﻿1
00:00:07,758 --> 00:00:09,629
MELISSA & JOEY WAS FILMED IN
FRONT OF A LIVE STUDIO AUDIENCE.

2
00:00:09,630 --> 00:00:11,971
JUST THINK, LENNOX,

3
00:00:11,972 --> 00:00:14,304
NOW, THANKS TO COSTCO, WE
CAN CROSS TOILET PAPER

4
00:00:14,305 --> 00:00:16,847
OFF OF OUR CHECKLIST
TILL THE YEAR 2035.

5
00:00:18,599 --> 00:00:21,352
I KNOW, AUNT MEL, YOU DID
BUY A LOT OF FIBER BARS.

6
00:00:23,314 --> 00:00:25,235
- ( glass breaks )
- Ryder: OW!

7
00:00:25,236 --> 00:00:27,197
OKAY, YOU BETTER GO HELP RYDER
WITH THAT CASE OF LIGHT BULBS.

8
00:00:27,198 --> 00:00:29,779
HEY, OH, GOOD. YOU'RE HOME.

9
00:00:29,780 --> 00:00:31,781
- JOE, HOW ARE YOUR EYES?
- PERFECT.

10
00:00:31,782 --> 00:00:35,245
DAMN! I JUST BOUGHT 24
PAIRS OF READING GLASSES.

11
00:00:35,246 --> 00:00:36,416
WHY WOULD YOU DO THAT?

12
00:00:36,417 --> 00:00:38,918
BECAUSE THEY'RE
CHEAPER BY THE CASE.

13
00:00:38,919 --> 00:00:41,751
AND BECAUSE I IMAGINE US
GROWING OLD TOGETHER.

14
00:00:41,752 --> 00:00:43,333
I LIKE THE SOUND OF THAT.
AND YOU KNOW WHAT?

15
00:00:43,334 --> 00:00:44,834
I CAN TOP IT. YOU KNOW HOW
YOU'VE BEEN SAYING LATELY

16
00:00:44,835 --> 00:00:46,466
THAT NOW THAT WE'RE A COUPLE
I SHOULD THINK OF OUR HOUSE

17
00:00:46,467 --> 00:00:48,088
NOT JUST AS YOUR HOUSE,
BUT AS OUR HOUSE?

18
00:00:48,089 --> 00:00:49,509
AND THAT I SHOULD FEEL FREE

19
00:00:49,510 --> 00:00:50,930
TO PUT MY LITTLE PERSONAL
TOUCHES EVERYWHERE?

20
00:00:50,931 --> 00:00:52,172
YEAH, AND I MEANT IT, SWEETIE.

21
00:00:52,173 --> 00:00:53,513
WELL, THE UNIVERSE
MUST HAVE HEARD YOU

22
00:00:53,514 --> 00:00:54,724
BECAUSE YOU ARE
NOT GONNA BELIEVE

23
00:00:54,725 --> 00:00:56,436
WHAT MY MOM JUST SENT ME.

24
00:00:56,437 --> 00:00:58,888
ALL RIGHT, BABE, I
WANT YOU TO SAY HELLO

25
00:00:58,889 --> 00:01:01,602
TO THE NEWEST ADDITION
TO OUR LIVING ROOM.

26
00:01:04,024 --> 00:01:07,447
HI.

27
00:01:07,448 --> 00:01:08,948
YOU RECOGNIZE THIS CHAIR, RIGHT?

28
00:01:08,949 --> 00:01:10,069
THIS IS MY GRANDMOTHER'S CHAIR.

29
00:01:10,070 --> 00:01:12,112
SURE, YEAH. AND AS I RECALL,

30
00:01:12,113 --> 00:01:15,155
THAT'S THE ONE SHE DIED IN.

31
00:01:15,156 --> 00:01:16,996
IT IS. IT IS.

32
00:01:16,997 --> 00:01:17,997
THIS THE VERY SPOT MY NONA TOOK

33
00:01:17,998 --> 00:01:19,789
HER FINAL BREATH AND
WENT TO HEAVEN,

34
00:01:19,790 --> 00:01:22,753
LEAVING NOTHING HERE, BUT HER..
COLD LIFELESS BODY.

35
00:01:25,005 --> 00:01:27,006
NOW THE CHAIR'S OURS!

36
00:01:27,007 --> 00:01:28,508
YOU KNOW, JOE.

37
00:01:28,509 --> 00:01:32,011
I REALLY DON'T DESERVE THIS.

38
00:01:32,012 --> 00:01:33,173
( theme music plays )

39
00:01:33,174 --> 00:01:35,515
♪ I GUESS YOU'RE STUCK ♪

40
00:01:35,516 --> 00:01:38,139
♪ WITH ME ♪

41
00:01:40,271 --> 00:01:41,981
SO I GUESS MY MOM
FINALLY STARTED

42
00:01:41,982 --> 00:01:43,643
TO DIVIDE UP ALL MY
GRANDMOTHER'S THINGS.

43
00:01:43,644 --> 00:01:46,316
AND IT WAS HER SPECIAL BEQUEST
THAT THIS CHAIR GO TO ME.

44
00:01:46,317 --> 00:01:49,609
WELL, IT CERTAINLY
IS A LARGE BEQUEST.

45
00:01:49,610 --> 00:01:51,191
YOU KNOW, MY GRANDMOTHER USED

46
00:01:51,192 --> 00:01:52,492
TO KEEP A BUNCH OF
STUFF IN THIS CHAIR.

47
00:01:52,493 --> 00:01:54,033
YOU KNOW, NORMAL GRANDMA
STUFF, LIKE HER...

48
00:01:54,034 --> 00:01:56,946
HER POKER CHIPS, AND
HER FLASK, AND, UH...

49
00:01:56,947 --> 00:01:59,078
YOU KNOW, HER, UH... WAIT A MINUTE.
WAIT A MINUTE.

50
00:01:59,079 --> 00:02:00,911
YUP, HER SWITCH BLADE.

51
00:02:02,663 --> 00:02:04,954
THIS TAKES ME BACK.

52
00:02:04,955 --> 00:02:07,957
YOU NEVER TOLD ME. WAS YOUR
NONA A SHARK OR A JET?

53
00:02:07,958 --> 00:02:09,169
HEY, LOOK, I KNOW

54
00:02:09,170 --> 00:02:10,800
YOU SPENT A LOT OF TIME
DECORATING THIS ROOM

55
00:02:10,801 --> 00:02:12,592
AND THE WHOLE LOOK OF IT IS...
IT'S A BIG DEAL TO YOU.

56
00:02:12,593 --> 00:02:13,923
OH, IT'S NOT THAT BIG A DEAL.

57
00:02:13,924 --> 00:02:17,257
IT'S JUST LIKE A
WINDOW INTO MY SOUL.

58
00:02:17,258 --> 00:02:19,219
I JUST WANT YOU TO KNOW THAT NOW
THAT THIS CHAIR IS IN HERE,

59
00:02:19,220 --> 00:02:21,521
I REALLY FEEL LIKE
IT'S MY HOME TOO NOW.

60
00:02:21,522 --> 00:02:23,393
I THOUGHT YOU FELT AT
HOME WHEN I ADDED THIS

61
00:02:23,394 --> 00:02:26,356
ADORABLE BABY PICTURE
OF YOU AND YOUR MOM.

62
00:02:26,357 --> 00:02:27,477
AND THAT WAS VERY NICE
OF YOU TO DO THAT,

63
00:02:27,478 --> 00:02:29,068
BUT LIKE I TOLD YOU BEFORE,

64
00:02:29,069 --> 00:02:30,069
THAT'S MY BROTHER.

65
00:02:30,070 --> 00:02:33,733
NO. NO, NO, NO. IT'S YOU.

66
00:02:33,734 --> 00:02:36,155
BUT, HONEY, THIS CHAIR HERE
IS VERY IMPORTANT TO ME

67
00:02:36,156 --> 00:02:37,697
'CAUSE, HONESTLY,

68
00:02:37,698 --> 00:02:39,118
THIS CHAIR IS VERY SYMBOLIC
OF OUR WHOLE RELATIONSHIP

69
00:02:39,119 --> 00:02:41,040
BECAUSE IF IT WASN'T FOR MY
GRANDMOTHER AND THIS CHAIR,

70
00:02:41,041 --> 00:02:42,622
YOU AND I WOULD NEVER
HAVE GOTTEN TOGETHER.

71
00:02:42,623 --> 00:02:44,374
THAT'S WHY IT'S
SO SPECIAL TO ME.

72
00:02:44,375 --> 00:02:48,087
OH, WELL, IF IT'S SPECIAL TO
YOU, THEN IT'S SPECIAL TO ME.

73
00:02:48,088 --> 00:02:51,342
OH, YEAH, YOU CAN REALLY
SMELL THE SPECIALNESS.

74
00:02:54,215 --> 00:02:58,137
- READY, DUDE?
- YEAH, DUDE.

75
00:02:58,138 --> 00:03:00,179
WHAT'S GOING ON WITH YOU TWO?

76
00:03:00,180 --> 00:03:02,262
YOU GUYS ARE
SUDDENLY BEST DUDES?

77
00:03:02,263 --> 00:03:04,684
I JUST NEED HIS HELP
TO MOVE SOME STUFF.

78
00:03:04,685 --> 00:03:06,766
AND RYDER'S THE
STRONGEST GUY YOU KNOW?

79
00:03:06,767 --> 00:03:07,977
SADLY, YES.

80
00:03:07,978 --> 00:03:09,519
ALL MY FRIENDS ARE ARTISTS

81
00:03:09,520 --> 00:03:11,361
SO AMONGST MY PEERS,
RYDER'S A GORILLA.

82
00:03:11,362 --> 00:03:13,192
OH, YOU KNOW WHAT?
HONESTLY, I BELIEVE THAT

83
00:03:13,193 --> 00:03:15,194
JUDGING BY ALL THE HAIR
HE LEAVES IN THE SHOWER.

84
00:03:15,195 --> 00:03:16,946
LOOK, LOOK, WANT TO BE
TECHNICAL ABOUT IT,

85
00:03:16,947 --> 00:03:19,078
HE'S NOT HELPING ME MOVE.
HE'S HELPING JORDAN MOVE.

86
00:03:19,079 --> 00:03:20,910
- SHE JUST BOUGHT A NEW BED.
- OH, THAT'S RIGHT.

87
00:03:20,911 --> 00:03:23,373
YOU HAVE THOSE GIRL ROOMMATES
WITH BEDS THEY NEED MOVED.

88
00:03:23,374 --> 00:03:25,204
SHOULDN'T THEIR
BOYFRIENDS DO THAT?

89
00:03:25,205 --> 00:03:26,916
THEY DON'T HAVE BOYFRIENDS.

90
00:03:26,917 --> 00:03:28,207
WELL, WE SHOULD GO.

91
00:03:28,208 --> 00:03:29,919
WE DON'T WANT TO KEEP
THE GIRLS WAITING.

92
00:03:29,920 --> 00:03:33,633
OH, YEAH, ALL RIGHT. LET'S
GO LIFT SOME STUFF.

93
00:03:33,634 --> 00:03:35,635
WHY IS RYDER SO EXCITED
ABOUT LIFTING THINGS?

94
00:03:35,636 --> 00:03:37,757
I CAN'T EVEN GET HIM TO
PICK UP HIS OWN SOCKS.

95
00:03:37,758 --> 00:03:39,929
THEY'RE HELPING MOVE
FURNITURE FOR ZANDER'S

96
00:03:39,930 --> 00:03:43,052
HELPLESS AND OBVIOUSLY
MANIPULATIVE FEMALE ROOMMATES.

97
00:03:43,053 --> 00:03:45,184
HMM, ONE MIGHT SAY
YOU ARE DISPLAYING

98
00:03:45,185 --> 00:03:47,347
SOME POSSESSIVENESS ABOUT
A CERTAIN EX-BOYFRIEND

99
00:03:47,348 --> 00:03:49,729
WHOSE NAME BEGINS WITH ZANDER.

100
00:03:49,730 --> 00:03:51,851
OKAY, FOR THE RECORD,

101
00:03:51,852 --> 00:03:53,483
I HAVE NO FEELINGS FOR HIM.

102
00:03:53,484 --> 00:03:55,855
I DON'T CARE WHAT HE
DOES WITH THOSE HARLOTS.

103
00:03:55,856 --> 00:03:58,658
"HARLOT"? THAT'S
HIGHBROW FOR SKANK.

104
00:03:58,659 --> 00:04:00,159
ANYWAY, IT DOESN'T MATTER.

105
00:04:00,160 --> 00:04:02,412
OKAY, HE CAN GO OVER THERE
AND MOVE WHATEVER HE WANTS.

106
00:04:02,413 --> 00:04:03,953
I GOT SOMETHING
THAT NEEDS MOVING.

107
00:04:03,954 --> 00:04:06,536
IT'S IN THE LIVING ROOM. IT'S
THE COLOR OF HUMMINGBIRD VOMIT.

108
00:04:06,537 --> 00:04:08,498
AND IT'S ALREADY KILLED ONCE.

109
00:04:08,499 --> 00:04:10,870
OKAY, IF THE CHAIR
BOTHERS YOU SO MUCH,

110
00:04:10,871 --> 00:04:12,211
WHAT IS IT DOING OUT THERE?

111
00:04:12,212 --> 00:04:14,003
WELL, JOE IS VERY
ATTACHED TO IT.

112
00:04:14,004 --> 00:04:15,925
IT'S THE VERY SPOT WHERE
NONA WENT TO HEAVEN.

113
00:04:15,926 --> 00:04:17,677
( groans ) WHY COULDN'T SHE
HAVE TAKEN IT WITH HER?

114
00:04:17,678 --> 00:04:19,929
I'LL TELL YOU WHY. BECAUSE
HEAVEN IS A BEAUTIFUL PLACE

115
00:04:19,930 --> 00:04:22,972
AND THEY DON'T SIT AROUND
IN CRAP LIKE THAT.

116
00:04:22,973 --> 00:04:25,054
BUT YOU LET JOE BELIEVE
YOU WERE OKAY WITH IT?

117
00:04:25,055 --> 00:04:27,016
WELL, I KIND OF HALF-SMILED

118
00:04:27,017 --> 00:04:28,478
AND HE SAW A WHOLE SMILE.

119
00:04:28,479 --> 00:04:30,940
OH, SO YOU FAKED IT
AND HE BELIEVED YOU.

120
00:04:30,941 --> 00:04:33,153
IT'S NOT THE FIRST TIME
I'VE FAKED IT WITH JOE.

121
00:04:35,155 --> 00:04:36,946
NO! NO, NO, NO, NO, NO.

122
00:04:36,947 --> 00:04:38,818
WHEN I TASTED THE
SMOKED DUCK HE MADE...

123
00:04:38,819 --> 00:04:43,072
OKAY, "HMM, SMOKEY AND DUCKY."

124
00:04:43,073 --> 00:04:45,114
SO, UM, HOW ARE YOU
GONNA FAKE YOUR WAY

125
00:04:45,115 --> 00:04:47,076
THROUGH THAT PHOTO
SHOOT ON SUNDAY?

126
00:04:47,077 --> 00:04:49,208
OH, IS THAT MAGAZINE GUY
COMING HERE ON SUNDAY?!

127
00:04:49,209 --> 00:04:51,120
UM, THAT'S WHAT IT SAYS.

128
00:04:51,121 --> 00:04:53,172
IT SAYS, "'TOLEDO LIVING'
IS LOOKING FORWARD TO

129
00:04:53,173 --> 00:04:55,084
TAKING A PEEK INTO
COUNCILWOMAN MEL BURKE'S

130
00:04:55,085 --> 00:04:59,218
BEAUTIFUL HOME TO GET TO KNOW
HER UNIQUE SENSE OF STYLE."

131
00:04:59,219 --> 00:05:02,132
BOY, YOU KNOW THE TIMING
OF THIS IS PRETTY FUNNY.

132
00:05:03,053 --> 00:05:04,974
IN A SAD, UN-FUNNY WAY.

133
00:05:04,975 --> 00:05:07,056
UGH! THE CHAIR!

134
00:05:07,057 --> 00:05:08,768
HEY, I'LL GIVE YOU 50 BUCKS
IF YOU SET IT ON FIRE.

135
00:05:08,769 --> 00:05:10,480
OKAY, REALLY? THAT'S THE
BEST YOU CAN COME UP WITH?

136
00:05:10,481 --> 00:05:12,352
OKAY, 75.

137
00:05:12,353 --> 00:05:14,063
WHY DON'T YOU JUST ASK JOE

138
00:05:14,064 --> 00:05:15,485
IF YOU CAN MOVE IT OUT
OF THE LIVING ROOM

139
00:05:15,486 --> 00:05:16,566
FOR A COUPLE OF HOURS?

140
00:05:16,567 --> 00:05:18,107
WHAT? YOU MEAN BE HONEST?

141
00:05:18,108 --> 00:05:19,529
YES.

142
00:05:19,530 --> 00:05:22,242
OKAY, I'LL TRY IT, BUT ONLY
BECAUSE I'M DESPERATE.

143
00:05:25,576 --> 00:05:27,907
JORDAN, YOUR BED IS ALL SET UP.

144
00:05:27,908 --> 00:05:30,209
YEAH, YOU SHOULD PROBABLY
CALL THE FURNITURE COMPANY

145
00:05:30,210 --> 00:05:32,081
'CAUSE THEY OBVIOUSLY
GAVE YOU WAY TOO MANY

146
00:05:32,082 --> 00:05:34,123
SCREWS AND BRACKETS.

147
00:05:34,124 --> 00:05:35,545
THANKS SO MUCH, YOU GUYS.

148
00:05:35,546 --> 00:05:37,667
DO YOU MIND IF WE PAY YOU
IN LAST NIGHT'S PIZZA?

149
00:05:37,668 --> 00:05:39,959
OH, SURE. SCORE.

150
00:05:39,960 --> 00:05:42,301
WOW, ZANDER,

151
00:05:42,302 --> 00:05:44,554
I DON'T THINK I'VE EVER
ACTUALLY SEEN YOU SWEAT BEFORE.

152
00:05:44,555 --> 00:05:46,055
IT MUST BE ALL THAT
HEAVY LIFTING.

153
00:05:46,056 --> 00:05:47,887
WELL, FORTUNATELY, I
HAVE AN EXTENSIVE

154
00:05:47,888 --> 00:05:49,348
BACKGROUND IN CONSTRUCTION.

155
00:05:49,349 --> 00:05:51,731
IN MIDDLE SCHOOL, I BUILT
MY OWN SYDNEY OPERA HOUSE

156
00:05:51,732 --> 00:05:53,312
ENTIRELY OUT OF POPSICLE STICKS

157
00:05:53,313 --> 00:05:54,775
TO SCALE.

158
00:05:56,026 --> 00:05:57,897
THAT WAS COOL.

159
00:05:57,898 --> 00:06:00,239
SO, RYDER, WHAT'S YOUR STORY?

160
00:06:00,240 --> 00:06:02,862
HMM, NOT MUCH TO TELL REALLY.

161
00:06:02,863 --> 00:06:04,193
I'M A SENIOR THIS YEAR.

162
00:06:04,194 --> 00:06:06,616
AND I HAVE NO IDEA WHAT I'M
DOING AFTER GRADUATION.

163
00:06:06,617 --> 00:06:08,948
LIFE AFTER COLLEGE IS KIND
OF A VOID FOR ME TOO.

164
00:06:08,949 --> 00:06:10,990
GOOD THING I HAVE TWO MORE
YEARS TO FIGURE IT OUT.

165
00:06:10,991 --> 00:06:13,372
AH, COLLEGE... NO, NO.
I'M ACTUALLY...

166
00:06:13,373 --> 00:06:15,995
A SENIOR IN COLLEGE. YES!

167
00:06:15,996 --> 00:06:19,589
YES, AND NOT KNOWING
WHAT THE FUTURE HOLDS

168
00:06:19,590 --> 00:06:22,091
IS REALLY PART OF BEING A SENIOR

169
00:06:22,092 --> 00:06:23,673
IN COLLEGE,

170
00:06:23,674 --> 00:06:25,675
LIKE MYSELF.

171
00:06:25,676 --> 00:06:28,007
YEAH, IT'S PRETTY STRESSFUL
FOR MY OLDER BUDDY, RYDER.

172
00:06:28,008 --> 00:06:29,429
SO WHAT'S YOUR MAJOR
AGAIN, OLD-TIMER?

173
00:06:29,430 --> 00:06:31,220
OH, YOU KNOW.

174
00:06:31,221 --> 00:06:33,433
UM, POLITICAL...

175
00:06:33,434 --> 00:06:35,184
BIOLOGY.

176
00:06:35,185 --> 00:06:37,106
SOUNDS INTERESTING.

177
00:06:37,107 --> 00:06:39,358
SO RELIEVED YOU THINK SO.

178
00:06:39,359 --> 00:06:40,821
I'M A DANCER.

179
00:06:43,283 --> 00:06:45,695
THAT'S GREAT.

180
00:06:45,696 --> 00:06:48,868
I THINK I'VE USED UP ALL
THE WORDS IN MY HEAD.

181
00:06:48,869 --> 00:06:51,701
OH, HEY, I ALMOST FORGOT.

182
00:06:51,702 --> 00:06:53,082
THERE'S ONE MORE
THING IN MY BEDROOM

183
00:06:53,083 --> 00:06:55,955
THAT I NEED YOU TO MOVE.
DO YOU MIND, RYDER?

184
00:06:55,956 --> 00:06:57,877
WELL, ACTUALLY, I'M
ALREADY FEELING

185
00:06:57,878 --> 00:06:59,299
KIND OF SORE FROM THE...

186
00:07:00,461 --> 00:07:02,421
UM, YEAH, NO.

187
00:07:02,422 --> 00:07:04,343
I'VE HEARD NOTHING
RELIEVES MUSCLE PAIN

188
00:07:04,344 --> 00:07:07,046
FASTER THAN HEAVY LIFTING.

189
00:07:07,047 --> 00:07:10,009
I LEARNED THAT IN COLLEGE
IN, UM, ADVANCED...

190
00:07:10,010 --> 00:07:12,262
PSYCHO... ZOOLOGY.

191
00:07:21,732 --> 00:07:23,402
YOU SHOULD KNOW I'M NOT LOOKING

192
00:07:23,403 --> 00:07:24,484
FOR ANYTHING SERIOUS.

193
00:07:24,485 --> 00:07:26,737
OKAY.

194
00:07:35,706 --> 00:07:37,917
I CAN FIX THAT.

195
00:07:37,918 --> 00:07:39,289
OR IT CAN WAIT.

196
00:07:44,715 --> 00:07:46,926
HEY, I JUST GOT YOUR TEXT.
WHAT'S UP?

197
00:07:46,927 --> 00:07:48,968
YEAH, I JUST WANTED
TO ASK YOU SOMETHING.

198
00:07:48,969 --> 00:07:50,550
IT'S, YOU KNOW, NOT A BIG DEAL,

199
00:07:50,551 --> 00:07:52,391
JUST A SMALL REQUEST.

200
00:07:52,392 --> 00:07:54,393
I'M NOT GONNA BEAT
AROUND THE BUSH.

201
00:07:54,394 --> 00:07:57,857
I'M JUST GONNA COME
RIGHT OUT AND SAY IT.

202
00:07:57,858 --> 00:08:00,479
WHEN'S THAT GONNA BE, EXACTLY?

203
00:08:00,480 --> 00:08:03,653
YOU KNOW HOW THAT GUY FROM
"TOLEDO LIVING" MAGAZINE

204
00:08:03,654 --> 00:08:05,024
IS GONNA COME OVER
FOR THE PHOTO SHOOT?

205
00:08:05,025 --> 00:08:06,776
WELL, IT'S HAPPENING
THIS SUNDAY.

206
00:08:06,777 --> 00:08:08,988
THINK YOU'RE GONNA GET
TO YOUR POINT BY THEN?

207
00:08:08,989 --> 00:08:10,610
WELL, I WAS THINKING
WE COULD USE THOSE

208
00:08:10,611 --> 00:08:12,612
BIG, OLD SEXY BICEPS OF YOURS

209
00:08:12,613 --> 00:08:16,035
AND MAYBE MOVE NONA'S
CHAIR OUT TO THE GARAGE

210
00:08:16,036 --> 00:08:17,206
JUST TEMPORARILY.

211
00:08:17,207 --> 00:08:18,207
WHAT ARE YOU TALKING ABOUT?

212
00:08:18,208 --> 00:08:21,330
YOUR BIG, OLD SEXY BICEPS.

213
00:08:21,331 --> 00:08:23,122
I DON'T UNDERSTAND. WHAT'S
WRONG WITH THE CHAIR?

214
00:08:23,123 --> 00:08:25,334
NOTHING. NOTHING AT ALL.
THE CHAIR IS PERFECT.

215
00:08:25,335 --> 00:08:27,126
IT'S JUST... YOU KNOW,
DOES IT REALLY HAVE

216
00:08:27,127 --> 00:08:30,089
TO BE HERE "ALL THE TIME"?

217
00:08:30,090 --> 00:08:32,091
WHY DID YOU JUST AIR-QUOTE THAT?

218
00:08:32,092 --> 00:08:34,303
WE COULD JUST TAKE IT OUT
FOR THE PHOTO SHOOT.

219
00:08:34,304 --> 00:08:37,136
AND WHO KNOWS. MAYBE IT'LL BE
HAPPY OUT THERE AND WANT TO STAY.

220
00:08:37,137 --> 00:08:40,600
AH, OKAY. I SEE
WHAT'S GOING ON HERE.

221
00:08:40,601 --> 00:08:43,442
YOU KNOW, YOU TALKED
ABOUT HOW IMPORTANT

222
00:08:43,443 --> 00:08:45,565
NONA'S CHAIR WAS TO YOU,
BUT REALLY YOU WERE JUST

223
00:08:45,566 --> 00:08:47,987
SWALLOWING YOUR
FEELINGS LIKE, UM...

224
00:08:47,988 --> 00:08:49,358
OH, I DON'T KNOW. SMOKY DUCK!

225
00:08:49,359 --> 00:08:51,110
( gasps ) YOU KNEW?!

226
00:08:51,111 --> 00:08:53,032
OF COURSE I KNEW! I COULD
SEE YOU CHOKING ON MY DUCK.

227
00:08:53,033 --> 00:08:55,074
YOU COULD BARELY PUT
MY DUCK IN YOUR MOUTH!

228
00:08:55,075 --> 00:08:56,956
LOOK, I WAS JUST TRYING
TO MAKE YOU HAPPY.

229
00:08:56,957 --> 00:08:58,788
OH, YOU HATE THIS CHAIR!
YOU WANT IT OUT OF HERE.

230
00:08:58,789 --> 00:09:00,079
- IT'S JUST A CHAIR.
- NO, IT'S NOT.

231
00:09:00,080 --> 00:09:01,370
IT'S A PIECE OF ME.
AS A MATTER OF FACT,

232
00:09:01,371 --> 00:09:02,872
IT'S THE ONLY PIECE OF
ME IN THIS ENTIRE ROOM!

233
00:09:02,873 --> 00:09:04,333
NO, THAT IS SO NOT TRUE.

234
00:09:04,334 --> 00:09:06,666
WE HAVE THIS LOVELY PORTRAIT
OF LITTLE BABY JOE.

235
00:09:06,667 --> 00:09:08,758
THAT'S MY BROTHER!

236
00:09:08,759 --> 00:09:11,130
JOE, THE CHAIR JUST
DOESN'T FIT HERE.

237
00:09:11,131 --> 00:09:12,762
YOU KNOW, YOU TALK ABOUT US
BUILDING A LIFE TOGETHER,

238
00:09:12,763 --> 00:09:14,093
BUT YOU ONLY WANT
IT ON YOUR TERMS.

239
00:09:14,094 --> 00:09:15,264
- JOE.
- NO, FORGET IT. YOU KNOW WHAT?

240
00:09:15,265 --> 00:09:16,886
FINE! I'LL GET THE
CHAIR OUT OF HERE.

241
00:09:16,887 --> 00:09:18,938
IT'LL BE GONE BEFORE SUNDAY.
AND IN ITS PLACE

242
00:09:18,939 --> 00:09:20,139
WILL BE A NICE BIG EMPTY SPACE

243
00:09:20,140 --> 00:09:22,482
TO REMIND US OF THE GAP
BETWEEN YOU AND ME.

244
00:09:24,895 --> 00:09:25,946
SO WE'RE GOOD?

245
00:09:33,453 --> 00:09:34,954
YOU KNOW, ZANDER, I JUST...

246
00:09:34,955 --> 00:09:36,535
I THINK YOU REALLY
MISSED WITH THIS ONE.

247
00:09:36,536 --> 00:09:38,197
CASSANDRA'S JUST BEEN BETRAYED.

248
00:09:38,198 --> 00:09:41,200
HER FACE SHOULD BE A MASK
OF SHOCK AND DISGUST.

249
00:09:41,201 --> 00:09:42,793
OKAY, LIKE WHAT?
CAN YOU SHOW ME?

250
00:09:44,875 --> 00:09:46,877
THAT'S MORE LIKE A
MASK OF CONSTIPATION.

251
00:09:49,209 --> 00:09:51,130
LOOK, LENNOX, I REALLY JUST DON'T
KNOW WHAT LOOK YOU'RE GOING FOR.

252
00:09:51,131 --> 00:09:52,131
( door opens )

253
00:09:52,132 --> 00:09:53,673
OH, HEY, GUYS.

254
00:09:53,674 --> 00:09:56,215
HEY, JOE, WHERE DID THIS
AWESOME CHAIR COME FROM?

255
00:09:56,216 --> 00:09:58,557
- IT'S GREAT, RIGHT?
- YES, IT'S SO COZY.

256
00:09:58,558 --> 00:09:59,719
IT'S LIKE SITTING IN A HUG.

257
00:09:59,720 --> 00:10:01,350
WELL, MAYBE YOU COULD
TELL SOMEONE ELSE WHO

258
00:10:01,351 --> 00:10:03,602
LIVES IN THIS HOUSE JUST HOW
GREAT YOU THINK THAT CHAIR IS.

259
00:10:03,603 --> 00:10:06,936
- YOU KNOW SOMEONE DIED IN IT?
- THEY MUST HAVE DIED HAPPY.

260
00:10:06,937 --> 00:10:08,688
WELL, DON'T GO FALLING
IN LOVE WITH IT, ZANDER.

261
00:10:08,689 --> 00:10:10,279
I'LL BE GETTING RID OF THIS
CHAIR TOMORROW MORNING.

262
00:10:10,280 --> 00:10:12,992
THAT'S RIGHT, THIS UNAPPRECIATED

263
00:10:12,993 --> 00:10:14,034
CHERISHED MEMENTO
OF MY CHILDHOOD...

264
00:10:17,367 --> 00:10:19,498
WELL, THE CHAIR IS GOING.
YOU MUST BE HAPPY.

265
00:10:19,499 --> 00:10:21,500
YOU'D THINK? NORMALLY,
I'M A BIG FAN

266
00:10:21,501 --> 00:10:22,832
OF GETTING WHAT I
WANT, BUT, YOU KNOW,

267
00:10:22,833 --> 00:10:24,834
JOE'S GUILT TRIP IS
RUINING THE WHOLE THING.

268
00:10:24,835 --> 00:10:26,585
RELATIONSHIPS,

269
00:10:26,586 --> 00:10:28,248
YOU GUYS ARE SO
LUCKY YOU BROKE UP.

270
00:10:29,549 --> 00:10:32,171
OH MY GOD, AM I
SITTING ON A KNIFE?!

271
00:10:32,172 --> 00:10:34,754
NONA WAS PRETTY GANGSTA'.

272
00:10:34,755 --> 00:10:37,136
Ryder: ♪ I'M MAKING A
LATE-NIGHT SNACK ♪

273
00:10:37,137 --> 00:10:40,139
♪ 'CAUSE I'M HUNGRY, YES, I AM ♪

274
00:10:40,140 --> 00:10:41,761
IS THAT RYDER SINGING?

275
00:10:41,762 --> 00:10:43,893
YES, HE'S BEEN DOING
THAT NON-STOP

276
00:10:43,894 --> 00:10:45,394
SINCE HE HELPED YOUR
ROOMMATE MOVE HER BED.

277
00:10:45,395 --> 00:10:48,147
IT'S JUST CONSTANT
SINGING AND DOPEY GRINS.

278
00:10:48,148 --> 00:10:50,940
IT'S LIKE HE'S THE LEAD IN A
HORRIBLE, HORRIBLE MUSICAL.

279
00:10:50,941 --> 00:10:53,193
YOU KNOW, "THE BOOK OF MORON."

280
00:10:55,946 --> 00:10:59,328
♪ I'M USING THE YELLOW MUSTARD ♪

281
00:10:59,329 --> 00:11:01,951
♪ 'CAUSE THERE'S NO DIJON ♪

282
00:11:01,952 --> 00:11:04,954
OKAY, DO YOU HAVE ANY IDEA
WHAT THAT'S ALL ABOUT?

283
00:11:04,955 --> 00:11:06,665
YEAH, HE HAD SEX
WITH MY ROOMMATE.

284
00:11:06,666 --> 00:11:09,418
- ( gasps )
- OH, THAT'S THE LOOK YOU WERE GOING FOR.

285
00:11:09,419 --> 00:11:11,460
SHOCK AND DISGUST.
DON'T MOVE A MUSCLE.

286
00:11:11,461 --> 00:11:14,633
OKAY, AND WHERE WERE YOU
WHEN THIS HOOKUP HAPPENED?!

287
00:11:14,634 --> 00:11:16,886
WELL, I WAS IN THE KITCHEN
DOING DISHES WITH CHRIS

288
00:11:16,887 --> 00:11:18,507
'CAUSE IT WAS MY NIGHT.

289
00:11:18,508 --> 00:11:21,430
ACTUALLY, IT WAS SORT
OF RYDER'S NIGHT.

290
00:11:21,431 --> 00:11:24,974
OKAY, THE WHOLE SITUATION
IN THAT HOUSE OF YOURS

291
00:11:24,975 --> 00:11:26,936
IS COMPLETELY SLEAZY:
RANDOM HOOKUPS,

292
00:11:26,937 --> 00:11:29,358
HOT TUB PARTIES, GIRLS
ALL OVER THE PLACE

293
00:11:29,359 --> 00:11:32,441
HITTING ON YOU... HIM!
HITTING ON HIM!

294
00:11:32,442 --> 00:11:35,274
HOW COULD YOU LET MY LITTLE
BROTHER GET CORRUPTED?

295
00:11:35,275 --> 00:11:38,157
♪ WHO'S TAKING A BITE
OF THIS SANDWICH? ♪

296
00:11:38,158 --> 00:11:40,990
♪ IT'S ME, RYDER! ♪

297
00:11:40,991 --> 00:11:42,823
HEY, IT SEEMS LIKE HE'S
HANDLING IT PRETTY WELL.

298
00:11:43,623 --> 00:11:45,704
ZANDER, MY MAN!

299
00:11:45,705 --> 00:11:46,996
UP TOP!

300
00:11:46,997 --> 00:11:49,128
HEY, LISTEN, I GOT A
QUESTION FOR YOU.

301
00:11:49,129 --> 00:11:50,790
I'VE BEEN TRYING TO
GET A HOLD OF JORDAN.

302
00:11:50,791 --> 00:11:54,713
AND SHE'S NOT RESPONDING,
SO HOW MANY TIMES AN HOUR

303
00:11:54,714 --> 00:11:56,505
SHOULD I BE TEXTING HER?

304
00:11:56,506 --> 00:11:59,598
RYDER, HAVE YOU THOUGHT
OF THE POSSIBILITY

305
00:11:59,599 --> 00:12:01,430
THAT MAYBE SHE'S NOT INTO YOU

306
00:12:01,431 --> 00:12:03,182
AS MUCH AS YOU'RE INTO HER?

307
00:12:03,183 --> 00:12:04,644
NO, YOU WEREN'T THERE.

308
00:12:05,725 --> 00:12:07,847
TRUST ME, THERE IS NO WAY

309
00:12:07,848 --> 00:12:09,608
THAT SHE DOES NOT
WANT ANOTHER HELPING

310
00:12:09,609 --> 00:12:11,730
OF RYDER LOVIN'.

311
00:12:11,731 --> 00:12:14,313
OH GOD, I REALLY HOPE YOU
DIDN'T TEXT HER THAT.

312
00:12:14,314 --> 00:12:15,614
YOU KNOW, MAN, IF I WERE YOU,

313
00:12:15,615 --> 00:12:17,156
I WOULD JUST MAYBE WAIT UNTIL

314
00:12:17,157 --> 00:12:18,657
SHE MAKES THE NEXT MOVE.

315
00:12:18,658 --> 00:12:22,071
I MEAN, OKAY, BUT
IT SURE IS WEIRD

316
00:12:22,072 --> 00:12:23,953
THAT SHE HASN'T TEXTED ME YET.

317
00:12:23,954 --> 00:12:26,165
YOU KNOW WHAT? I'M
GONNA GO UPSTAIRS

318
00:12:26,166 --> 00:12:27,366
BECAUSE THERE'S
BETTER RECEPTION.

319
00:12:27,367 --> 00:12:29,169
I'M ACTUALLY GONNA GO
SIT BY THE ROUTER.

320
00:12:31,171 --> 00:12:32,872
♪ SITTIN' BY THE ROUTER ♪

321
00:12:32,873 --> 00:12:35,334
♪ WAITIN' FOR MY GIRL ♪

322
00:12:35,335 --> 00:12:38,007
JORDAN'S NEVER TEXTING
HIM BACK, IS SHE?

323
00:12:38,008 --> 00:12:41,550
NO, SHE'S ALREADY
MOVED ON, TWICE.

324
00:12:41,551 --> 00:12:42,842
THIS IS ALL YOUR FAULT.

325
00:12:42,843 --> 00:12:44,383
YOU HAVE TO TELL HIM
THAT IT'S OVER,

326
00:12:44,384 --> 00:12:45,724
THAT YOUR ROOMMATE HAS MOVED ON

327
00:12:45,725 --> 00:12:47,056
TO HER NEXT DANCE PARTNER.

328
00:12:47,057 --> 00:12:49,268
YEAH, BUT WHEN I TELL HIM,
THERE'S GONNA BE TEARS.

329
00:12:49,269 --> 00:12:52,562
IF YOU DON'T TELL HIM,
THERE'S GONNA BE TEARS.

330
00:13:01,952 --> 00:13:04,164
( groans ) STUPID, STUPID CHAIR.

331
00:13:05,165 --> 00:13:07,667
( television music plays )

332
00:13:14,674 --> 00:13:16,755
Sofia: DON'T TOUCH THAT DIAL.

333
00:13:16,756 --> 00:13:20,129
I'M WATCHING MY STORIES.

334
00:13:20,130 --> 00:13:22,051
NONA, YOU'RE HERE.

335
00:13:22,052 --> 00:13:26,475
( bubbly ) I MEAN, HI,
NONA, IT'S ME, TIFFANY!

336
00:13:26,476 --> 00:13:28,137
I KNOW IT'S YOU, MEL.

337
00:13:28,138 --> 00:13:31,640
I'M DEAD. I SEE EVERYTHING.

338
00:13:31,641 --> 00:13:33,392
OKAY, WELL, I SWEAR I WAS ONLY

339
00:13:33,393 --> 00:13:35,604
IN THAT HANDICAP PARKING SPACE
FOR LIKE THREE MINUTES, TOPS.

340
00:13:35,605 --> 00:13:36,936
OH, KNOCK IT OFF.

341
00:13:36,937 --> 00:13:38,817
I'VE GOT A BONE
TO PICK WITH YOU.

342
00:13:38,818 --> 00:13:40,819
WHY CAN'T YOU ACCEPT MY CHAIR?

343
00:13:40,820 --> 00:13:43,863
YOU KNOW, IT DOESN'T REALLY
GO WITH THE REST OF THE ROOM.

344
00:13:43,864 --> 00:13:46,946
PLUS, YOU KIND OF DIED IN IT.

345
00:13:46,947 --> 00:13:50,829
PEOPLE DO WORSE THINGS
TO FURNITURE EVERY DAY,

346
00:13:50,830 --> 00:13:52,952
ESPECIALLY IN HOTELS.

347
00:13:52,953 --> 00:13:57,046
NEVER... NEVER TOUCH
THE COMFORTERS. UGH!

348
00:13:57,047 --> 00:13:58,417
I KNEW IT.

349
00:13:58,418 --> 00:14:01,340
YOU MUST ACCEPT THE
CHAIR INTO YOUR HOUSE

350
00:14:01,341 --> 00:14:04,723
THE SAME WAY YOU
ACCEPTED MY JOEY.

351
00:14:04,724 --> 00:14:07,556
HAVE YOU ACCEPTED MY JOEY?

352
00:14:07,557 --> 00:14:09,929
I'VE DEFINITELY ACCEPTED JOE.

353
00:14:09,930 --> 00:14:12,022
I THINK I'VE ACCEPTED JOE.

354
00:14:13,603 --> 00:14:15,854
HAVE I ACCEPTED JOE?

355
00:14:15,855 --> 00:14:19,688
AH HA, NOW WE'RE
GETTING SOMEWHERE.

356
00:14:19,689 --> 00:14:22,611
THE FIRST STEP IN
ACCEPTING MY JOEY

357
00:14:22,612 --> 00:14:25,114
IS TO SIT IN THIS CHAIR.

358
00:14:25,115 --> 00:14:27,866
WELL, I CAN'T BECAUSE
YOU'RE SITTING IN IT.

359
00:14:27,867 --> 00:14:31,290
I'M A GHOST. WATCH THIS.

360
00:14:31,291 --> 00:14:32,451
- WATCH WHAT?
- BOO!

361
00:14:32,452 --> 00:14:33,542
( screams )

362
00:14:33,543 --> 00:14:36,205
( laughs ) THAT NEVER GETS OLD.

363
00:14:36,206 --> 00:14:39,258
NONA, HOW IS SITTING
IN YOUR CHAIR

364
00:14:39,259 --> 00:14:40,879
GONNA HELP ME ACCEPT JOE?

365
00:14:40,880 --> 00:14:42,881
( deep-pitched )
SIT IN THE CHAIR.

366
00:14:42,882 --> 00:14:46,215
SIT IN THE CHAIR.

367
00:14:46,216 --> 00:14:47,927
WHY ARE YOU TALKING LIKE THAT?

368
00:14:47,928 --> 00:14:49,888
I'M TRYING TO SOUND
LIKE A GHOST,

369
00:14:49,889 --> 00:14:51,641
BUT IT'S NOT REALLY ME THOUGH.

370
00:14:52,852 --> 00:14:54,974
SIT IN THE DAMN CHAIR!

371
00:14:54,975 --> 00:14:56,856
ALL RIGHT, ALL RIGHT. I'LL TRY.

372
00:15:01,191 --> 00:15:03,442
I CAN'T! I CAN'T! DON'T MAKE ME!

373
00:15:03,443 --> 00:15:06,946
OH. JOE, WAKE UP. I JUST
HAD THE WORST DREAM.

374
00:15:06,947 --> 00:15:08,027
AND YOU'LL HAVE MUCH WORSE

375
00:15:08,028 --> 00:15:09,288
IF YOU DON'T ACCEPT MY CHAIR.

376
00:15:09,289 --> 00:15:10,660
( screams )

377
00:15:25,845 --> 00:15:29,178
- HEY.
- HEY, WHAT ARE YOU STILL DOING UP?

378
00:15:29,179 --> 00:15:30,599
OH, I JUST HAD THE
WORST NIGHTMARE.

379
00:15:30,600 --> 00:15:32,051
NONA WAS A GHOST

380
00:15:32,052 --> 00:15:33,722
AND SHE WAS TRYING TO FORCE
ME TO SIT IN HER CHAIR.

381
00:15:33,723 --> 00:15:35,054
AND THEN SHE GOT IN BED WITH ME.

382
00:15:35,055 --> 00:15:38,147
WELL, YOU KNOW WHAT FREUD
SAYS ABOUT SEX DREAMS.

383
00:15:38,148 --> 00:15:40,519
OKAY, IT WAS NOT A SEX DREAM.

384
00:15:40,520 --> 00:15:43,152
BUT I THINK NONA MIGHT BE RIGHT.

385
00:15:43,153 --> 00:15:46,235
I DON'T KNOW IF I'VE TOTALLY
ACCEPTED JOE INTO MY LIFE.

386
00:15:46,236 --> 00:15:48,617
WELL, IF SHE'S RIGHT, THEN YOU
BETTER GO SIT IN THE CHAIR.

387
00:15:48,618 --> 00:15:51,030
LENNOX, IF A BELOVED DEAD WOMAN
COULDN'T GET ME TO SIT IN IT,

388
00:15:51,031 --> 00:15:52,121
YOU REALLY THINK YOU CAN?

389
00:15:52,122 --> 00:15:54,333
OKAY, LET'S JUST TAKE YOUR WINE

390
00:15:54,334 --> 00:15:57,376
AND WALK EVER-SO-SLOWLY
INTO THE LIVING ROOM.

391
00:15:57,377 --> 00:15:58,998
COME ON, COME ON. COME ON.

392
00:15:58,999 --> 00:16:01,130
FOLLOW THE WINE GLASS.
FOLLOW THE WINE GLASS.

393
00:16:01,131 --> 00:16:04,673
ALL RIGHT, NOW, I WANT
YOU TO CLOSE YOUR EYES

394
00:16:04,674 --> 00:16:07,846
AND IMAGINE YOURSELF IN
YOUR FURNITURE HAPPY PLACE.

395
00:16:07,847 --> 00:16:09,298
OOH, OOH, OH,
"CRATE AND BARREL."

396
00:16:09,299 --> 00:16:11,590
YEAH, THEY HAVE THOSE
OAK NESTING TABLES.

397
00:16:11,591 --> 00:16:13,642
OKAY, IMAGINE YOURSELF
RUNNING THROUGH A FIELD

398
00:16:13,643 --> 00:16:15,094
OF OAK NESTING TABLES.

399
00:16:15,095 --> 00:16:16,555
OH, ARE THEY ON SALE?

400
00:16:16,556 --> 00:16:18,558
SURE.

401
00:16:21,441 --> 00:16:22,521
YOU CAN OPEN YOUR EYES NOW.

402
00:16:22,522 --> 00:16:24,443
OH, LOOK AT THAT.

403
00:16:24,444 --> 00:16:26,065
I DID IT.

404
00:16:26,066 --> 00:16:28,567
HEY, YOU KNOW WHAT? THIS
CHAIR ISN'T HALF BAD.

405
00:16:28,568 --> 00:16:30,199
IT'S ACTUALLY
PRETTY COMFORTABLE.

406
00:16:30,200 --> 00:16:31,570
OH, AND IT RECLINES.

407
00:16:31,571 --> 00:16:35,164
WOW, YOU KNOW, I THINK I
CAN ACCEPT THIS CHAIR.

408
00:16:35,165 --> 00:16:37,206
JOE MEANS THAT MUCH TO ME.

409
00:16:37,207 --> 00:16:39,669
ALL RIGHT, LET'S SEE
WHAT THIS BABY CAN DO.

410
00:16:41,041 --> 00:16:43,001
OH! OH NO.

411
00:16:43,002 --> 00:16:44,623
OKAY, JOE'S GONNA THINK
I DID THIS ON PURPOSE!

412
00:16:44,624 --> 00:16:46,545
NO BECAUSE YOU DON'T
HATE THE CHAIR ANYMORE.

413
00:16:46,546 --> 00:16:47,626
YEAH, BUT HE WON'T KNOW THAT.

414
00:16:47,627 --> 00:16:49,468
WELL, MAYBE JOE WON'T
KNOW IT WAS YOU.

415
00:16:49,469 --> 00:16:50,839
HELLO, IT'S RED WINE!

416
00:16:50,840 --> 00:16:53,552
I MIGHT AS WELL HAVE WRITTEN
"MEL WAS HERE" ON IT!

417
00:16:53,553 --> 00:16:55,224
I'M GONNA GO GET SOME
SPONGES AND SOAP.

418
00:16:55,225 --> 00:16:57,516
YEAH, AND A HAIR DRYER, QUICK!

419
00:16:57,517 --> 00:16:58,727
WHAT THE HELL'S
GOING ON IN HERE?

420
00:16:58,728 --> 00:17:00,099
I CAN HEAR YOU GUYS ALL
THE WAY UP IN MY...

421
00:17:00,100 --> 00:17:02,231
WHAT'D YOU DO TO MY CHAIR?!
YOU RUINED IT!

422
00:17:02,232 --> 00:17:05,023
- NO... IT WAS AN ACCIDENT.
- OH, COME ON.

423
00:17:05,024 --> 00:17:07,696
IT WAS. I SWEAR. I HAD
ACCEPTED THE CHAIR.

424
00:17:07,697 --> 00:17:09,818
I SAT IN IT VOLUNTARILY.
OKAY, YOU KNOW WHAT?

425
00:17:09,819 --> 00:17:11,780
I'M GONNA TAKE THE COVER
OFF, PUT IT IN THE BATHTUB,

426
00:17:11,781 --> 00:17:13,572
AND I'LL SCRUB IT
TILL MY HANDS BLEED.

427
00:17:13,573 --> 00:17:15,414
JUST LET GO OF IT, ALL
RIGHT, YOU CHAIR KILLER.

428
00:17:15,415 --> 00:17:16,615
THIS THING NEEDS TO BE
PROFESSIONALLY CLEANED.

429
00:17:16,616 --> 00:17:18,287
WINE STAINS ARE MY SPECIALTY.

430
00:17:18,288 --> 00:17:19,618
I ONCE GOT WINE OFF A DOG.

431
00:17:19,619 --> 00:17:20,789
- MEL, JUST LET IT GO!
- NO, NO!

432
00:17:20,790 --> 00:17:21,581
- WOULD YOU LET... LET IT GO!
- I GOT IT.

433
00:17:21,582 --> 00:17:23,332
I SAID...

434
00:17:23,333 --> 00:17:24,333
Both: LOOK WHAT YOU DID!

435
00:17:24,334 --> 00:17:25,834
WHAT? YOU TUGGED IT LAST.

436
00:17:25,835 --> 00:17:27,256
WAIT A MINUTE, WAIT A MINUTE.
WAIT A MINUTE. HOLD UP.

437
00:17:27,257 --> 00:17:30,009
HOLD UP, MEL, LOOK AT THIS.

438
00:17:32,262 --> 00:17:35,224
OH MY GOD, THERE'S GOT TO
BE LIKE $10,000 IN HERE.

439
00:17:35,225 --> 00:17:36,515
AND THERE'S A NOTE.

440
00:17:36,516 --> 00:17:37,976
"DEAR JOEY, THERE'S
$10,000 IN HERE..."

441
00:17:37,977 --> 00:17:40,639
- THERE'S...
- "ALL FOR YOU.

442
00:17:40,640 --> 00:17:42,101
YOU WERE ALWAYS MY
FAVORITE GRANDSON

443
00:17:42,102 --> 00:17:43,942
AND I DIDN'T WANT ANY OF MY
LEECH RELATIVES GETTING IT.

444
00:17:43,943 --> 00:17:47,736
TAKE THIS MONEY AND THROW AWAY
THE UGLY CHAIR. LOVE, NONA."

445
00:17:47,737 --> 00:17:49,278
CAN YOU BELIEVE THIS?
SHE MUST HAVE SEWED

446
00:17:49,279 --> 00:17:50,739
THE NOTE AND THE MONEY
INSIDE THE CHAIR.

447
00:17:50,740 --> 00:17:52,030
WELL, HOW WERE WE SUPPOSED
TO FIND THE NOTE?

448
00:17:52,031 --> 00:17:53,071
I DON'T KNOW. CLEARLY,
SHE DIDN'T HAVE

449
00:17:53,072 --> 00:17:55,194
ALL THE DETAILS WORKED OUT, HON.

450
00:17:55,195 --> 00:17:57,286
OR MAYBE SHE DID.

451
00:17:57,287 --> 00:17:59,868
YOU KNOW, NONA CAME TO ME
IN A DREAM LAST NIGHT.

452
00:17:59,869 --> 00:18:01,580
AND, UM, TOLD ME

453
00:18:01,581 --> 00:18:03,332
THAT THE ONLY WAY I COULD
ACCEPT YOU IN MY LIFE

454
00:18:03,333 --> 00:18:05,083
WAS TO ACCEPT HER CHAIR.

455
00:18:05,084 --> 00:18:06,965
THAT'S WHAT I SAID.

456
00:18:06,966 --> 00:18:09,588
YEAH, BUT IT'S GOT MORE OOMPH
WHEN IT COMES FROM A GHOST.

457
00:18:09,589 --> 00:18:11,590
I SEE, SO NOW YOU'RE TAKING
ALL YOUR RELATIONSHIP ADVICE

458
00:18:11,591 --> 00:18:14,513
- FROM GHOSTS?
- WELL, THEY SEE EVERYTHING.

459
00:18:14,514 --> 00:18:16,635
YOU KNOW WHAT? SHE WAS RIGHT.

460
00:18:16,636 --> 00:18:21,390
I THINK THIS CHAIR
CAN STAY HERE.

461
00:18:21,391 --> 00:18:23,101
HONEY, I GOT TO BE
HONEST WITH YOU.

462
00:18:23,102 --> 00:18:26,024
I ONLY LIKED THE CHAIR BECAUSE I
THOUGHT NONA LIKED THE CHAIR.

463
00:18:26,025 --> 00:18:27,687
THAT UGLY PIECE OF
CRAP HAS TO GO.

464
00:18:29,529 --> 00:18:31,531
I'VE NEVER LOVED YOU MORE.

465
00:18:35,785 --> 00:18:37,826
WHAT I HAVE TO SAY
MIGHT BE UPSETTING.

466
00:18:37,827 --> 00:18:39,498
SO I'M JUST GONNA COME OUT
AND I'M GONNA SAY IT.

467
00:18:39,499 --> 00:18:40,499
JORDAN'S NOT INTO ME.

468
00:18:40,500 --> 00:18:42,741
IT'S ABOUT JORDAN. SHE'S NOT...

469
00:18:42,742 --> 00:18:44,873
OKAY.

470
00:18:44,874 --> 00:18:46,245
GOOD. GO... YOU KNOW WHAT MAN?

471
00:18:46,246 --> 00:18:47,586
I'M SO SORRY. SHE'S
JUST LIKE THAT.

472
00:18:47,587 --> 00:18:49,007
AND IT'S ALL MY FAULT.

473
00:18:49,008 --> 00:18:50,799
I SHOULD NEVER HAVE LET
YOU TWO GET INVOLVED.

474
00:18:50,800 --> 00:18:52,551
SO IT'S OKAY IF YOU NEED TO CRY.

475
00:18:52,552 --> 00:18:54,213
I WON'T JUDGE YOU.

476
00:18:54,214 --> 00:18:56,805
NO, NO, I DON'T... I DON'T
REALLY NEED TO CRY.

477
00:18:56,806 --> 00:18:58,557
LOOK, MAN, I'VE BEEN THERE.

478
00:18:58,558 --> 00:19:00,519
RYDER, YOUR... YOUR
FEELINGS FOR A GIRL

479
00:19:00,520 --> 00:19:02,140
CAN LAST LONG AFTER A
RELATIONSHIP IS OVER.

480
00:19:02,141 --> 00:19:04,603
YOU SAY YOU'RE FINE AND THEN

481
00:19:04,604 --> 00:19:06,395
EVERY TIME YOU SEE HER,

482
00:19:06,396 --> 00:19:08,607
YOU WORK WITH HER,
YOU FIND YOURSELF

483
00:19:08,608 --> 00:19:10,189
SCROLLING THROUGH ALL THE PHOTOS

484
00:19:10,190 --> 00:19:12,981
ON HER TIMELINE AT 1:00 AM.

485
00:19:12,982 --> 00:19:16,405
THAT'S... THAT'S WHEN
YOU REALIZE YOU'RE...

486
00:19:16,406 --> 00:19:18,777
YOU'RE NOT OVER HER.
YOU'RE NOT FINE AT ALL.

487
00:19:18,778 --> 00:19:20,539
YEAH, UH, LISTEN.

488
00:19:20,540 --> 00:19:21,950
I'VE ONLY KNOWN JORDAN
A COUPLE OF DAYS,

489
00:19:21,951 --> 00:19:24,583
BUT, LOOK, I PROMISE.
I'M GONNA BE FINE.

490
00:19:24,584 --> 00:19:25,994
- GOOD?
- HEY... HEY, YOU KNOW WHAT?

491
00:19:25,995 --> 00:19:27,126
YOU JUST STAY STRONG, BROTHER.

492
00:19:28,878 --> 00:19:30,210
STAY STRONG.

493
00:19:31,751 --> 00:19:33,091
OH, OKAY.

494
00:19:33,092 --> 00:19:34,593
I WILL.

495
00:19:34,594 --> 00:19:36,054
YOU KNOW WHAT? THANK YOU, BUDDY,

496
00:19:36,055 --> 00:19:38,797
FOR HELPING ME THROUGH
THIS ROUGH PATCH.

497
00:19:38,798 --> 00:19:40,389
ANY TIME, MAN, ANY TIME.

498
00:19:40,390 --> 00:19:41,600
I COULDN'T HAVE DONE
IT WITHOUT YOU.

499
00:19:41,601 --> 00:19:42,972
- MM-HMM.
- MM-HMM.

500
00:19:47,477 --> 00:19:49,898
HMM, BYE-BYE, CHAIR.
WE'LL MISS YOU.

501
00:19:49,899 --> 00:19:51,440
REALLY?

502
00:19:51,441 --> 00:19:54,233
WHERE AM I GONNA KEEP
MY SWITCH BLADE?

503
00:19:54,234 --> 00:19:55,654
SO WHAT ARE YOU GONNA
DO WITH THE MONEY?

504
00:19:55,655 --> 00:19:57,236
DON'T YOU MEAN "WHAT ARE WE
GONNA DO WITH THE MONEY?"

505
00:19:57,237 --> 00:19:58,237
I'VE BEEN THINKING
ABOUT THIS, HON.

506
00:19:58,238 --> 00:19:59,448
I THINK WE SHOULD TAKE THE MONEY

507
00:19:59,449 --> 00:20:00,659
AND WE SHOULD BOTH GET
SOMETHING FOR THE HOUSE.

508
00:20:00,660 --> 00:20:01,990
SOMETHING THAT WE BOTH LIKE.

509
00:20:01,991 --> 00:20:03,532
AWW, JOE, THAT'S SO SWEET.

510
00:20:03,533 --> 00:20:05,824
OH, I KNOW JUST WHAT THE
LIVING ROOM COULD USE.

511
00:20:05,825 --> 00:20:06,915
- WHAT?
- A BRAND-NEW

512
00:20:06,916 --> 00:20:08,497
ITALIAN LEATHER PURSE.

513
00:20:08,498 --> 00:20:09,708
AND I KNOW JUST
WHERE TO FIND IT!

514
00:20:09,709 --> 00:20:11,089
ITALY!

515
00:20:11,090 --> 00:20:12,381
I LIKE THAT, BUT YOU
KNOW WHAT I THINK

516
00:20:12,382 --> 00:20:14,293
WOULD LOOK GOOD IN THERE...
HOW ABOUT THIS?

517
00:20:14,294 --> 00:20:16,795
A MOTORCYCLE WITH TWO HELMETS.

518
00:20:16,796 --> 00:20:19,758
YEAH, NO.

519
00:20:19,759 --> 00:20:21,099
ALL RIGHT, FINE. I
HAVE ANOTHER IDEA.

520
00:20:21,100 --> 00:20:22,220
- WHAT ABOUT IF...
- I DON'T THINK SO.

521
00:20:22,221 --> 00:20:23,342
YOU DIDN'T EVEN HEAR
WHAT I WAS GONNA SAY.

522
00:20:23,343 --> 00:20:24,553
I'M TRYING TO BE CONSIDERATE.

523
00:20:24,554 --> 00:20:25,554
I DON'T WANT TO WASTE YOUR TIME

524
00:20:25,555 --> 00:20:26,606
BEFORE I SAY "NO" AGAIN.

525
00:20:28,688 --> 00:20:30,690
I SWEAR, IT'S LIKE
WE'RE ALREADY MARRIED.

526
00:20:34,774 --> 00:20:37,986
( chatter through television )

527
00:20:37,987 --> 00:20:40,158
- ( static )
- WELL, WHAT JUST HAPPENED?

528
00:20:40,159 --> 00:20:43,121
OH, THE CABLE WENT OUT.
THE COMPANY'S SO

529
00:20:43,122 --> 00:20:45,414
"YOU GOT TO PAY
YOUR BILL ON TIME."

530
00:20:45,415 --> 00:20:47,205
NOW WHAT DO WE DO?
WATCH "AVATAR"?

531
00:20:47,206 --> 00:20:48,206
IT'LL LOOK GREAT ON MY PHONE.

532
00:20:48,207 --> 00:20:49,998
( laughs )

533
00:20:49,999 --> 00:20:52,581
OH, I BET WE CAN THINK OF
SOMETHING BETTER TO DO.

534
00:20:52,582 --> 00:20:54,834
- LIKE WHAT?
- LIKE THIS.

535
00:20:57,176 --> 00:20:58,547
OKAY, OKAY.

536
00:20:58,548 --> 00:21:00,839
( laughs )

537
00:21:00,840 --> 00:21:02,220
- WHAT'S WRONG?
- NOTHING.

538
00:21:02,221 --> 00:21:04,262
NOTHING... THAT WAS GREAT.
THAT WAS REALLY GREAT.

539
00:21:04,263 --> 00:21:07,185
IT'S JUST I DON'T THINK
THAT WE SHOULD DO THIS

540
00:21:07,186 --> 00:21:10,148
'CAUSE WE'RE ROOMMATES.

541
00:21:10,149 --> 00:21:11,890
DOES THIS HAVE ANYTHING
TO DO WITH YOUR EX?

542
00:21:11,891 --> 00:21:14,193
NO. NO, NO.

543
00:21:15,274 --> 00:21:17,447
WELL, IF YOU CHANGE YOUR MIND...

544
00:21:19,238 --> 00:21:21,361
YOU KNOW WHERE I LIVE.

545
00:21:22,952 --> 00:21:25,284
I'M SO MESSED UP.

