00:20:53,953 --> 00:20:55,954
WOULD YOU LIKE TO TELL
ME WHY YOU LIED TO US?

602
00:20:55,955 --> 00:20:57,456
IT'S JUST THAT IT'S KIND OF NICE

603
00:20:57,457 --> 00:20:59,688
BEING HERE WHERE LENNOX
IS ALL THE TIME.

604
00:20:59,689 --> 00:21:02,731
OH, ISN'T HE JUST THE CUTEST?

605
00:21:02,732 --> 00:21:04,363
BUT YOU SPENT EVERY
NIGHT IN MY ROOM.

606
00:21:04,364 --> 00:21:05,634
I DON'T GET IT.
WHAT'S THE UPSIDE?

607
00:21:05,635 --> 00:21:07,666
YOU GOT ME. IT DOESN'T
REALLY MAKE MUCH SENSE.

608
00:21:07,667 --> 00:21:10,470
OH, EXCEPT YOU GUYS ARE
GONE A LOT DURING THE DAY.

609
00:21:14,544 --> 00:21:15,804
ZANDER.

610
00:21:15,805 --> 00:21:17,676
- YEAH.
- I'M GONNA GIVE YOU

611
00:21:17,677 --> 00:21:19,508
A RUNNING START.

612
00:21:19,509 --> 00:21:21,381
I SUGGEST YOU TAKE IT.

613
00:21:25,455 --> 00:21:26,786
OH, HEY!

