1 00:00:06,707 --> 00:00:08,238 PREVIOUSLY ON "MELISSA & JOEY"... 2 00:00:08,239 --> 00:00:10,009 Joe: MY GRANDMOTHER SOFIA IS FAILING 3 00:00:10,010 --> 00:00:12,082 AND ALL SHE WANTS IS TO SEE ME AND TIFFANY TOGETHER. 4 00:00:12,083 --> 00:00:14,013 WHY DOES SHE WANT TO SEE YOUR EX-WIFE? 5 00:00:14,014 --> 00:00:15,445 I NEVER TOLD HER THAT WE GOT DIVORCED. 6 00:00:15,446 --> 00:00:17,087 OF COURSE I'M COMING, NONA! 7 00:00:17,088 --> 00:00:18,648 YOU... YOU'RE CHECKING... 8 00:00:18,649 --> 00:00:21,751 IT'S REALLY YOU! HI, TIFFANY! 9 00:00:21,752 --> 00:00:24,794 I NEED YOU TO KILL A RAT. 10 00:00:24,795 --> 00:00:26,096 YOU MEAN MURDER? 11 00:00:26,097 --> 00:00:28,098 I KNOW WHERE SHE OUGHTA PUT HER TWO LIPS. 12 00:00:28,099 --> 00:00:29,799 - RIGHT HERE. - LEAVE ME ALONE. 13 00:00:29,800 --> 00:00:31,432 THAT SOUNDED PRETTY CLEAR TO ME, FELLAS. 14 00:00:35,206 --> 00:00:38,368 - WHAT IS THIS? - THE RABBIT'S BREW HAS PRODUCED 15 00:00:38,369 --> 00:00:40,710 17 MARRIAGES AND 80 CHILDREN. 16 00:00:40,711 --> 00:00:42,813 IT'S A LOVE POTION. 17 00:00:45,246 --> 00:00:47,747 "MELISSA & JOEY" IS RECORDED IN FRONT OF A LIVE STUDIO AUDIENCE. 18 00:00:47,748 --> 00:00:51,751 - ( coughs ) - NONA. DUDE. 19 00:00:51,752 --> 00:00:55,054 THAT WAS THE BEST 99th BIRTHDAY PARTY 20 00:00:55,055 --> 00:00:57,427 I'VE EVER BEEN TO. 21 00:00:57,428 --> 00:01:02,192 THE BEST PART IS SEEING THE FLAME OF LOVE GLOW AGAIN 22 00:01:02,193 --> 00:01:06,196 - BETWEEN MY JOEY AND HIS TIFFANY. - ( chuckles ) 23 00:01:06,197 --> 00:01:09,739 THAT'S WHO WE ARE, ESPECIALLY ME. 24 00:01:09,740 --> 00:01:12,472 ( laughs ) DON'T OVERSELL, TIFFANY, ALL RIGHT? 25 00:01:12,473 --> 00:01:15,475 - I CAN TAKE IT FROM HERE, NONA. - I BET YOU CAN. 26 00:01:15,476 --> 00:01:16,646 ( both chuckle ) 27 00:01:16,647 --> 00:01:18,748 I LEFT YOU A LITTLE NIGHTCAP... 28 00:01:18,749 --> 00:01:20,750 THE RABBIT'S BREW. 29 00:01:20,751 --> 00:01:23,254 WELL, HOP TO IT. 30 00:01:24,655 --> 00:01:26,786 ISN'T SHE ADORABLE? 31 00:01:26,787 --> 00:01:30,160 I MEAN, YOU HAVE AN ADORABLE GRANDMOTHER. 32 00:01:30,161 --> 00:01:31,621 YOU KNOW, I JUST WANNA... I JUST WANNA 33 00:01:31,622 --> 00:01:33,223 PUT HER IN MY PURSE AND TAKE HER HOME WITH ME. 34 00:01:33,224 --> 00:01:34,824 AND THEN WHEN I GO OUT WITH MY FRIENDS, 35 00:01:34,825 --> 00:01:37,468 I CAN TAKE HER OUT AND SAY, "NONA IN YOUR FACE!" 36 00:01:40,431 --> 00:01:42,802 WHOA WHOA, MEL, NO WAY. I'M ALREADY WAY OVER MY LIMIT. 37 00:01:42,803 --> 00:01:44,274 - I'M JUST HAPPY THEY DIDN'T HAVE A SOBRIETY CHECKPOINT... - ( sloshes ) 38 00:01:44,275 --> 00:01:47,237 - ...AT THE BOTTOM OF THE STAIRS. - ( laughs ) 39 00:01:47,238 --> 00:01:49,339 YOU ARE SO FUNNY, JOE. 40 00:01:49,340 --> 00:01:50,640 YOU KNOW, I DON'T TELL YOU THAT ENOUGH, 41 00:01:50,641 --> 00:01:52,382 SO LET ME TELL YOU AGAIN. 42 00:01:52,383 --> 00:01:53,743 - OKAY. - YOU... 43 00:01:53,744 --> 00:01:56,716 - YEAH? - ...ARE SO FUNNY... 44 00:01:56,717 --> 00:01:58,548 JOE. 45 00:01:58,549 --> 00:02:00,490 ( both laugh ) 46 00:02:00,491 --> 00:02:02,752 HEY, MEL, MEL, LISTEN TO ME. 47 00:02:02,753 --> 00:02:04,424 LISTEN, I'MA TELL YOU SOMETHING VERY IMPORTANT, ALL RIGHT? 48 00:02:04,425 --> 00:02:07,257 I WANT YOU TO PUT DOWN THE BED AND GET TO DRINK, OKAY? 49 00:02:07,258 --> 00:02:09,299 - ( mutters ) - HERE'S WHAT I MEANT. 50 00:02:09,300 --> 00:02:12,862 I MEANT PUT DOWN THE BED AND GET TO DRINK, ALL RIGHT? 51 00:02:12,863 --> 00:02:14,664 - YOU NAILED IT THAT TIME. - I DID NAIL IT. 52 00:02:14,665 --> 00:02:16,406 TELL YOU WHAT I'MA DO. I'M GONNA GO BUNK 53 00:02:16,407 --> 00:02:17,707 - IN THE SPARE ROOM TONIGHT, ALL RIGHT? - OKAY. 54 00:02:17,708 --> 00:02:19,309 - OKAY. NIGHT. - NIGHT. 55 00:02:19,310 --> 00:02:21,312 ( rattles ) 56 00:02:22,573 --> 00:02:24,674 THIS DOOR'S LOCKED. 57 00:02:24,675 --> 00:02:27,146 WHY-WHY-WHY... WHY IS THIS DOOR LOCKED? 58 00:02:27,147 --> 00:02:30,650 YOUR GRANDMOTHER LOCKED US IN! 59 00:02:30,651 --> 00:02:32,882 OH, YOU KNOW WHY? 60 00:02:32,883 --> 00:02:35,425 'CAUSE SHE WANTS US TO SPEND THE NIGHT TOGETHER TONIGHT, 61 00:02:35,426 --> 00:02:38,928 - LIKE WABBITS. - ( both laughing ) 62 00:02:38,929 --> 00:02:42,662 IT'S WABBIT SEASON FOR JOEY AND TIFFANY. 63 00:02:42,663 --> 00:02:44,695 OH, YES, YOU'RE VEWY WIGHT. 64 00:02:46,597 --> 00:02:48,568 - 'CAUSE I'M.. ♪ TIFFANY ♪ - YES, YOU ARE. 65 00:02:48,569 --> 00:02:51,501 - AND YOU'RE JOEJOEBEE. - I AM. 66 00:02:51,502 --> 00:02:53,172 MY SWEET SWEET JOEJOEBEE. 67 00:02:53,173 --> 00:02:55,345 YES YES, THAT'S ME. 68 00:02:55,346 --> 00:02:58,508 WOW, THAT FEELS SO GOOD. YOU KNOW THAT? OH MY GOODNESS. 69 00:02:58,509 --> 00:03:00,710 HEY, MEL, YOU KNOW YOU'RE SO SWEET FOR COMING WITH ME THIS WEEKEND. 70 00:03:00,711 --> 00:03:04,254 SERIOUSLY. I MEAN, EVERYBODY WAS SO HAPPY TO SEE YOU. 71 00:03:04,255 --> 00:03:05,415 - ( chuckles ) - YOU KNOW THAT? 72 00:03:05,416 --> 00:03:07,657 NOBODY MORE THAN JOEJOEBEE, THOUGH. 73 00:03:07,658 --> 00:03:08,858 - HMM. - OKAY? 74 00:03:08,859 --> 00:03:11,462 I'M SO GLAD I DID. 75 00:03:24,705 --> 00:03:26,677 ( thuds ) 76 00:03:29,280 --> 00:03:31,341 AH. 77 00:03:31,342 --> 00:03:33,244 ( speaks Italian ) 78 00:03:34,685 --> 00:03:37,988 OOH. ( laughing ) 79 00:03:40,591 --> 00:03:41,821 ( theme music playing ) 80 00:03:41,822 --> 00:03:43,693 - ♪ IT'S ALL GOOD ♪ - ♪ All good ♪ 81 00:03:43,694 --> 00:03:45,525 - ♪ IT'S OKAY ♪ - ♪ Okay ♪ 82 00:03:45,526 --> 00:03:46,896 - ♪ IT'S ALL RIGHT ♪ - ♪ All right ♪ 83 00:03:46,897 --> 00:03:48,828 ♪ AS FAR AS I CAN SEE ♪ 84 00:03:48,829 --> 00:03:50,560 - ♪ IT'S ALL GOOD ♪ - ♪ All good ♪ 85 00:03:50,561 --> 00:03:52,332 - ♪ IT'S OKAY ♪ - ♪ Okay ♪ 86 00:03:52,333 --> 00:03:54,233 - ♪ IT'S ALL RIGHT ♪ - ♪ All right ♪ 87 00:03:54,234 --> 00:03:56,866 ♪ I GUESS YOU'RE STUCK ♪ 88 00:03:56,867 --> 00:03:59,710 ♪ WITH ME ♪ 89 00:04:01,442 --> 00:04:04,274 MAMA GLORIA, I... I CAN'T MURDER THIS GUY, 90 00:04:04,275 --> 00:04:07,547 - EVEN IF HE'S STEALING FROM YOU. - ( crickets chirping ) 91 00:04:07,548 --> 00:04:09,018 OH MY GOD. 92 00:04:09,019 --> 00:04:11,621 SHE'S GONNA HAVE TO KILL ME TOO, 'CAUSE I KNOW TOO MUCH. 93 00:04:11,622 --> 00:04:12,883 ( floorboard creaks ) 94 00:04:14,725 --> 00:04:16,686 OH! 95 00:04:16,687 --> 00:04:19,529 - YOU'LL NEED THIS. - A SHOVEL? 96 00:04:19,530 --> 00:04:21,591 WHAT, I GOTTA BURY HIM TOO NOW? 97 00:04:21,592 --> 00:04:24,565 WELL, HE'S TOO BIG TO FLUSH. 98 00:04:25,836 --> 00:04:27,937 MAMA GLORIA, I... I CAN'T KILL A MAN. 99 00:04:27,938 --> 00:04:29,469 I'M SORRY, I JUST CAN'T. 100 00:04:29,470 --> 00:04:31,871 A MAN? I WANT YOU TO KILL A RAT! 101 00:04:31,872 --> 00:04:33,473 YOU KNOW... ( mimics rat ) 102 00:04:33,474 --> 00:04:36,706 WHEN YOU SAID A RAT, I THOUGHT YOU MEANT A WISEGUY 103 00:04:36,707 --> 00:04:37,747 WHO SANG TO THE COPS. 104 00:04:37,748 --> 00:04:39,950 WHAT ARE YOU, IN A SCORSESE MOVIE? 105 00:04:40,951 --> 00:04:42,752 NOW LOOK, WHEN YOU SEE THE RAT, 106 00:04:42,753 --> 00:04:45,285 TWO TO THE BACK OF THE HEAD... BAM BAM. 107 00:04:46,887 --> 00:04:48,989 I KNOW YOU WON'T LET ME DOWN. 108 00:04:50,491 --> 00:04:51,792 ( mouths ) 109 00:04:58,369 --> 00:05:00,371 - ( breathes deeply ) - ( distant barking ) 110 00:05:03,704 --> 00:05:05,675 SO, MISS OHIO, 111 00:05:05,676 --> 00:05:07,877 GOTTA SAY I REALLY ENJOYED BEING WITH YOU TONIGHT. 112 00:05:07,878 --> 00:05:10,780 ME TOO, BUT YOU DO REMEMBER THAT I'M LEAVING TOMORROW, 113 00:05:10,781 --> 00:05:13,584 - SO YOU AND I CAN'T... - LET US NOT SPEAK OF TOMORROW. 114 00:05:18,789 --> 00:05:20,019 ( chuckles ) 115 00:05:20,020 --> 00:05:21,821 - ( switch clicks ) - ( gasps ) 116 00:05:21,822 --> 00:05:23,793 HEY THERE. 117 00:05:23,794 --> 00:05:25,656 LOOKS LIKE YOU GOT YOURSELF A... 118 00:05:26,657 --> 00:05:27,798 SITUATION. 119 00:05:28,859 --> 00:05:30,700 DOESN'T SEEM LIKE HE'S UP TO YOUR USUAL... 120 00:05:30,701 --> 00:05:32,702 INTELLECTUAL STANDARDS, THOUGH. 121 00:05:32,703 --> 00:05:35,835 I KNOW. IT'S SO RELAXING. 122 00:05:35,836 --> 00:05:37,837 IT'S A GOOD THING YOU AND ZANDER ARE ON A... 123 00:05:37,838 --> 00:05:40,009 - WHAT'D YOU CALL IT AGAIN? - A PAUSE! 124 00:05:40,010 --> 00:05:41,841 - A PAUSE, YEAH. - IT'S A REAL THING. 125 00:05:41,842 --> 00:05:43,013 TAYLOR SWIFT DOES IT ALL THE TIME. 126 00:05:58,859 --> 00:05:59,890 OH BOY. 127 00:06:08,439 --> 00:06:10,770 ( whispers ) GO BACK TO SLEEP. BACK TO SLEEP. 128 00:06:10,771 --> 00:06:13,543 BACK TO SLEEP. ( chuckles ) 129 00:06:13,544 --> 00:06:16,145 ( moans ) GOOD MORNING, JOE. 130 00:06:16,146 --> 00:06:17,908 MORNING THERE, MEL. 131 00:06:19,510 --> 00:06:22,612 - ( thuds ) - OH, I HAD THE STRANGEST DREAM. 132 00:06:22,613 --> 00:06:25,815 I DON'T EVEN WANNA TELL YOU ABOUT IT. IT'S TOO INAPPROPRIATE. 133 00:06:25,816 --> 00:06:27,588 MIGHT'VE HAD THE SAME DREAM. 134 00:06:28,889 --> 00:06:30,891 WAIT. WHOA. 135 00:06:32,062 --> 00:06:33,724 YOU AND I?! 136 00:06:34,825 --> 00:06:36,896 YEAH, YOU AND I. 137 00:06:36,897 --> 00:06:39,128 THE WHOLE THING?! 138 00:06:39,129 --> 00:06:42,002 LIKE FROM... FROM THE EARTH TO THE MOON? 139 00:06:43,534 --> 00:06:44,775 ALL THE WAY. 140 00:06:45,736 --> 00:06:47,808 THE EAGLE'S LANDED. 141 00:06:49,710 --> 00:06:51,781 WE HAVE TO MAKE A PACT, OKAY? 142 00:06:51,782 --> 00:06:54,413 WHAT... WHAT HAPPENED LAST NIGHT DIES WITH US. 143 00:06:54,414 --> 00:06:56,886 OKAY, NOBODY CAN EVER FIND OUT. 144 00:06:56,887 --> 00:06:59,118 - JOEY, BREAKFAST! - OH MY GOD. ( gasps ) 145 00:06:59,119 --> 00:07:01,751 WHOA. 146 00:07:01,752 --> 00:07:04,855 MOM! AFTER ALL THESE YEARS, YOU STILL DON'T KNOCK FIRST?! 147 00:07:06,757 --> 00:07:09,799 MEL BURKE, WHEN YOU COMMIT TO A PART, 148 00:07:09,800 --> 00:07:11,761 YOU GO ALL THE WAY! 149 00:07:11,762 --> 00:07:13,533 NO, IT'S NOT WHAT IT LOOKS LIKE. 150 00:07:13,534 --> 00:07:14,834 IT NEVER IS. 151 00:07:14,835 --> 00:07:18,138 BUT DON'T WORRY. NO ONE WILL KNOW BUT ME. 152 00:07:20,140 --> 00:07:22,842 ( slams, locks ) 153 00:07:22,843 --> 00:07:24,914 WHAT THE HELL?! 154 00:07:24,915 --> 00:07:26,817 THEY DID IT. 155 00:07:28,519 --> 00:07:29,920 SHE SAW NOTHING. 156 00:07:34,454 --> 00:07:36,786 SO I CORNERED THE LITTLE GUY, LIKE A RAT. 157 00:07:36,787 --> 00:07:38,559 I GUESS THAT'S WHY THEY SAY THAT. 158 00:07:39,990 --> 00:07:42,061 BUT IN THE END, IT WAS EITHER ME OR HIM. 159 00:07:42,062 --> 00:07:44,894 I HAD THE SHOVEL. 160 00:07:44,895 --> 00:07:47,466 EXTRA PEPPERS AND EGGS FOR THIS ONE. 161 00:07:47,467 --> 00:07:50,470 MY BOY BECAME A MAN LAST NIGHT. 162 00:07:52,543 --> 00:07:54,804 JOEY IS VERY QUIET THIS MORNING. 163 00:07:54,805 --> 00:07:57,978 MAYBE HE DIDN'T GET SO MUCH SLEEP. 164 00:08:00,050 --> 00:08:03,482 GOOD MORNING, NONA. ( mimics kissing ) 165 00:08:03,483 --> 00:08:06,916 GLORIA, SO GOOD TO SEE YOU TODAY FOR THE VERY FIRST TIME. 166 00:08:06,917 --> 00:08:10,621 - JOEJOEBEE. - TIFFYPOP. 167 00:08:12,523 --> 00:08:15,926 HEY, HOW ABOUT LAST NIGHT? DID YOU HEAR THOSE TWO GOING AT IT? 168 00:08:16,967 --> 00:08:18,829 LIKE HUMAN JACKHAMMERS. 169 00:08:20,971 --> 00:08:22,972 I THOUGHT IT'D NEVER STOP. 170 00:08:22,973 --> 00:08:24,503 ( whispering ) WHY'D YOU HAVE TO BE SO LOUD, HUH? 171 00:08:24,504 --> 00:08:25,876 WHY'D YOU HAVE TO BE SO GOOD? 172 00:08:26,937 --> 00:08:29,809 THE WHOLE HOUSE SHOOK. BANG BANG BANG. 173 00:08:29,810 --> 00:08:31,781 WE GET IT. WE GET IT. ( chuckles ) 174 00:08:31,782 --> 00:08:33,783 WHAT? WAS I THE ONLY ONE THAT HEARD IT? 175 00:08:33,784 --> 00:08:35,184 THE PASCARELLI BROTHERS GOT INTO A FISTFIGHT 176 00:08:35,185 --> 00:08:36,986 AND KNOCKED OVER ALL THE TRASH CANS. 177 00:08:36,987 --> 00:08:40,620 OH! TRASH CANS. RIGHT, YEAH. 178 00:08:40,621 --> 00:08:42,251 BANG BANG. 179 00:08:42,252 --> 00:08:44,894 - YEAH, WHAT'D YOU THINK? - NOTHING. 180 00:08:44,895 --> 00:08:46,926 NOBODY SHOULD THINK ANYTHING. PEOPLE SHOULD JUST EAT. 181 00:08:46,927 --> 00:08:51,131 ALL RIGHT? AND APPRECIATE HOW GREAT LAST NIGHT WAS. 182 00:08:52,202 --> 00:08:53,864 NONA'S BIRTHDAY PARTY. 183 00:08:55,205 --> 00:08:57,667 YUP, 'CAUSE THAT'S THE ONLY THING THAT HAPPENED. 184 00:08:57,668 --> 00:08:59,139 - ( Joey chuckles ) - ALL NIGHT. 185 00:09:00,140 --> 00:09:02,142 ( laughs ) 186 00:09:04,615 --> 00:09:07,847 HEY, VINNIE, THAT WAS A HELL OF A PARTY LAST NIGHT, RIGHT? 187 00:09:07,848 --> 00:09:11,751 - SAL, WASSUP? HOW YOU DOIN'? - STOP PLAYING WITH YOUR FRIENDS. 188 00:09:11,752 --> 00:09:13,624 THERE ARE BIGGER THINGS GOING ON RIGHT NOW. COME ON. 189 00:09:14,925 --> 00:09:17,326 LAST NIGHT, AUNT MEL SLEPT OVER IN JOE'S ROOM, 190 00:09:17,327 --> 00:09:19,929 AND I MEAN LIKE REALLY SLEPT OVER. 191 00:09:19,930 --> 00:09:22,862 COME ON, THAT MAKES NO SENSE. THEY'RE ALWAYS FIGHTING. 192 00:09:22,863 --> 00:09:26,095 WELL, YEAH, BUT SOMETIMES FIGHTING IS A KIND OF ATTRACTION. 193 00:09:26,096 --> 00:09:28,037 HAVEN'T YOU NOTICED WHAT'S BEEN GOING ON 194 00:09:28,038 --> 00:09:30,300 BETWEEN JOE AND AUNT MEL FOR THE LAST THREE YEARS? 195 00:09:31,672 --> 00:09:34,243 - NO. - WE'VE BEEN LIVING IN A HOUSE 196 00:09:34,244 --> 00:09:36,846 PERMEATED BY SEXUAL TENSION AND FRUSTRATION. 197 00:09:36,847 --> 00:09:39,209 I THOUGHT THAT WAS JUST ME. 198 00:09:41,782 --> 00:09:44,854 HEY, MEL, LOOK, WE HAVE SOME IMPORTANT THINGS TO TALK ABOUT. 199 00:09:44,855 --> 00:09:46,886 YOU'RE RIGHT. 200 00:09:46,887 --> 00:09:48,958 I WAS THINKING IF WE LEAVE BEFORE 3:00 P.M., 201 00:09:48,959 --> 00:09:51,891 WE CAN MISS ALL THE SUNDAY AFTERNOON TRAFFIC ON THE TURNPIKE. 202 00:09:51,892 --> 00:09:53,893 THAT'S WHAT YOU WANNA TALK ABOUT? TURNPIKE TRAFFIC? 203 00:09:53,894 --> 00:09:56,065 WHAT ABOUT YOU AND ME, WHAT HAPPENED IN HERE LAST NIGHT? 204 00:09:56,066 --> 00:09:58,268 YOU KNOW, FROM THE EARTH TO THE MOON. 205 00:09:59,800 --> 00:10:01,170 YOU KNOW WHAT? I WAS THINKING ABOUT THAT, TOO. 206 00:10:01,171 --> 00:10:04,905 WE DIDN'T DO ANYTHING. WE WEREN'T EVEN THERE. 207 00:10:07,137 --> 00:10:08,839 OH, YOU WERE THERE. 208 00:10:10,080 --> 00:10:12,842 I MEAN, I WAS THERE, TOO. ( chuckles ) 209 00:10:12,843 --> 00:10:15,044 I... I WAS JUST A LITTLE HIGHER. 210 00:10:15,045 --> 00:10:18,047 NO NO NO NO NO. YOU AND I WERE NOT THERE. 211 00:10:18,048 --> 00:10:20,249 JOEJOEBEE AND TIFFANY WERE THERE. 212 00:10:20,250 --> 00:10:22,221 - MEL, PLEASE WILL YOU STOP... - NO, TIFFANY. 213 00:10:22,222 --> 00:10:24,824 I HAVE TO BE TIFFANY AND FOOL YOUR GRANDMOTHER FOR TWO MORE HOURS. 214 00:10:24,825 --> 00:10:27,156 HEY, JOEY... AND TIFFANY, 215 00:10:27,157 --> 00:10:29,628 NONA WANTS TO SEE EVERYONE IN THE LIVING ROOM... 216 00:10:29,629 --> 00:10:31,030 AN ANNOUNCEMENT OR SOMETHING. YOU GUYS BUSY? 217 00:10:31,031 --> 00:10:32,261 ACTUALLY, WE WERE RIGHT IN THE MIDDLE OF TALKING ABOUT... 218 00:10:32,262 --> 00:10:33,903 NOT AT ALL! HERE COMES TIFFANY! 219 00:10:33,904 --> 00:10:36,006 TRAMP, SLUT, TRAMP, SLUT, TRAMP, SLUT... 220 00:10:38,068 --> 00:10:40,910 AS WONDERFUL AS THAT BIRTHDAY PARTY WAS, 221 00:10:40,911 --> 00:10:42,641 IT WAS PROBABLY MY LAST. 222 00:10:42,642 --> 00:10:46,015 - ( all murmur disagreement ) - NO NO NO NO NO, ONE DAY SOON 223 00:10:46,016 --> 00:10:48,117 I'LL BE LAID OUT HERE IN THIS PARLOR 224 00:10:48,118 --> 00:10:49,979 WITH NICE MAKEUP ON. 225 00:10:49,980 --> 00:10:53,252 NOT TOO MUCH, GLORIA. I DON'T WANT TO LOOK CHEAP. 226 00:10:53,253 --> 00:10:56,085 NOW I WANNA TELL YOU 227 00:10:56,086 --> 00:10:59,059 WHAT I'M LEAVING EACH OF YOU, OKAY? 228 00:11:00,931 --> 00:11:04,894 FIRST OF ALL, TO MY HANDSOME GREAT-GRANDSON MARCO, 229 00:11:04,895 --> 00:11:06,966 MY LATE HUSBAND ALFREDO'S COLLECTION 230 00:11:06,967 --> 00:11:10,800 OF RISQUE PLAYING CARDS. 231 00:11:10,801 --> 00:11:14,904 AND... I'VE NEVER REVEALED THIS TO ANYONE... 232 00:11:14,905 --> 00:11:17,306 I AM THE QUEEN OF HEARTS. 233 00:11:17,307 --> 00:11:18,408 ( murmur ) 234 00:11:19,409 --> 00:11:22,753 NONA... NOT BAD. 235 00:11:23,914 --> 00:11:25,716 MORE LIKE THE QUEEN OF HEARTBREAKERS. 236 00:11:26,957 --> 00:11:30,990 AND FOR MY GRANDNIECE ROSALIE... 237 00:11:30,991 --> 00:11:33,292 SO THAT'S WHY I DON'T WANT YOU 238 00:11:33,293 --> 00:11:35,324 TO BE PLANNING THE REST OF YOUR LIFE AROUND ME. 239 00:11:35,325 --> 00:11:38,868 WE COME FROM TWO DIFFERENT WORLDS AND I'M LEAVING TODAY, 240 00:11:38,869 --> 00:11:42,031 SO JUST DON'T FALL IN LOVE WITH ME. 241 00:11:42,032 --> 00:11:44,234 HELLO. COULD YOU LOOK THIS WAY? 242 00:11:45,305 --> 00:11:48,137 GOT IT, GOT IT. NO FUTURE HERE. 243 00:11:48,138 --> 00:11:50,980 BUT LISTEN, COULD YOU GIVE ME A GOODBYE KISS? 244 00:11:50,981 --> 00:11:55,284 A BIG ONE? AND... FACE THIS DIRECTION. 245 00:11:55,285 --> 00:11:57,216 - WHAT ARE YOU DOING? - NOTHING. IT JUST OVER HERE 246 00:11:57,217 --> 00:11:58,447 THE SUN MAKES YOUR HAIR LOOK JEALOUS... 247 00:11:58,448 --> 00:11:59,990 I MEAN NICE. 248 00:12:02,192 --> 00:12:04,954 THAT GIRL ON THE FIRE ESCAPE IS STARING AT US. 249 00:12:04,955 --> 00:12:06,826 THAT'S MY GIRLFRIEND SHEILA... 250 00:12:06,827 --> 00:12:08,327 WELL, EX-GIRLFRIEND. 251 00:12:08,328 --> 00:12:10,729 WE'RE IN A GREY AREA. SHE CALLED IT A... 252 00:12:10,730 --> 00:12:13,803 - A PAUSE? - I KNEW IT WAS A FANCY WORD. 253 00:12:13,804 --> 00:12:17,336 SO I WAS THINKING IF I HUNG OUT WITH THE PRETTY OUT-OF-TOWN GIRL, 254 00:12:17,337 --> 00:12:20,039 I COULD KIND OF UNPAUSE THINGS, 255 00:12:20,040 --> 00:12:22,872 GET SHEILA BACK IN THE MARCO BUSINESS IN A BIG WAY. 256 00:12:22,873 --> 00:12:25,975 I CANNOT BELIEVE YOU WERE JUST USING ME 257 00:12:25,976 --> 00:12:27,777 TO RE-INTEREST YOUR GIRLFRIEND. 258 00:12:27,778 --> 00:12:30,179 - WELL, YOU WERE USING ME TOO, RIGHT? - WELL, YEAH, 259 00:12:30,180 --> 00:12:34,153 BUT I DID IT FOR... CULTURAL RESEARCH. 260 00:12:34,154 --> 00:12:37,027 OKAY, FINE, ONE KISS, BUT BOTH HANDS ABOVE THE WAIST. 261 00:12:39,930 --> 00:12:42,331 ( phone buzzes ) 262 00:12:42,332 --> 00:12:45,364 IT'S SHEILA. SHE'S COMING DOWN HERE. 263 00:12:45,365 --> 00:12:48,899 YOU KNOW WHAT TO DO WHEN A GIRL GRABS YOU BY THE HAIR, RIGHT? 264 00:12:55,946 --> 00:12:58,978 TO MY BELOVED GRANDDAUGHTER THERESA 265 00:12:58,979 --> 00:13:00,880 WHO HAS ALWAYS BEEN AT MY SIDE, 266 00:13:00,881 --> 00:13:05,015 I LEAVE YOU MY 1984 CHEVROLET IMPALA. 267 00:13:06,917 --> 00:13:08,217 ENJOY THERE, THERESE. 268 00:13:08,218 --> 00:13:10,059 YOU DON'T SEE A LOT OF THOSE ON THE ROAD ANYMORE. 269 00:13:10,060 --> 00:13:13,562 THAT'S IT? THAT CAR DOESN'T EVEN HAVE REVERSE. 270 00:13:13,563 --> 00:13:15,865 NOW TO MY GRANDSON JOEY 271 00:13:15,866 --> 00:13:18,868 AND HIS CURVY SPOSA TIFFANY. 272 00:13:18,869 --> 00:13:20,870 NOW THAT YOUR LOVE HAS BEEN REKINDLED, 273 00:13:20,871 --> 00:13:24,203 YOU'RE GONNA NEED A NEST FOR THIS FAMILY THAT'S SURE TO COME... 274 00:13:24,204 --> 00:13:27,306 A HOUSE IN THE NEIGHBORHOOD. MY HOUSE. 275 00:13:27,307 --> 00:13:29,808 THE HOUSE THAT THERESA IS HOUSE-SITTING. 276 00:13:29,809 --> 00:13:32,811 WHOA WHOA WHOA, OLD WOMAN. YOU MEAN THE PLACE WHERE ME AND ANGELO 277 00:13:32,812 --> 00:13:34,243 HAVE LIVED FOR THE PAST SIX YEARS? 278 00:13:34,244 --> 00:13:36,485 THE HOUSE WE'VE REMODELED WITH OUR BLOOD AND OUR SWEAT? 279 00:13:36,486 --> 00:13:40,519 THAT'S THE ONE. ENJOY. 280 00:13:40,520 --> 00:13:43,853 HOLD ON, DO YOU WANNA KNOW SOMETHING ABOUT CURVY TIFFANY HERE? 281 00:13:43,854 --> 00:13:44,954 HEY, YO, THERESA, IT'S A BAD TIME. 282 00:13:44,955 --> 00:13:46,195 SHE IS NOT WHO YOU THINK SHE IS. 283 00:13:46,196 --> 00:13:48,028 EITHER YOU TELL HER OR I WILL. 284 00:13:50,060 --> 00:13:52,001 - IS THIS TRUE? - ( sighs ) 285 00:13:52,002 --> 00:13:53,463 HEY HEY, YO YO, DON'T TOUCH... AH! 286 00:13:55,335 --> 00:13:57,606 IT'S TRUE. I'M NOT THE WOMAN YOU THINK I AM. 287 00:13:57,607 --> 00:14:01,040 NONE OF US ARE. I COLOR MY HAIR. 288 00:14:01,041 --> 00:14:03,943 NO. NO, THIS IS NOT THE WOMAN THAT JOEY MARRIED. 289 00:14:03,944 --> 00:14:06,976 - THE TRUTH IS... - THE TRUTH... I ACTUALLY FORGOT TO TELL YOU SOMETHING. 290 00:14:06,977 --> 00:14:08,277 ( whispers ) YOU CAN HAVE THE HOUSE, ALL RIGHT? 291 00:14:08,278 --> 00:14:09,349 I DON'T WANT THE DAMN HOUSE. 292 00:14:11,151 --> 00:14:13,853 SO NICE TO SEE TIFFANY HERE, ISN'T IT? 293 00:14:14,885 --> 00:14:17,226 ONE LAST THING YOU MUST PROMISE ME: 294 00:14:17,227 --> 00:14:20,229 YOU TWO WILL STAY TOGETHER FOREVER. 295 00:14:20,230 --> 00:14:22,932 WELL, NONA, SEE, 296 00:14:22,933 --> 00:14:25,434 FOREVER... IT'S SUCH A LONG TIME. 297 00:14:25,435 --> 00:14:28,397 - PROMISE ME! - WELL, BUT... BUT SEE... 298 00:14:28,398 --> 00:14:31,201 YES. YES, NONA. OF COURSE WE'LL ALWAYS STAY TOGETHER. 299 00:14:32,943 --> 00:14:36,206 OH. NOW I CAN DIE HAPPY. ( laughs ) 300 00:14:43,583 --> 00:14:46,885 OH MY GOD. IS SHE...? 301 00:14:46,886 --> 00:14:48,358 SHE'S GONE. 302 00:14:49,489 --> 00:14:51,891 THAT WAS BEAUTIFUL. 303 00:14:53,924 --> 00:14:57,197 THIS WOMAN KNEW HOW TO PICK A MOMENT. 304 00:14:58,328 --> 00:15:00,971 YOU KNOW WHAT NONA WOULD WANT RIGHT NOW? 305 00:15:02,973 --> 00:15:04,904 - MUSIC. - ( folk music playing ) 306 00:15:07,277 --> 00:15:08,938 YOU KNOW WHAT YOU JUST SAID? 307 00:15:08,939 --> 00:15:10,439 WELL, IT DIDN'T MEAN ANYTHING. 308 00:15:10,440 --> 00:15:12,281 YOU JUST MADE A DEATHBED PROMISE. 309 00:15:12,282 --> 00:15:14,413 IN THIS FAMILY, THAT IS SACRED. 310 00:15:14,414 --> 00:15:16,345 OH. 311 00:15:16,346 --> 00:15:18,018 SURE, NOW YOU TELL ME. 312 00:15:25,155 --> 00:15:26,956 - ( sighs ) - SO, MEL, 313 00:15:26,957 --> 00:15:29,158 WHEN YOU JUST SWORE TO NONA THAT WE WOULD BE TOGETHER FOREVER, 314 00:15:29,159 --> 00:15:31,360 - DID YOU MEAN THAT? - NO! 315 00:15:31,361 --> 00:15:34,603 IT WAS AN UNCOMFORTABLE MOMENT. I WAS MAKING LIGHT CONVERSATION. 316 00:15:34,604 --> 00:15:37,606 A DEATHBED PROMISE IS NOT LIGHT CONVERSATION! 317 00:15:37,607 --> 00:15:41,110 WHY ARE YOU GETTING SO UPSET? IT WAS TIFFANY WHO MADE THE PROMISE. 318 00:15:41,111 --> 00:15:42,641 AND NOW I KNOW WHY YOU DIVORCED HER, 319 00:15:42,642 --> 00:15:44,543 'CAUSE THAT WOMAN IS NOTHING BUT TROUBLE. 320 00:15:44,544 --> 00:15:47,377 IT WASN'T TIFFANY IN THE BEDROOM LAST NIGHT, MEL, IT WAS YOU AND ME. 321 00:15:49,049 --> 00:15:52,351 ( stammers ) YOU KNOW, I'M THINKING THAT MAYBE... 322 00:15:52,352 --> 00:15:55,554 MAYBE YOU AND ME IS NOT SUCH A CRAZY IDEA. 323 00:15:55,555 --> 00:15:59,558 I THINK THAT DEFINES "CRAZY IDEA." 324 00:15:59,559 --> 00:16:02,131 I MEAN, AFTER ALL THIS TIME, DON'T WE... 325 00:16:02,132 --> 00:16:06,036 DON'T WE OWE IT TO OURSELVES TO AT LEAST GIVE THIS THING A SHOT? 326 00:16:07,467 --> 00:16:10,199 LOOK, JOE, MY HISTORY WITH MEN HAS BEEN... 327 00:16:10,200 --> 00:16:13,272 TO PUT THE BEST POSSIBLE FACE ON IT... DISASTROUS. 328 00:16:13,273 --> 00:16:14,573 HEY, BEFORE YOU KNEW ME, 329 00:16:14,574 --> 00:16:16,075 I WAS ENGAGED, AND THAT BLEW UP. 330 00:16:16,076 --> 00:16:17,746 AND THEN, WELL, YOU REMEMBER GEORGE. 331 00:16:17,747 --> 00:16:19,308 YEAH, THE GUY WHO WAS 10 YEARS YOUNGER THAN YOU. 332 00:16:19,309 --> 00:16:22,751 FIVE. EIGHT. WHAT AM I, UNDER OATH? 333 00:16:22,752 --> 00:16:24,653 THEN OF COURSE, THERE WAS AUSTIN WHO WAS PERFECT FOR YOU 334 00:16:24,654 --> 00:16:26,416 EXCEPT FOR THE FACT THAT HE HAD A VASECTOMY. 335 00:16:27,657 --> 00:16:28,987 THE TOPIC WAS YOUR FAILED RELATIONSHIPS. 336 00:16:28,988 --> 00:16:31,320 - I WAS HELPING YOU OUT! - SEE, WE ALWAYS DO THIS. 337 00:16:31,321 --> 00:16:33,662 - WE TURN EVERYTHING INTO AN ARGUMENT. - WE DO NOT! 338 00:16:33,663 --> 00:16:36,165 OKAY, THIS COULD NEVER WORK! YOU KNOW WHAT? 339 00:16:36,166 --> 00:16:39,228 I'VE GOTTA CATCH THE NEXT FLIGHT BACK TO TOLEDO. 340 00:16:39,229 --> 00:16:41,430 I HAVE MEETINGS. YOU HAVE A LOT OF FAMILY BUSINESS 341 00:16:41,431 --> 00:16:42,601 TO DEAL WITH NOW THAT NONA'S GONE. 342 00:16:42,602 --> 00:16:44,603 - YOU'RE RUNNING AWAY, MEL. - I AM NOT! 343 00:16:44,604 --> 00:16:45,635 ( gasps ) LOOK, PASTA. 344 00:16:56,386 --> 00:16:58,548 MY MAN, VANILLA ICE. 345 00:17:00,050 --> 00:17:01,520 YOU ALWAYS KNEW THE LADIES. 346 00:17:01,521 --> 00:17:04,223 YOU COULD TELL ME WHAT TO DO. 347 00:17:04,224 --> 00:17:05,654 ( knocks ) 348 00:17:05,655 --> 00:17:07,796 JOEY, WHAT'S GOING ON?! 349 00:17:07,797 --> 00:17:10,329 I HEARD MEL TOOK A CAB TO THE AIRPORT. 350 00:17:10,330 --> 00:17:12,761 I THOUGHT SOMETHING HAPPENED BETWEEN THE TWO OF YOU. 351 00:17:12,762 --> 00:17:15,564 SO DID I, MA, BUT SHE DIDN'T. 352 00:17:15,565 --> 00:17:17,706 I'M JUST GONNA STAY HERE WITH YOU FOR A WHILE 353 00:17:17,707 --> 00:17:20,109 - HELP YOU PLAN NONA'S FUNERAL. - SPOILER ALERT! 354 00:17:20,110 --> 00:17:23,372 SHE WINDS UP IN A BOX IN THE GROUND. 355 00:17:23,373 --> 00:17:24,613 HEY, THAT'S NONA YOU'RE TALKING ABOUT. 356 00:17:24,614 --> 00:17:26,715 AND SHE WOULD WANT YOU TO LIVE LIFE, 357 00:17:26,716 --> 00:17:28,117 TO GO AFTER YOUR GIRLFRIEND. 358 00:17:28,118 --> 00:17:30,048 NOW GET UP OFF THAT BED AND GO! 359 00:17:30,049 --> 00:17:32,551 SHE'S NOT MY GIRLFRIEND, MOM. I TOLD YOU WE GOT NO FUTURE. 360 00:17:32,552 --> 00:17:35,084 - I THINK YOU DO! - BUT ALL WE DO IS FIGHT! 361 00:17:35,085 --> 00:17:38,687 FIGHTING? THAT'S ITALIAN FOR LOVE! 362 00:17:38,688 --> 00:17:40,729 HEY, MA, WHY YOU GIVING ME SUCH A HARD TIME RIGHT NOW?! 363 00:17:40,730 --> 00:17:43,362 BECAUSE I LOVE YOU. 364 00:17:43,363 --> 00:17:44,833 YEAH, I LOVE YOU TOO! 365 00:17:44,834 --> 00:17:47,736 YOU SEE HOW WE'RE TALKING? THIS IS LOVE! 366 00:17:47,737 --> 00:17:52,541 NOW GO AFTER HER BEFORE I REALLY GET MAD. 367 00:17:52,542 --> 00:17:54,504 THAT'S WHAT VANILLA ICE WOULD DO. 368 00:17:55,705 --> 00:17:57,146 YOU KNOW WHAT, MA? YOU'RE RIGHT. 369 00:17:57,147 --> 00:17:58,707 I'M GONNA DO IT! NOW GIMME A HUG. 370 00:17:58,708 --> 00:18:01,611 NOW! GO! 371 00:18:04,214 --> 00:18:07,216 - THERE'S LIKE 75 SANDWICHES IN HERE... - ( car honking ) 372 00:18:07,217 --> 00:18:10,559 ...AND A QUART OF OLIVES. 373 00:18:10,560 --> 00:18:12,761 MOM DIDN'T WANT US TO HAVE TO STOP FOR ANYTHING. 374 00:18:12,762 --> 00:18:16,195 DID SHE ALSO TELL YOU TO DRIVE 190 MILES PER HOUR? 375 00:18:16,196 --> 00:18:17,666 WE MIGHT BEAT AUNT MEL HOME. 376 00:18:17,667 --> 00:18:19,598 IT'S GONNA BE CLOSE. 377 00:18:19,599 --> 00:18:21,730 ( sighs ) IT'S ALMOST LIKE... 378 00:18:21,731 --> 00:18:23,672 YOU'RE CHASING HER. 379 00:18:23,673 --> 00:18:25,734 - ( rustling ) - WHAT'S THAT BOX DOING, 380 00:18:25,735 --> 00:18:27,676 SITTING IN YOUR BROTHER'S LAP BACK THERE? 381 00:18:27,677 --> 00:18:29,678 - DON'T CHANGE THE SUBJECT. - WELL, NORMALLY I WOULDN'T, 382 00:18:29,679 --> 00:18:32,312 BUT THE... BOX IS MOVING. 383 00:18:33,543 --> 00:18:35,514 - ( squeaking ) - OH! IT'S THE RAT! 384 00:18:35,515 --> 00:18:37,686 HE SAID HE KILLED IT! 385 00:18:37,687 --> 00:18:39,788 WHAT? WHAT? WE HOME? 386 00:18:39,789 --> 00:18:41,550 WHO'S YOUR FRIEND THERE, BUDDY? 387 00:18:41,551 --> 00:18:43,392 YEAH, THAT'S JUST... THAT'S CANNOLI. 388 00:18:43,393 --> 00:18:45,654 I WAS SUPPOSED TO KILL HIM FOR MAMA GLORIA, BUT I DIDN'T. 389 00:18:45,655 --> 00:18:48,757 SO NOW HE'S IN THE RODENT PROTECTION PROGRAM. 390 00:18:48,758 --> 00:18:51,630 EWW EWW EWW! THROW HIM OUT THE WINDOW. 391 00:18:51,631 --> 00:18:54,333 EASE UP, OKAY? CANNOLI HERE 392 00:18:54,334 --> 00:18:56,305 HAS BEEN THROUGH A LOT. 393 00:18:56,306 --> 00:18:58,607 SO I'M GUESSING IF I ASK YOU ABOUT AUNT MEL, 394 00:18:58,608 --> 00:19:02,371 YOU'RE JUST GOING TO DUCK, DODGE AND NOT TELL ME ANYTHING, RIGHT? 395 00:19:02,372 --> 00:19:03,772 ( sighs ) 396 00:19:03,773 --> 00:19:05,544 ALL RIGHT, FINE, DON'T TALK ABOUT IT. 397 00:19:05,545 --> 00:19:06,716 I WON'T MENTION IT AGAIN. 398 00:19:07,747 --> 00:19:08,848 OKAY, HERE IT IS. 399 00:19:10,520 --> 00:19:12,181 I THINK WE BOTH KNOW IT'S KIND OF RIDICULOUS 400 00:19:12,182 --> 00:19:14,583 THAT WE'RE ALL STILL PLAYING ALONG WITH THIS WHOLE, 401 00:19:14,584 --> 00:19:16,425 YOU KNOW, I-NEED-TO-BE- YOUR-NANNY STORY. 402 00:19:16,426 --> 00:19:18,187 I MEAN, YOU'RE ALMOST IN COLLEGE 403 00:19:18,188 --> 00:19:21,331 AND RYDER'S, WHAT, IN 14th GRADE NOW? 404 00:19:23,593 --> 00:19:26,196 I DON'T SEE WHY THERE'S ANY REASON WHY YOUR AUNT AND I... 405 00:19:27,237 --> 00:19:28,597 CAN'T GO FOR THIS THING. 406 00:19:28,598 --> 00:19:30,440 ARE YOU SAYING YOU LIKE HER? 407 00:19:31,671 --> 00:19:33,343 YES. 408 00:19:34,374 --> 00:19:35,404 YES, I LIKE HER. 409 00:19:35,405 --> 00:19:36,705 AH! FINALLY! 410 00:19:36,706 --> 00:19:38,848 WHAT? WHAT HAPPENED? WE HIT SOMETHING? 411 00:19:40,510 --> 00:19:43,782 Woman on TV: Ryan, people said I was crazy, 412 00:19:43,783 --> 00:19:46,285 but crazy people take chances on love. 413 00:19:46,286 --> 00:19:48,287 - Kiss me. - ( stammers ) 414 00:19:48,288 --> 00:19:50,389 YOU'RE RUINING A GREAT FRIENDSHIP, JULIA. 415 00:19:50,390 --> 00:19:52,422 YOU KNOW, YOU'RE NEVER GONNA BE ABLE TO WORK TOGETHER AGAIN. 416 00:19:53,563 --> 00:19:56,625 - ROMANTIC COMEDIES SUCK. - ( knocking ) 417 00:19:56,626 --> 00:20:00,269 GO AWAY! I'VE GOT A VICIOUS DOG IN HERE! 418 00:20:00,270 --> 00:20:01,671 ( barks ) 419 00:20:06,506 --> 00:20:07,876 HEY, MEL. 420 00:20:07,877 --> 00:20:10,439 AUSTIN, WHAT ARE YOU...? 421 00:20:10,440 --> 00:20:13,482 LET ME GET THROUGH THIS, 'CAUSE I PRACTICED THE WHOLE WAY HERE. 422 00:20:13,483 --> 00:20:15,744 - ( sighs ) - ( door closes ) 423 00:20:15,745 --> 00:20:17,617 I WANT YOU TO GIVE ME ANOTHER CHANCE. 424 00:20:18,688 --> 00:20:19,949 I WANT YOU IN MY LIFE. 425 00:20:21,591 --> 00:20:23,553 AND I WANT US TO HAVE A FAMILY TOGETHER. 426 00:20:24,824 --> 00:20:26,395 BUT I THOUGHT YOU NEVER WANTED KIDS. 427 00:20:26,396 --> 00:20:27,656 THAT'S WHY YOU HAD THAT VASECTOMY. 428 00:20:27,657 --> 00:20:29,699 AND NOW I'M READY TO REVERSE IT. 429 00:20:30,830 --> 00:20:32,731 I COULDN'T FIND A GREETING CARD TO SAY THAT, 430 00:20:32,732 --> 00:20:35,705 SO... I CAME HERE TO TELL YOU MYSELF. 431 00:20:37,637 --> 00:20:41,471 WOW. THAT AND FLOWERS. 432 00:20:48,948 --> 00:20:50,579 OH, I'M SO EXCITED. 433 00:20:50,580 --> 00:20:52,751 I CAN SEE THE BIG SMILE ON HER FACE. 434 00:20:52,752 --> 00:20:55,253 OKAY, I'M GONNA GO IN. 435 00:20:55,254 --> 00:20:56,825 YEAH, YOU SHOULD DO THIS BY YOURSELF. 436 00:20:56,826 --> 00:20:58,927 RYDER AND I WILL PRETEND TO UNLOAD THE CAR. 437 00:20:58,928 --> 00:21:00,389 BUT WE ARE UNLOADING THE CAR. 438 00:21:00,390 --> 00:21:04,893 YES, AND LET'S DO IT VERY VERY SLOWLY. 439 00:21:04,894 --> 00:21:08,698 - GOOD LUCK. - ( chuckles ) THANKS. 440 00:21:14,273 --> 00:21:15,745 - MEL. - JOE. 441 00:21:21,851 --> 00:21:22,852 AUSTIN?