1 00:00:08,580 --> 00:00:10,879 JOE. HOW DO I LOOK? 2 00:00:10,880 --> 00:00:12,080 YOU LOOK ZIPPER-POPPING GOOD, BABY. 3 00:00:13,420 --> 00:00:16,079 I WAS ANGLING FOR A SIMPLE "LOVELY," BUT I'LL TAKE IT. 4 00:00:16,080 --> 00:00:18,209 SO IS ALL THIS FOR ME, OR IS THIS, UH, 5 00:00:18,210 --> 00:00:20,039 TO MAKE YOUR OLD COLLEGE BOYFRIEND JEALOUS? 6 00:00:20,040 --> 00:00:21,169 I WOULD NEVER DO THAT. 7 00:00:21,170 --> 00:00:23,290 BUT YOU WANT TO BRING YOUR A-GAME WHEN YOU'RE HAVING DINNER WITH AN EX. 8 00:00:25,000 --> 00:00:26,209 I ONLY HAVE AN A-GAME, SWEETIE. 9 00:00:26,210 --> 00:00:28,999 SO HOW DID YOU AND DOUG RECONNECT AGAIN? 10 00:00:29,000 --> 00:00:31,919 HE JUST FRIENDED ME OUT OF THE BLUE. BUT IT'S BEEN GREAT SEEING HIS PICTURES. 11 00:00:31,920 --> 00:00:34,290 HIS WIFE, HIS KIDS, HIS BREAKFAST, HIS LUNCH, HIS DINNER. 12 00:00:35,790 --> 00:00:37,999 OH, HE'S ONE OF THOSE GUYS WHO POSTS ALL THE PICTURES OF HIS FOOD? 13 00:00:38,000 --> 00:00:39,079 I HATE THAT. 14 00:00:39,080 --> 00:00:40,209 IT'S CUTE. 15 00:00:40,210 --> 00:00:41,749 NO, IT'S REALLY NOT CUTE. 16 00:00:41,750 --> 00:00:44,289 SO HOW LONG DID YOU AND, UM... 17 00:00:44,290 --> 00:00:46,169 FOOD POSTER BOY GO OUT? 18 00:00:46,170 --> 00:00:48,119 OH, WE SPENT A SEMESTER TOGETHER IN MEXICO, 19 00:00:48,120 --> 00:00:51,120 AND AFTER SIX MONTHS, I WAS COMPLETELY FLUENT IN TEQUILA. 20 00:00:53,120 --> 00:00:53,960 WHY'D YOU BREAK UP? 21 00:00:53,961 --> 00:00:56,039 WELL, SOMETIMES THINGS ARE JUST TOO HOT TO LAST. 22 00:00:56,040 --> 00:00:58,709 I MEAN, UNLESS YOU'RE MARRIED. 23 00:00:58,710 --> 00:01:01,039 AND THEN THEY'RE JUST SO HOT... 24 00:01:01,040 --> 00:01:02,960 YOU JUST... 25 00:01:05,830 --> 00:01:06,959 HELP ME OUT HERE, JOE? 26 00:01:06,960 --> 00:01:07,960 NO, THIS IS FUN FOR ME. 27 00:01:09,460 --> 00:01:10,460 (theme music playing) 28 00:01:10,461 --> 00:01:12,119 - ♪ IT'S ALL GOOD ♪ - ♪ All good ♪ 29 00:01:12,120 --> 00:01:13,789 - ♪ IT'S OKAY ♪ - ♪ OKAY ♪ 30 00:01:13,790 --> 00:01:15,499 - ♪ IT'S ALL RIGHT ♪ - ♪ All right ♪ 31 00:01:15,500 --> 00:01:17,249 ♪ AS FAR AS I CAN SEE ♪ 32 00:01:17,250 --> 00:01:18,919 - ♪ IT'S ALL GOOD ♪ - ♪ All good ♪ 33 00:01:18,920 --> 00:01:20,999 - ♪ IT'S OKAY ♪ - ♪ OKAY ♪ 34 00:01:21,000 --> 00:01:22,919 - ♪ IT'S ALL RIGHT ♪ - ♪ All right ♪ 35 00:01:22,920 --> 00:01:26,960 ♪ I GUESS YOU'RE STUCK WITH ME ♪ 36 00:01:32,120 --> 00:01:35,749 DEB AND I THREW STEVIE AN AMAZING 10TH BIRTHDAY PARTY. 37 00:01:35,750 --> 00:01:37,459 HERE'S THE PIZZA, 38 00:01:37,460 --> 00:01:38,919 HERE'S THE HOT DOGS, 39 00:01:38,920 --> 00:01:40,080 HERE'S THE CAKE. 40 00:01:41,620 --> 00:01:42,999 ANY PICTURES OF STEVIE? 41 00:01:43,000 --> 00:01:44,169 UM... 42 00:01:44,170 --> 00:01:46,580 DON'T BE SILLY, MEL. YOU CAN'T EAT THE KID. 43 00:01:47,960 --> 00:01:49,209 PLUS, YOU KNOW, 44 00:01:49,210 --> 00:01:52,209 THE FOOD DOESN'T SAY "OH, DAD, DON'T TAKE MY PICTURE" AREN'T I RIGHT, DOUG? 45 00:01:52,210 --> 00:01:54,079 EXACTLY. 46 00:01:54,080 --> 00:01:54,960 WANT SOME MORE COFFEE? 47 00:01:54,961 --> 00:01:57,999 OH, NO THANKS. HALF A CUP IS ALL MY BODY CAN HANDLE THESE DAYS. 48 00:01:58,000 --> 00:02:01,000 REALLY? I REMEMBER WHEN YOUR BODY COULD HANDLE HALF A KEG. 49 00:02:02,580 --> 00:02:04,789 OH, MAN. I MISS BEING YOUNG AND DUMB. 50 00:02:04,790 --> 00:02:06,999 WELL, I'VE GOT TO GET BACK TO THE HOTEL. 51 00:02:07,000 --> 00:02:09,829 THE INSURANCE CONFERENCE STARTS TOMORROW, AND I SIGNED UP FOR A 7:00 AM SEMINAR. 52 00:02:09,830 --> 00:02:10,879 7:00 AM? 53 00:02:10,880 --> 00:02:13,619 WOW, YOU'RE STILL A WILD MAN, DIABLO. 54 00:02:13,620 --> 00:02:15,119 DIABLO. 55 00:02:15,120 --> 00:02:17,999 NO ONE'S CALLED ME THAT IN A LONG TIME. 56 00:02:18,000 --> 00:02:19,919 HEY, SPEAKING OF DIABLO, 57 00:02:19,920 --> 00:02:22,959 DO YOU STILL HAVE THAT LITTLE PRESENT I GAVE YOU DOWN IN CABO? 58 00:02:22,960 --> 00:02:25,959 CABO, WHOO, THOSE WERE CRAZY TIMES. 59 00:02:25,960 --> 00:02:27,920 WELL, YOU TELL DEB AND THE KIDS WE SAY HI. 60 00:02:28,920 --> 00:02:30,879 GREAT MEETING YOU, JOE. THANKS AGAIN FOR DINNER. 61 00:02:30,880 --> 00:02:32,539 I'LL BE POSTING PICTURES OF YOUR SIRLOIN. 62 00:02:32,540 --> 00:02:34,080 I'M HONORED. 63 00:02:35,880 --> 00:02:37,039 BYE. 64 00:02:37,040 --> 00:02:38,999 DIABLO? 65 00:02:39,000 --> 00:02:41,919 DOUG WAS KIND OF A BAD BOY. THAT WAS WHAT WE CALLED HIM. 66 00:02:41,920 --> 00:02:44,540 BACK IN THOSE DAYS, HE COULD DOWN AN ENTIRE CUP OF COFFEE. 67 00:02:45,540 --> 00:02:47,920 I DON'T KNOW IF YOU NOTICED, MEL, BUT I'VE BEEN WORKING ON MY THIRD CUP HERE. 68 00:02:49,620 --> 00:02:51,419 - HEY. - HEY. 69 00:02:51,420 --> 00:02:53,539 IT IS SO COOL WATCHING THESE AUDITIONS 70 00:02:53,540 --> 00:02:54,829 FOR "CASSANDRA." 71 00:02:54,830 --> 00:02:57,289 IF WE GET THE RIGHT ACTRESS, THIS COULD BE A GREAT LITTLE FILM. 72 00:02:57,290 --> 00:02:59,710 OH. THEN THIS FILM'S GONNA SUCK. 73 00:03:01,460 --> 00:03:03,209 A CERTAIN GRAD STUDENT PRODUCER, 74 00:03:03,210 --> 00:03:05,879 IVANA, HAS ALREADY MADE THE CHOICE FOR US. 75 00:03:05,880 --> 00:03:07,879 OH, MCKENNA CEDERSTROM. 76 00:03:07,880 --> 00:03:10,880 APPARENTLY CEDERSTROM IS SWEDISH FOR "RUIN YOUR FILM." 77 00:03:12,540 --> 00:03:15,669 HOLD ON. I SAW HER AUDITION, SHE WAS AWFUL. 78 00:03:15,670 --> 00:03:16,829 TOTALLY WRONG. 79 00:03:16,830 --> 00:03:19,079 YOU KNOW, CASSANDRA IS SNARKY AND EDGY. 80 00:03:19,080 --> 00:03:20,880 THIS GIRL READ THE PART LIKE SHE WAS SOME SORT OF... 81 00:03:21,880 --> 00:03:23,210 (groans) CHEERLEADER. 82 00:03:24,620 --> 00:03:26,209 (laughs) 83 00:03:26,210 --> 00:03:27,960 "SPECIAL SKILLS: CHEERLEADER." 84 00:03:29,330 --> 00:03:30,959 OUR MOVIE'S DOOMED. IT'S DOOMED. 85 00:03:30,960 --> 00:03:33,619 NO, I'LL JUST EXPLAIN THINGS TO IVANA. SHE'LL UNDERSTAND. 86 00:03:33,620 --> 00:03:35,789 I'M SORRY, WHERE DO YOU THINK I'VE BEEN THE LAST 90 MINUTES? 87 00:03:35,790 --> 00:03:37,249 TRYING TO TALK IVANA OUT OF THIS. 88 00:03:37,250 --> 00:03:38,579 I BET YOU WERE BEING WHINY. 89 00:03:38,580 --> 00:03:40,419 WHEN YOU ARGUE WITH PEOPLE YOU ALWAYS GET WHINY. 90 00:03:40,420 --> 00:03:41,830 WHY WOULD YOU SAY THAT? 91 00:03:43,580 --> 00:03:44,580 YEAH, I JUST HEARD THAT. 92 00:03:45,790 --> 00:03:47,789 SO WHY DIDN'T YOU TELL ME THAT WHEN WE WERE DATING? 93 00:03:47,790 --> 00:03:49,379 WELL, I DIDN'T WANT TO HURT YOUR FEELINGS, 94 00:03:49,380 --> 00:03:51,000 BUT NOW I DON'T CARE IF YOU GET ALL POUTY. 95 00:03:52,540 --> 00:03:53,540 OKAY. 96 00:03:56,750 --> 00:03:58,000 YEAH, SEE? I DON'T CARE. 97 00:04:00,750 --> 00:04:02,919 IVANA, HEY. IT'S LENNOX SCANLON. 98 00:04:02,920 --> 00:04:05,709 I WAS WONDERING IF WE COULD TALK ABOUT THE CHOICE FOR CASSANDRA? 99 00:04:05,710 --> 00:04:07,829 LOOK, MCKENNA IS A PEPPY LITTLE ACTRESS, 100 00:04:07,830 --> 00:04:10,290 BUT SHE'S NOT RIGHT FOR THIS. 101 00:04:11,960 --> 00:04:13,209 YES, EXACTLY. 102 00:04:13,210 --> 00:04:16,380 WE ALL WANT TO MAKE THE BEST MOVIE WE CAN. 103 00:04:17,500 --> 00:04:19,829 YES, YES. WE DO HAVE TO BE ON THE SAME TEAM. 104 00:04:19,830 --> 00:04:21,460 GOOD, GREAT. THANK YOU. 105 00:04:22,710 --> 00:04:24,500 IT'S MCKENNA OR SHE'S PULLING THE PLUG. 106 00:04:25,880 --> 00:04:28,249 TURNS OUT MCKENNA IS HER LITTLE SISTER IN KAPPA NU GAMMA. 107 00:04:28,250 --> 00:04:30,670 THAT MUST BE GREEK FOR "RUIN YOUR FILM." 108 00:04:33,000 --> 00:04:34,419 SO, UM... 109 00:04:34,420 --> 00:04:35,919 MELLY, JUST CURIOUS. 110 00:04:35,920 --> 00:04:37,169 WHAT WAS THE, UM, 111 00:04:37,170 --> 00:04:39,379 PRESENT THING THAT DIABLO WAS TALKING ABOUT? 112 00:04:39,380 --> 00:04:41,789 WELL, FIRST OF ALL, HE GOES BY DOUG NOW, 113 00:04:41,790 --> 00:04:43,789 AND YOU KNOW WHAT? 114 00:04:43,790 --> 00:04:45,999 - I CAN'T REMEMBER. - REALLY? 115 00:04:46,000 --> 00:04:47,709 WELL, DIABLO SEEMED TO REMEMBER. 116 00:04:47,710 --> 00:04:49,789 AND THEN THINGS GOT AWKWARD AND YOU TRIED TO CHANGE THE SUBJECT. 117 00:04:49,790 --> 00:04:51,789 I DON'T DO THAT. 118 00:04:51,790 --> 00:04:54,920 HEY, DID YOU KNOW THAT BENJAMIN FRANKLIN WAS OUR FIRST POSTMASTER GENERAL? 119 00:04:56,250 --> 00:04:57,749 HE DISCOVERED ELECTRICITY, 120 00:04:57,750 --> 00:04:59,880 HE'S ON THE 100 DOLLAR BILL. THAT IS SOME RESUME. 121 00:05:01,330 --> 00:05:02,920 WOW. WHAT WAS THE GIFT? 122 00:05:03,960 --> 00:05:05,169 PUKA SHELLS. 123 00:05:05,170 --> 00:05:08,039 YEAH, IT WAS A NECKLACE. I DIDN'T WANT TO TELL HIM I THREW IT OUT. 124 00:05:08,040 --> 00:05:09,879 PUKA SHELLS, SERIOUSLY? 125 00:05:09,880 --> 00:05:11,919 THAT WAS HIS IDEA OF A SPECIAL PRESENT? 126 00:05:11,920 --> 00:05:14,120 NO WONDER I DUMPED HIM, HUH? 127 00:05:15,120 --> 00:05:18,209 COME ON, EVERYONE WHO WANTS TO HAVE SEX, FOLLOW ME. 128 00:05:18,210 --> 00:05:19,750 OOH! 129 00:05:25,710 --> 00:05:27,879 OH, MR. LONGO. 130 00:05:27,880 --> 00:05:30,039 I HAVE A DELIVERY FOR YOU. 131 00:05:30,040 --> 00:05:32,879 WELL, PUT IT RIGHT OVER HERE, PLEASE. 132 00:05:32,880 --> 00:05:34,119 OH, I FORGOT TO LIGHT A CANDLE. 133 00:05:34,120 --> 00:05:36,420 OH, NO NO, MR. LONGO. STAY RIGHT THERE. 134 00:05:42,880 --> 00:05:45,079 YOU'RE STILL A WILD MAN, DIABLO. 135 00:05:45,080 --> 00:05:46,619 SPEAKING OF DIABLO... 136 00:05:46,620 --> 00:05:48,999 DO YOU STILL HAVE THAT LITTLE PRESENT I GAVE YOU? 137 00:05:49,000 --> 00:05:51,499 OH, BOY. THOSE WERE CRAZY TIMES. 138 00:05:51,500 --> 00:05:52,749 CRAZY TIMES. 139 00:05:52,750 --> 00:05:54,960 (echoing) GAVE YOU. 140 00:05:55,960 --> 00:05:56,960 DIABLO. 141 00:05:57,920 --> 00:05:59,669 YOUR TATTOO. 142 00:05:59,670 --> 00:06:00,879 THAT'S WHAT HE GAVE YOU. 143 00:06:00,880 --> 00:06:03,499 NOBODY FONDLY REMEMBERS PUKA SHELLS. 144 00:06:03,500 --> 00:06:05,289 YOU KNOW WHAT? 145 00:06:05,290 --> 00:06:07,879 I NOW RECALL THIS IS WHAT DOUG GAVE ME. 146 00:06:07,880 --> 00:06:09,789 THANK YOU FOR JOGGING MY MEMORY. 147 00:06:09,790 --> 00:06:12,749 ANYWAY, WHERE WERE WE, MR. LONGO. 148 00:06:12,750 --> 00:06:15,459 WE'RE NOWHERE. DIABLO'S THE NAME OF YOUR EX-BOYFRIEND. 149 00:06:15,460 --> 00:06:17,079 AND THERE HE IS RIGHT THERE. 150 00:06:17,080 --> 00:06:18,669 YOU ALWAYS LIKED THE LITTLE DEVIL. 151 00:06:18,670 --> 00:06:20,619 YEAH, BEFORE I FOUND OUT IT WAS SOME OTHER GUY'S LOGO. 152 00:06:20,620 --> 00:06:22,169 - ARE YOU JEALOUS? - NO. 153 00:06:22,170 --> 00:06:23,379 NO, I AM NOT JEALOUS. 154 00:06:23,380 --> 00:06:25,879 I AM VERY AWARE I'M NOT THE ONLY GUY YOU'VE EVER BEEN WITH, ALL RIGHT? 155 00:06:25,880 --> 00:06:27,829 BUT I DIDN'T THINK ANY OF YOUR EX-BOYFRIENDS 156 00:06:27,830 --> 00:06:29,789 WOULD BE HERE WITH US IN OUR BEDROOM. 157 00:06:29,790 --> 00:06:31,709 WAVING THE LITTLE PITCHFORK AT ME. 158 00:06:31,710 --> 00:06:33,209 IT'S PART OF MY PAST. 159 00:06:33,210 --> 00:06:34,249 IT'S BEHIND ME. 160 00:06:34,250 --> 00:06:36,960 MAY BE BEHIND YOU, BUT IT'S RIGHT IN FRONT OF ME, BABY. 161 00:06:38,620 --> 00:06:41,119 JOE, WHY ARE WE TALKING? WHY AREN'T WE... 162 00:06:41,120 --> 00:06:43,619 BECAUSE THERE'S ANOTHER GUY IN THE ROOM WITH US NOW. 163 00:06:43,620 --> 00:06:46,379 IF IT'S BOTHERING YOU THAT MUCH, LET'S JUST TURN OUT THE LIGHTS. 164 00:06:46,380 --> 00:06:47,789 EW, TURN OUT THE LIGHTS? 165 00:06:47,790 --> 00:06:48,919 WHO AM I, MY GRANDPA? 166 00:06:48,920 --> 00:06:50,249 COME ON! 167 00:06:50,250 --> 00:06:52,669 I LIKE LOOKING. LOOKING IS PART OF THE WHOLE EXPERIENCE. 168 00:06:52,670 --> 00:06:54,579 OKAY, HERE'S A BETTER IDEA. 169 00:06:54,580 --> 00:06:55,920 STOP THINKING ABOUT IT. 170 00:06:57,710 --> 00:06:59,120 ALL RIGHT. I'LL GIVE IT A TRY. 171 00:07:01,750 --> 00:07:02,919 NOPE. I CAN'T DO IT. I CAN'T DO IT. 172 00:07:02,920 --> 00:07:04,499 BECAUSE I'M EITHER GONNA BE LOOKING AT IT, 173 00:07:04,500 --> 00:07:06,499 OR I'M GONNA BE HOLDING ONTO IT. 174 00:07:06,500 --> 00:07:08,999 WELL, ENOUGH OF THE SWEET TALK. I AM NO LONGER IN THE MOOD. 175 00:07:09,000 --> 00:07:10,380 YOU THINK? 176 00:07:24,670 --> 00:07:29,579 AND EVEN THOUGH IVANA HAS FORCED US TO CAST HER FELLOW SORORITY AIRHEAD 177 00:07:29,580 --> 00:07:31,499 AS CASSANDRA, I WILL CONTINUE TO FIGHT. 178 00:07:31,500 --> 00:07:33,169 BECAUSE THAT'S WHAT ARTISTS DO. 179 00:07:33,170 --> 00:07:34,750 UH-HUH, UH-HUH. 180 00:07:36,540 --> 00:07:38,789 YOU KNOW WHAT? I'M GONNA SIT THIS MCKENNA PERSON DOWN 181 00:07:38,790 --> 00:07:41,499 AND TELL HER EVERYTHING SHE DID IN THE AUDITION WAS WRONG. 182 00:07:41,500 --> 00:07:42,620 YEAH, PEOPLE LOVE TO HEAR THAT. 183 00:07:45,170 --> 00:07:46,749 I MEAN, IN A NICE WAY. 184 00:07:46,750 --> 00:07:48,919 AND I WILL EXPLAIN TO HER WHO CASSANDRA IS. 185 00:07:48,920 --> 00:07:50,669 WHAT DRIVES HER. 186 00:07:50,670 --> 00:07:53,120 I TRULY BELIEVE I CAN SAVE THIS FILM. 187 00:07:54,290 --> 00:07:56,460 AND PROVE ZANDER WRONG WHICH IS ALWAYS A PLUS. 188 00:08:00,040 --> 00:08:02,579 SERIOUSLY? CAN YOU NOT SEE ME BANGING POTS AND PANS UP HERE? 189 00:08:02,580 --> 00:08:05,329 HOPING YOU'LL ASK ME WHAT'S WRONG. 190 00:08:05,330 --> 00:08:07,379 OH, I THOUGHT YOU WERE MAD ON MY BEHALF. 191 00:08:07,380 --> 00:08:10,039 NO. WHEN DID YOU STOP TAKING HINTS? 192 00:08:10,040 --> 00:08:11,500 DID YOU SUDDENLY BECOME A MAN? 193 00:08:12,830 --> 00:08:14,499 YOU AND JOE HAD A FIGHT. 194 00:08:14,500 --> 00:08:16,379 OH, IS THIS ABOUT YOUR OLD BOYFRIEND WHO CAME OVER? 195 00:08:16,380 --> 00:08:18,499 IT WASN'T REALLY ABOUT DOUG, 196 00:08:18,500 --> 00:08:19,919 IT WAS ABOUT ANOTHER GUY. 197 00:08:19,920 --> 00:08:21,620 - WHO? - SATAN. 198 00:08:23,120 --> 00:08:24,789 YOU KNOW MY LITTLE DEVIL TATTOO? 199 00:08:24,790 --> 00:08:27,039 I TRY NOT TO THINK ABOUT IT, BUT YES. 200 00:08:27,040 --> 00:08:29,289 WELL, I GOT IT AS A TRIBUTE TO DOUG 201 00:08:29,290 --> 00:08:30,919 ON THE SPUR OF THE ALCOHOL SOAKED MOMENT. 202 00:08:30,920 --> 00:08:32,749 IT'S A GOOD THING I RAN OUT OF PESOS, OTHERWISE I'D HAVE 203 00:08:32,750 --> 00:08:33,920 A SNAKE DOWN THE SIDE OF MY NECK. 204 00:08:35,040 --> 00:08:37,579 ANYWAY, NOW THAT JOE KNOWS DIABLO IS DOUG, 205 00:08:37,580 --> 00:08:39,379 TO HIM IT'S LIKE HAVING ANOTHER MAN IN THE BEDROOM. 206 00:08:39,380 --> 00:08:40,540 AND NOT IN A GOOD WAY. 207 00:08:41,500 --> 00:08:43,120 CAN YOU BELIEVE THAT HUSBAND OF MINE? 208 00:08:44,120 --> 00:08:45,329 COMPLETELY. 209 00:08:45,330 --> 00:08:47,039 I KNOW, RIGHT? IT'S COMPLETELY... 210 00:08:47,040 --> 00:08:48,579 WAIT, WHAT? YOU AGREE WITH HIM? 211 00:08:48,580 --> 00:08:50,419 WHOSE SIDE ARE YOU ON? 212 00:08:50,420 --> 00:08:51,999 UH, THE SIDE OF YOUR MARRIAGE. 213 00:08:52,000 --> 00:08:53,619 TRY TO SEE IT FROM JOE'S POINT OF VIEW. 214 00:08:53,620 --> 00:08:54,999 FROM JOE'S POINT OF VIEW? 215 00:08:55,000 --> 00:08:56,420 IT LOOKS FANTASTIC. 216 00:08:58,080 --> 00:09:00,119 AUNT MEL, BE SERIOUS. 217 00:09:00,120 --> 00:09:02,619 TO JOE IT'S LIKE YOU TOOK DOUG'S OLD LOVE LETTERS 218 00:09:02,620 --> 00:09:04,289 AND GLUED THEM TO YOUR ASS. 219 00:09:04,290 --> 00:09:06,620 WELL, WHAT AM I SUPPOSED TO DO? SHRED MY BUTT? 220 00:09:07,960 --> 00:09:09,829 WELL, YOU CAN GET RID OF THE PROBLEM. 221 00:09:09,830 --> 00:09:11,620 I JUST MARRIED HIM. 222 00:09:13,880 --> 00:09:16,669 HAVE YOU EVER THOUGHT ABOUT LASER TATTOO REMOVAL? 223 00:09:16,670 --> 00:09:19,499 WHAT MAKES MORE SENSE HERE? HAVING AGONIZING BUTT SURGERY, 224 00:09:19,500 --> 00:09:22,460 OR HAVING MY HUSBAND GET OVER IT SO HE CAN HAVE SEX WITH HIS HOT WIFE? 225 00:09:23,920 --> 00:09:24,920 ME! 226 00:09:26,330 --> 00:09:28,289 OKAY, AUNT MEL, THEY DON'T CUT YOU OPEN. 227 00:09:28,290 --> 00:09:30,329 IT'S... 228 00:09:30,330 --> 00:09:32,580 IT'S LIKE A FACIAL FOR YOUR TUSH. 229 00:09:34,000 --> 00:09:37,040 THANK YOU. YOU'VE JUST RUINED FACIALS FOR ME. 230 00:09:39,420 --> 00:09:41,669 I AM SO, SO HAPPY TO BE IN YOUR MOVIE. 231 00:09:41,670 --> 00:09:44,249 THE MOMENT IVANA TOLD ME ABOUT THE PART OF CASSANDRA... 232 00:09:44,250 --> 00:09:45,459 CASSANDRA. 233 00:09:45,460 --> 00:09:46,499 THAT'S WHAT I SAID, CASSANDRA. 234 00:09:46,500 --> 00:09:47,539 CASSANDRA. 235 00:09:47,540 --> 00:09:48,670 RIGHT, CASSANDRA. 236 00:09:49,670 --> 00:09:51,419 OH, BOY. 237 00:09:51,420 --> 00:09:54,169 WHY DON'T WE JUST TALK ABOUT THE CHARACTER? 238 00:09:54,170 --> 00:09:56,420 OF CASSANDRA? 239 00:09:57,960 --> 00:09:59,420 SHE'S BASICALLY... 240 00:10:00,710 --> 00:10:02,789 THE SMARTEST PERSON IN THE WORLD. 241 00:10:02,790 --> 00:10:04,419 SHE'S VERY PERCEPTIVE. 242 00:10:04,420 --> 00:10:07,709 SHE'S ABLE TO SEE THE ABUNDANCE OF MEDIOCRITY IN HUMANKIND. 243 00:10:07,710 --> 00:10:10,079 SHE TRIES TO BE AMUSED, 244 00:10:10,080 --> 00:10:12,330 BUT IT'S ALWAYS A STRUGGLE. 245 00:10:14,420 --> 00:10:15,620 I CAN DO MY OWN MAKEUP. 246 00:10:17,710 --> 00:10:20,079 YOU KNOW WHAT? WHY DON'T WE JUST START WITH THE SCRIPT. 247 00:10:20,080 --> 00:10:22,919 HERE, CASSANDRA HAS JUST FOUND OUT THAT HER OLD BOYFRIEND 248 00:10:22,920 --> 00:10:25,330 HAS TURNED INTO AN ANNOYING HIPSTER. SO READ THE FIRST LINE. 249 00:10:26,620 --> 00:10:28,290 "I KNEW THIS WOULD HAPPEN." 250 00:10:30,540 --> 00:10:33,329 THAT WAS SO... 251 00:10:33,330 --> 00:10:34,499 BUBBLY. 252 00:10:34,500 --> 00:10:36,209 BUBBLY'S ONE OF MY SPECIAL SKILLS. 253 00:10:36,210 --> 00:10:37,539 IT'S WHAT PEOPLE LIKE ABOUT ME. 254 00:10:37,540 --> 00:10:39,379 THAT'S WHY I WANTED TO TRY ACTING, 255 00:10:39,380 --> 00:10:40,829 SO MORE PEOPLE WOULD LIKE ME. 256 00:10:40,830 --> 00:10:42,959 AND IT'S KIND OF LIKE CHEERLEADING, 257 00:10:42,960 --> 00:10:45,379 EXCEPT YOU GET TO SAY MORE THAN "HEY, HEY, DON'T GET DOWN, 258 00:10:45,380 --> 00:10:47,419 "YOU CAN STILL TURN IT AROUND." 259 00:10:47,420 --> 00:10:49,460 WE'VE BEEN SAYING THAT A LOT THIS YEAR. 260 00:10:51,000 --> 00:10:52,879 TRY THE LINE AGAIN, AND THIS TIME, 261 00:10:52,880 --> 00:10:55,210 BE VERY, VERY JUDGMENTAL. 262 00:10:58,580 --> 00:11:00,290 "I KNEW THIS WOULD HAPPEN." 263 00:11:01,790 --> 00:11:03,289 OH, BOY. 264 00:11:03,290 --> 00:11:05,210 I CAN SUPPLY MY OWN WARDROBE. 265 00:11:06,380 --> 00:11:08,079 I CAN'T IMAGINE YOU'D HAVE ANYTHING 266 00:11:08,080 --> 00:11:09,999 THAT CASSANDRA WOULD WEAR. 267 00:11:10,000 --> 00:11:11,419 SHE DOESN'T DRESS LIKE YOU. 268 00:11:11,420 --> 00:11:13,169 SHE DRESSES... 269 00:11:13,170 --> 00:11:15,459 WELL, LIKE ME. 270 00:11:15,460 --> 00:11:17,379 YOU KNOW WHAT, MAYBE IF YOU WORE THIS, 271 00:11:17,380 --> 00:11:18,709 YOU WOULD FEEL MORE LIKE HER. 272 00:11:18,710 --> 00:11:21,289 OH, YEAH. I DIDN'T FEEL LIKE A CHEERLEADER 273 00:11:21,290 --> 00:11:23,039 UNTIL THE FIRST TIME I PUT ON MY OUTFIT. 274 00:11:23,040 --> 00:11:24,460 - FUNNY STORY... - I DOUBT IT. 275 00:11:26,420 --> 00:11:28,379 OKAY, NOW. 276 00:11:28,380 --> 00:11:29,789 SLOUCH. 277 00:11:29,790 --> 00:11:31,959 KEEP YOUR VOICE LOW. 278 00:11:31,960 --> 00:11:33,459 AND THINK. 279 00:11:33,460 --> 00:11:35,379 I KNOW IT'S HARD. 280 00:11:35,380 --> 00:11:38,460 BUT THINK ABOUT HOW ROTTEN THE WORLD IS. 281 00:11:43,670 --> 00:11:45,459 "I KNEW THIS WOULD HAPPEN." 282 00:11:45,460 --> 00:11:46,460 AGAIN. 283 00:11:47,460 --> 00:11:48,619 "I KNEW THIS WOULD HAPPEN." 284 00:11:48,620 --> 00:11:49,620 KEEP GOING. 285 00:11:51,170 --> 00:11:52,499 "LOOK AT YOU, SERGIO. 286 00:11:52,500 --> 00:11:54,539 "WHERE'D YOU GET THOSE SKINNY HIPSTER JEANS? 287 00:11:54,540 --> 00:11:56,290 "FROM SOME ORGAN GRINDER'S MONKEY?" 288 00:11:57,540 --> 00:11:59,170 SHE'S GOT IT. I THINK SHE'S GOT IT. 289 00:12:01,580 --> 00:12:03,289 WHAT UPSET ME THE MOST, NATE, 290 00:12:03,290 --> 00:12:05,329 WAS THAT MEL DIDN'T UNDERSTAND WHY I WAS UPSET. 291 00:12:05,330 --> 00:12:07,169 SHE DIDN'T UNDERSTAND THAT I DON'T WANT TO SEE 292 00:12:07,170 --> 00:12:09,499 A REMINDER OF SOME OTHER GUY WHEN I'M IN BED WITH MY WIFE. 293 00:12:09,500 --> 00:12:10,709 YOU KNOW WHAT I MEAN? IT KEEPS... 294 00:12:10,710 --> 00:12:12,959 IT KEEPS MY MORALE... 295 00:12:12,960 --> 00:12:14,669 LOW, IF YOU KNOW WHAT I MEAN. 296 00:12:14,670 --> 00:12:16,539 JOE, YOU LOVE MEL, RIGHT? 297 00:12:16,540 --> 00:12:17,919 YEAH, I'M CRAZY ABOUT HER. 298 00:12:17,920 --> 00:12:20,079 AND SHE MAKES YOU HAPPY IN THE BEDROOM? 299 00:12:20,080 --> 00:12:21,249 YEAH. 300 00:12:21,250 --> 00:12:23,079 MANY, MANY TIMES A WEEK. 301 00:12:23,080 --> 00:12:26,169 THEN YOU, MY FRIEND, ARE OUT OF YOUR HOT TEMPERED MIND. 302 00:12:26,170 --> 00:12:28,169 YOU SHOULD BE HIGH-FIVING THAT LITTLE DEVIL. 303 00:12:28,170 --> 00:12:30,329 AND EVERY OTHER LITTLE DEVIL THAT'S MADE MEL WHO SHE IS. 304 00:12:30,330 --> 00:12:32,119 YOU'RE GETTING THE BENEFIT. 305 00:12:32,120 --> 00:12:34,329 - NATE, LISTEN... - SHUT UP FOR ONE SECOND. 306 00:12:34,330 --> 00:12:37,789 IMAGINE THERE'S AN AMAZING RESTAURANT 307 00:12:37,790 --> 00:12:39,119 THAT SERVES WHATEVER YOU WANT. 308 00:12:39,120 --> 00:12:41,789 AND IT'S OPEN 24 HOURS EVERY DAY, EVEN CHRISTMAS. 309 00:12:41,790 --> 00:12:44,999 BUT SUDDENLY YOU DECIDE YOU DON'T WANT TO PATRONIZE THE PLACE 310 00:12:45,000 --> 00:12:46,959 BECAUSE SOMEBODY CARVED THEIR NAME 311 00:12:46,960 --> 00:12:48,380 ON A STALL IN THE BATHROOM. 312 00:12:50,920 --> 00:12:53,209 BUT IT'S MY FAVORITE STALL, NATE. 313 00:12:53,210 --> 00:12:57,079 I MEAN, IT'S THE ONLY STALL I CAN RELAX IN. HOW AM I GOING TO RELAX? 314 00:12:57,080 --> 00:12:58,749 YOU DON'T KNOW HOW GOOD YOU HAVE IT. 315 00:12:58,750 --> 00:13:00,749 YOU KNOW THE MOST FUN I GET TO HAVE IN MY BEDROOM? 316 00:13:00,750 --> 00:13:02,249 PRETENDING TO BE ASLEEP 317 00:13:02,250 --> 00:13:03,750 WHEN THE BABY CRIES. 318 00:13:06,380 --> 00:13:09,749 "SERGIO, YOU THINK I LIKE KNOWING MORE THAN EVERYBODY ELSE? 319 00:13:09,750 --> 00:13:11,079 "ACTUALLY, I DO. 320 00:13:11,080 --> 00:13:13,080 "IT'S THE ONLY THING THAT MAKES ME THIS CHEERFUL." 321 00:13:14,540 --> 00:13:15,829 IT'S UNCANNY. 322 00:13:15,830 --> 00:13:17,080 SHE'S PERFECT. 323 00:13:18,380 --> 00:13:21,209 WELL, WE'RE GONNA NEED ANOTHER WORK SESSION TOMORROW. 324 00:13:21,210 --> 00:13:23,209 YOU KNOW, THERE'S STILL A LOT OF WORK TO DO. 325 00:13:23,210 --> 00:13:26,579 I CAN'T WAIT. I AM SO, SO HAPPY ABOUT THIS. 326 00:13:26,580 --> 00:13:28,790 - STAY IN CHARACTER. - OR WHATEVER. 327 00:13:30,960 --> 00:13:32,120 THAT'S GOOD. 328 00:13:34,330 --> 00:13:37,119 I HAVE TO SAY, I AM DELIGHTED THAT YOU CHANGED YOUR MIND. 329 00:13:37,120 --> 00:13:40,379 YEAH, HONEY, I REALIZED I WAS OVERREACTING, 330 00:13:40,380 --> 00:13:42,119 SO I'M OVER IT. 331 00:13:42,120 --> 00:13:44,210 GOOD FOR YOU, AMIGO. 332 00:13:46,330 --> 00:13:47,500 SO, WHAT MADE YOU COME AROUND? 333 00:13:48,500 --> 00:13:50,289 YOU KNOW. 334 00:13:50,290 --> 00:13:52,209 I JUST HAD TO DO SOME THINKING. 335 00:13:52,210 --> 00:13:54,669 WELL NOW, LET'S DO SOME KISSING. 336 00:13:54,670 --> 00:13:56,710 OH, OKAY. KISSING IT IS. YEAH. 337 00:13:58,580 --> 00:14:01,380 HEY, GET YOUR HANDS OFF OF ME. 338 00:14:04,830 --> 00:14:06,119 MM. 339 00:14:06,120 --> 00:14:07,829 THAT'S MORE LIKE IT. 340 00:14:07,830 --> 00:14:10,079 DO YOU KNOW HOW MANY GUYS SHE SAID THAT TO? 341 00:14:10,080 --> 00:14:14,709 - JOE, JOE. - (Devil listing names) 342 00:14:14,710 --> 00:14:17,210 - JOE. - MEL! 343 00:14:18,210 --> 00:14:19,669 DON'T TALK. 344 00:14:19,670 --> 00:14:23,119 OOH. BOSS ME AROUND. 345 00:14:23,120 --> 00:14:26,250 SHE'S ON TOP OF ME. I CAN'T BREATHE. 346 00:14:28,670 --> 00:14:29,709 I CAN'T DO IT. 347 00:14:29,710 --> 00:14:31,789 I'M SORRY. I CAN'T CONCENTRATE. 348 00:14:31,790 --> 00:14:33,039 WHAT'S THE MATTER? 349 00:14:33,040 --> 00:14:34,669 DIABLO, ALL RIGHT? HE'S IN MY HEAD. 350 00:14:34,670 --> 00:14:36,289 I DON'T WANT HIM IN THERE, BUT HE'S IN THERE. 351 00:14:36,290 --> 00:14:38,789 GOD, IT'S LIKE I NEED A SEXORCIST OR SOMETHING. 352 00:14:38,790 --> 00:14:42,209 REALLY, JOE? IS THIS THE WAY IT'S GONNA BE THE REST OF OUR LIVES? 353 00:14:42,210 --> 00:14:44,790 I'M STAYING RIGHT HERE. 354 00:14:52,170 --> 00:14:54,329 - HEY. -OH, HONEY. I'VE BEEN DOING SOME RESEARCH 355 00:14:54,330 --> 00:14:55,499 ON TATTOO REMOVAL, 356 00:14:55,500 --> 00:14:58,169 EVEN THOUGH IT'S PAINFUL AND TAKES HOURS 357 00:14:58,170 --> 00:15:01,169 AND HOURS, AND IN MOST CASES LEAVES SCARS, 358 00:15:01,170 --> 00:15:02,749 I HAVE DECIDED THAT FOR YOU, 359 00:15:02,750 --> 00:15:04,170 I AM WILLING TO GO THROUGH WITH IT. 360 00:15:05,290 --> 00:15:06,749 OH, HONEY. 361 00:15:06,750 --> 00:15:08,499 THAT IS SUCH AN AMAZING SACRIFICE. 362 00:15:08,500 --> 00:15:09,539 I KNOW. 363 00:15:09,540 --> 00:15:11,120 THANK YOU FOR DOING IT. 364 00:15:12,500 --> 00:15:13,540 WHAT? 365 00:15:14,710 --> 00:15:17,079 YOU ACTUALLY WANT ME TO GO THROUGH SOME CRAZY PROCEDURE 366 00:15:17,080 --> 00:15:19,249 WHERE THEY SHOOT HOT LASERS AT MY BUTT? 367 00:15:19,250 --> 00:15:22,120 THEY COULD TURN IT UP TOO HIGH AND TAKE OFF A WHOLE CHEEK. 368 00:15:23,790 --> 00:15:25,119 YOU JUST OFFERED TO DO IT? 369 00:15:25,120 --> 00:15:26,619 YOU WERE SUPPOSED TO SAY NO. 370 00:15:26,620 --> 00:15:28,789 DON'T YOU KNOW AN EMPTY GESTURE WHEN YOU HEAR ONE? 371 00:15:28,790 --> 00:15:30,579 YOU KNOW, LIKE "DO YOU NEED HELP MOVING?" 372 00:15:30,580 --> 00:15:32,119 OR "I'D BE HAPPY TO WALK YOUR DOG." 373 00:15:32,120 --> 00:15:33,580 NOBODY ACTUALLY WANTS YOU TO TAKE THEM UP ON IT. 374 00:15:34,580 --> 00:15:36,119 YEAH, I DON'T THINK I'M BEING UNREASONABLE. 375 00:15:36,120 --> 00:15:38,829 HOW WOULD YOU LIKE IT IF I HAD AN EX-GIRLFRIEND'S NAME TATTOOED ON MY PRIVATE PARTS? 376 00:15:38,830 --> 00:15:40,459 BE MY GUEST! FROM WHAT I REMEMBER, 377 00:15:40,460 --> 00:15:41,499 IT HURTS LIKE HELL. 378 00:15:41,500 --> 00:15:44,079 GO AHEAD. HAVE ALL YOUR EX-GIRLFRIENDS NAMES PUT DOWN THERE. 379 00:15:44,080 --> 00:15:45,080 AND THEIR PHONE NUMBERS TOO. 380 00:15:46,500 --> 00:15:48,170 I'VE GOT PLENTY OF ROOM FOR IT. 381 00:15:54,170 --> 00:15:57,879 OKAY, REMEMBER, ALL OF YOUR WARDROBE BELONGS TO ME. 382 00:15:57,880 --> 00:15:59,380 SO TAKE GOOD CARE OF MY CLOTHES. 383 00:16:00,580 --> 00:16:03,249 DO YOU WANT ME TO SALUTE YOU OR IS A SIMPLE BOW OKAY? 384 00:16:03,250 --> 00:16:05,330 (laughing) 385 00:16:07,210 --> 00:16:08,790 SHE'S SO GREAT. 386 00:16:10,250 --> 00:16:12,119 OKAY, WHY DON'T YOU TWO REVIEW THE FINAL SCENE. 387 00:16:12,120 --> 00:16:13,669 I'M STILL LOOKING FOR SOME PROPS. 388 00:16:13,670 --> 00:16:15,119 OKAY. 389 00:16:15,120 --> 00:16:18,169 SO LAST SCENE, I'LL READ SERGIO. 390 00:16:18,170 --> 00:16:19,999 SO LET ME JUST SET THE SCENE FOR YOU. 391 00:16:20,000 --> 00:16:23,039 SO SERGIO IS CASSANDRA'S ON AGAIN OFF AGAIN BOYFRIEND. 392 00:16:23,040 --> 00:16:25,170 A VERY, VERY TALENTED ARTIST. 393 00:16:26,790 --> 00:16:28,079 IT'S NOT BASED ON ANYBODY BY THE WAY. 394 00:16:28,080 --> 00:16:29,999 (clears throat) 395 00:16:30,000 --> 00:16:32,210 "CASSANDRA, I THINK WE SHOULD GET BACK TOGETHER." 396 00:16:33,210 --> 00:16:36,379 "SERGIO, IF WE GET BACK TOGETHER, WE'RE JUST GONNA BREAK UP AGAIN. 397 00:16:36,380 --> 00:16:39,330 "FACE IT. YOU AND ME ARE NEVER EVER GONNA WORK." 398 00:16:41,210 --> 00:16:44,539 YOU KNOW WHAT? SOMETHING'S NOT QUITE RIGHT. 399 00:16:44,540 --> 00:16:45,959 I COULD BE GRUMPIER? 400 00:16:45,960 --> 00:16:47,959 - MORE NEGATIVE? - NO, NO. 401 00:16:47,960 --> 00:16:49,209 NO, IT'S NOT YOU. 402 00:16:49,210 --> 00:16:50,170 IT'S THE SCRIPT. 403 00:16:52,120 --> 00:16:53,669 YEAH, IT'S JUST... 404 00:16:53,670 --> 00:16:54,670 JUST NEEDS A LITTLE TWEAK. 405 00:16:56,290 --> 00:16:59,119 OKAY. START IT FROM THERE. 406 00:16:59,120 --> 00:17:00,120 SURE. 407 00:17:01,290 --> 00:17:02,619 IF WE GET BACK TOGETHER, 408 00:17:02,620 --> 00:17:04,170 WE'RE JUST GONNA BREAK UP AGAIN. 409 00:17:05,250 --> 00:17:06,420 ARE YOU SURE, CASSANDRA? 410 00:17:08,960 --> 00:17:10,959 NOW THAT YOU MENTION IT, SERGIO, 411 00:17:10,960 --> 00:17:12,959 I WAS WRONG TO EVER LEAVE YOU. 412 00:17:12,960 --> 00:17:14,920 IT'S SO OBVIOUS WE SHOULD BE TOGETHER. 413 00:17:15,920 --> 00:17:18,000 WE HAVE ALWAYS BELONGED TOGETHER. 414 00:17:19,420 --> 00:17:20,500 OH, GOD. 415 00:17:21,750 --> 00:17:22,960 I WOULD TOTALLY SEE THIS FILM. 416 00:17:31,250 --> 00:17:32,540 (knocks on door) 417 00:17:33,540 --> 00:17:35,999 HEY, AUNT MEL. CAN I BORROW THE FONDUE SET FOR THE MOVIE? 418 00:17:36,000 --> 00:17:38,169 WHY AM I JUST NOW LEARNING THAT I HAVE A FONDUE SET? 419 00:17:38,170 --> 00:17:40,040 I MEAN, SURE. 420 00:17:42,620 --> 00:17:44,079 WHAT ARE YOU DOING? 421 00:17:44,080 --> 00:17:46,249 TRYING TO REMOVE MY TATTOO THE NATURAL WAY. 422 00:17:46,250 --> 00:17:48,959 BROWN SUGAR AND OLIVE OIL ARE AN EXCELLENT EXFOLIANT. 423 00:17:48,960 --> 00:17:50,619 I FIGURE IF I SCRUB IT SEVERAL TIMES A DAY, 424 00:17:50,620 --> 00:17:52,999 THE LITTLE DEVIL SHOULD BE GONE IN ABOUT 425 00:17:53,000 --> 00:17:54,000 24 YEARS. 426 00:17:55,000 --> 00:17:56,209 YOU KNOW THAT'S NOT GONNA WORK? 427 00:17:56,210 --> 00:17:57,999 YEAH, BUT I WANT JOE TO THINK I'M TRYING. 428 00:17:58,000 --> 00:18:00,039 I OFFERED TO HAVE IT REMOVED PROFESSIONALLY, 429 00:18:00,040 --> 00:18:01,669 YOU SHOULD HAVE SEEN HOW HAPPY HE WAS. 430 00:18:01,670 --> 00:18:03,499 OKAY, AUNT MEL, GIVE ME THAT. 431 00:18:03,500 --> 00:18:04,500 WE CAN BAKE COOKIES LATER. 432 00:18:05,500 --> 00:18:07,379 THE SOONER YOU GET THIS TAKEN CARE OF FOR REAL, 433 00:18:07,380 --> 00:18:09,419 THE HAPPIER YOU AND JOE ARE GONNA BE, OKAY? 434 00:18:09,420 --> 00:18:10,920 IT'S SO IRRITATING WHEN YOU'RE RIGHT. 435 00:18:11,920 --> 00:18:14,579 WELL, I GUESS I GOTTA HAVE IT REMOVED PROFESSIONALLY. 436 00:18:14,580 --> 00:18:15,709 NO MATTER HOW MUCH IT HURTS. 437 00:18:15,710 --> 00:18:17,959 HEY, SOMETIMES LOVE IS JUST A PAIN IN THE ASS. 438 00:18:17,960 --> 00:18:19,920 REALLY? YOU WENT THERE? 439 00:18:22,920 --> 00:18:23,959 HEY, WHERE'S YOUR AUNT? 440 00:18:23,960 --> 00:18:25,749 I THOUGHT SHE DIDN'T HAVE ANY APPOINTMENTS TODAY? 441 00:18:25,750 --> 00:18:26,879 WELL, SHE JUST MADE ONE. 442 00:18:26,880 --> 00:18:28,670 AT A PLACE THAT DOES TATTOO REMOVAL. 443 00:18:29,670 --> 00:18:30,709 WHAT? 444 00:18:30,710 --> 00:18:33,999 YEAH, SHE SAID "I GOTTA DO THIS FOR JOE, 445 00:18:34,000 --> 00:18:36,039 "EVEN IF IT HURTS." THEN SHE RAN OUT OF HERE. 446 00:18:36,040 --> 00:18:38,710 AND THEN SHE RAN BACK IN, TOOK THREE SHOTS OF TEQUILA, AND CALLED A CAB. 447 00:18:40,580 --> 00:18:42,209 WOW, SHE... 448 00:18:42,210 --> 00:18:43,330 SHE WOULD DO THAT FOR ME? 449 00:18:44,750 --> 00:18:45,750 SHE'D DO ANYTHING FOR YOU. 450 00:18:50,790 --> 00:18:54,789 ALL RIGHT, SO WE'VE DECIDED THAT MCKENNA SHOULD STAY IN CHARACTER 24/7 451 00:18:54,790 --> 00:18:55,999 UNTIL AFTER WE FINISH THE SHOOTING. 452 00:18:56,000 --> 00:18:57,539 OH, I LIKE YOUR COMMITMENT. 453 00:18:57,540 --> 00:18:58,960 THANKS. YOU GONNA THROW ME A FISH? 454 00:19:00,580 --> 00:19:02,170 NICE. I MIGHT USE THAT ONE FOR MYSELF. 455 00:19:04,080 --> 00:19:05,709 OH, WAIT. WHAT IS THIS? 456 00:19:05,710 --> 00:19:08,830 OH, I JUST MADE A COUPLE LITTLE TWEAKS TO THE FINAL SCENE. 457 00:19:10,000 --> 00:19:12,379 WAIT, SERGIO AND CASSANDRA CAN'T GET BACK TOGETHER. 458 00:19:12,380 --> 00:19:14,879 YOU MISSED THE WHOLE POINT OF THE FILM. 459 00:19:14,880 --> 00:19:17,079 HER ENTIRE JOURNEY IS TOWARDS INDEPENDENCE. 460 00:19:17,080 --> 00:19:19,539 SHE DOESN'T NEED A MAN TO COMPLETE HER, AND THEY CERTAINLY DON'T 461 00:19:19,540 --> 00:19:21,250 "BELONG TOGETHER." 462 00:19:23,000 --> 00:19:23,920 I THOUGHT IT WORKED. 463 00:19:25,000 --> 00:19:26,460 - ZANDER. - FINE, WE'LL CHANGE IT BACK. 464 00:19:31,670 --> 00:19:33,999 YOUR EX IS A WEE BIT CRANKY. 465 00:19:34,000 --> 00:19:35,459 YEAH, I MEAN... 466 00:19:35,460 --> 00:19:36,879 YOU THOUGHT THE CHANGES WORKED, DIDN'T YOU? 467 00:19:36,880 --> 00:19:37,919 OF COURSE. 468 00:19:37,920 --> 00:19:40,459 AND I AM CASSANDRA. 469 00:19:40,460 --> 00:19:42,460 THE SMARTEST PERSON IN THE WORLD. 470 00:19:47,830 --> 00:19:49,000 YEAH, THAT WORKS TOO. 471 00:19:53,580 --> 00:19:55,329 OW! WHAT ARE YOU DOING TO ME? 472 00:19:55,330 --> 00:19:57,290 WIPING THE AREA WITH A COTTON BALL. 473 00:19:58,580 --> 00:20:00,500 DIAL BACK THE PRESSURE A LITTLE, WILL YOU? 474 00:20:01,670 --> 00:20:02,879 ARE YOU SURE YOU WANNA DO THIS? 475 00:20:02,880 --> 00:20:05,330 YES, AND I'M DOING THIS FOR LOVE, SO CAN YOU PICK UP THE PACE AND ZAP ME? 476 00:20:09,960 --> 00:20:12,419 MEL! DON'T. 477 00:20:12,420 --> 00:20:14,380 HERE WE GO. THIRD TIME TODAY. 478 00:20:15,710 --> 00:20:18,039 LISTEN, LENNOX TOLD ME WHAT YOU'RE ABOUT TO DO, AND YOU DON'T NEED TO DO IT. 479 00:20:18,040 --> 00:20:19,749 NO, JOE, I'VE ALREADY MADE UP MY MIND, OKAY? 480 00:20:19,750 --> 00:20:21,249 I DON'T WANT ANYTHING TO COME BETWEEN US. 481 00:20:21,250 --> 00:20:22,829 AND NOTHING WILL. I'M GONNA GET OVER IT. 482 00:20:22,830 --> 00:20:24,789 NO, YOU TRIED THAT, AND IT DIDN'T WORK. 483 00:20:24,790 --> 00:20:26,959 LOOK, WE'LL FIGURE SOMETHING OUT, ALL RIGHT? 484 00:20:26,960 --> 00:20:27,960 I PROMISE. 485 00:20:30,460 --> 00:20:31,539 OOH. 486 00:20:31,540 --> 00:20:32,919 HE DIDN'T SAY ANYTHING. 487 00:20:32,920 --> 00:20:34,499 THAT'S A VERY GOOD START. 488 00:20:34,500 --> 00:20:35,959 WHO DIDN'T SAY ANYTHING? 489 00:20:35,960 --> 00:20:36,960 DON'T WORRY ABOUT IT. 490 00:20:38,620 --> 00:20:41,039 THIS IS ALL SO VERY SWEET. 491 00:20:41,040 --> 00:20:42,830 BUT YOU'VE STILL GOT TO PAY FOR THE SESSION. 492 00:20:47,040 --> 00:20:48,879 - WOW. - (sighs) 493 00:20:48,880 --> 00:20:50,669 YOU SURE GOT OVER IT. 494 00:20:50,670 --> 00:20:51,750 TWO TIMES. 495 00:20:53,040 --> 00:20:54,380 YEAH, I'M READY TO MAKE IT THREE. 496 00:20:55,460 --> 00:20:57,209 WELL, USUALLY, 497 00:20:57,210 --> 00:20:59,289 SLAPPING A BAND-AID ON A PROBLEM 498 00:20:59,290 --> 00:21:00,920 DOESN'T WORK. 499 00:21:01,920 --> 00:21:02,830 THE THING IS THOUGH, HONEY, 500 00:21:02,831 --> 00:21:06,209 YOU NEED TO HAVE A BAND-AID THAT'S LARGE ENOUGH TO COVER THE ENTIRE PROBLEM. 501 00:21:06,210 --> 00:21:08,669 WELL, IF YOU'RE READY TO GO AGAIN, GENTLEMAN'S CHOICE. 502 00:21:08,670 --> 00:21:10,249 GENTLEMAN'S CHOICE. OH MY GOODNESS. 503 00:21:10,250 --> 00:21:13,169 WELL, LET'S SEE. WHAT DO WE HAVE HERE? 504 00:21:13,170 --> 00:21:15,879 YOU KNOW WHAT? I'M GOOD WITH EITHER SPIDER-MAN OR BACON. 505 00:21:15,880 --> 00:21:17,330 EITHER ONE OF THOSE IS COOL WITH ME. 506 00:21:18,330 --> 00:21:19,499 MAKE IT ONE OF EACH. 507 00:21:19,500 --> 00:21:20,920 - LET'S DO THIS. - LET'S DO IT!