﻿1
00:00:01,292 --> 00:00:04,545
[MUSIC]

2
00:00:05,588 --> 00:00:06,630
YOU KNOW, DONNA,

3
00:00:06,798 --> 00:00:08,158
I'M NOT SURPRISED
YOU'RE IN MY BED.

4
00:00:08,216 --> 00:00:11,010
I KNEW YOU COULDN'T
RESIST ME ANY LONGER.

5
00:00:11,845 --> 00:00:13,512
NO, I COULDN'T.

6
00:00:13,680 --> 00:00:16,223
I WANT YOU.

7
00:00:16,391 --> 00:00:18,642
I NEED YOU.

8
00:00:18,810 --> 00:00:21,687
WELL, I NEVER TURN DOWN
A WOMAN IN NEED.

9
00:00:23,523 --> 00:00:25,607
YOU KNOW, BEING HERE,
IN YOUR BED,

10
00:00:25,775 --> 00:00:30,779
ON YOUR... SPIDERMAN SHEETS,

11
00:00:31,364 --> 00:00:33,907
MAKES ME FEEL SO READY,

12
00:00:34,075 --> 00:00:36,535
SO WILLING.

13
00:00:36,703 --> 00:00:39,955
THEN CALL ME ABLE.

14
00:00:41,583 --> 00:00:42,875
WAIT, WAIT.

15
00:00:43,043 --> 00:00:44,918
A LITTLE MOOD MUSIC.

16
00:00:45,086 --> 00:00:49,465
[LOVE SONG PLAYS]

17
00:01:06,149 --> 00:01:08,734
DAMN.

18
00:01:09,527 --> 00:01:11,945
WHAT'S WRONG?

19
00:01:12,739 --> 00:01:13,989
AAH!

20
00:01:14,157 --> 00:01:15,491
I MEAN...

21
00:01:15,658 --> 00:01:18,744
[SUAVELY] HEY, BABY.

22
00:01:21,414 --> 00:01:24,917
♪ HANGIN' OUT ♪

23
00:01:25,085 --> 00:01:28,420
♪ DOWN THE STREET ♪

24
00:01:28,588 --> 00:01:32,049
♪ THE SAME OLD TH ING ♪

25
00:01:32,217 --> 00:01:35,511
♪ WE DID LAST WEEK ♪

26
00:01:35,678 --> 00:01:39,306
♪ NOT A TH ING TO DO ♪

27
00:01:39,474 --> 00:01:43,227
♪ BUT TALK TO YOU ♪

28
00:01:43,394 --> 00:01:47,439
♪ WE'RE ALL ALL RIGHT ♪
♪ WE'RE ALL ALL RIGHT ♪

29
00:01:47,607 --> 00:01:50,025
HELLO, WISCONSIN!

30
00:01:55,865 --> 00:01:57,145
I CAN'T BELIEVE
YOU'RE IN MY BED.

31
00:01:57,158 --> 00:01:58,838
I CAN'T BELIEVE YOU
CAME THROUGH MY WINDOW.

32
00:01:58,993 --> 00:02:00,553
I KNOW. WELL, I WAS
JUST SITTING AT HOME

33
00:02:00,620 --> 00:02:02,121
TH INKING ABOUT YOU,
AND I THOUGHT,

34
00:02:02,288 --> 00:02:03,622
WHY DON'T I CRAWL UP
THE SIDE OF H IS HOUSE

35
00:02:03,790 --> 00:02:07,835
AND SAY HELLO.

36
00:02:08,002 --> 00:02:12,381
SO... HELLO.

37
00:02:12,549 --> 00:02:15,259
HELLO.

38
00:02:15,426 --> 00:02:17,302
DID ANYONE SEE YOU?

39
00:02:17,470 --> 00:02:18,804
UH, JUST HYDE.

40
00:02:18,972 --> 00:02:21,306
EXCUSE ME.

41
00:02:26,229 --> 00:02:30,023
I HEARD A NOISE DOWNSTAIRS,
AND IT SCARED ME.

42
00:02:30,191 --> 00:02:31,567
MAN, YOU'RE RU IN ING
WHAT COULD BE

43
00:02:31,734 --> 00:02:33,193
THE MOST IMPORTANT
N IGHT OF MY LIFE HERE.

44
00:02:33,361 --> 00:02:36,488
WELL, DUH.

45
00:02:44,622 --> 00:02:46,081
TH IS IS SO...

46
00:02:46,249 --> 00:02:49,793
I CAN'T BELIEVE TH IS.

47
00:02:49,961 --> 00:02:52,004
YOU'VE NEVER BEEN
IN MY BED BEFORE.

48
00:02:52,172 --> 00:02:53,547
I KNOW.

49
00:02:53,715 --> 00:02:55,048
I'M IN YOUR BED.

50
00:02:55,216 --> 00:03:03,056
YOU'RE IN MY BED.

51
00:03:04,517 --> 00:03:09,188
[MUSIC]

52
00:03:09,355 --> 00:03:11,273
OKAY, UM, BECAUSE
THE BED SQUEAKS.

53
00:03:11,441 --> 00:03:13,567
BECAUSE THE WALLS ARE TH IN.

54
00:03:13,735 --> 00:03:16,278
BECAUSE RED HAS
THE EARS OF A WOLF.

55
00:03:16,446 --> 00:03:18,322
REASONS MY PARENTS MIGHT
HEAR US IF WE DO IT.

56
00:03:18,489 --> 00:03:20,115
RIGHT!

57
00:03:20,283 --> 00:03:22,826
GEE, MOM, IT WAS HOT,

58
00:03:22,994 --> 00:03:24,786
SO WE TOOK OFF OUR CLOTHES...

59
00:03:24,954 --> 00:03:26,079
AND THEN WE GOT COLD,

60
00:03:26,247 --> 00:03:27,539
SO WE GOT UNDER THE COVERS,

61
00:03:27,707 --> 00:03:29,541
"AND TH INGS JUST STARTED
BOUNCING AROUND."

62
00:03:29,709 --> 00:03:31,877
TH INGS I MIGHT SAY IF MY
FOLKS CATCH US DOING IT.

63
00:03:32,045 --> 00:03:33,921
YES! OKAY, OKAY.

64
00:03:34,088 --> 00:03:36,965
UH, FONDA, FORD, THE EIGHTH...

65
00:03:37,133 --> 00:03:38,508
FAMOUS HENRYS.

66
00:03:38,676 --> 00:03:40,093
YES! OKAY, UH...

67
00:03:40,261 --> 00:03:46,433
BECAUSE THERE'S
A GIRL IN YOUR BED.

68
00:03:47,435 --> 00:03:50,812
BECAUSE THERE'S A GIRL
IN YOUR BED, DAMN IT!

69
00:03:50,980 --> 00:03:52,314
REASONS TO GO FOR IT!

70
00:03:52,482 --> 00:03:53,982
YES!

71
00:03:54,150 --> 00:03:57,319
[AUDIENCE CHEERS]

72
00:04:03,910 --> 00:04:06,203
SO, I, UH...

73
00:04:11,626 --> 00:04:14,211
SO SHE'S GONNA BE
OUT THE WHOLE WEEK?

74
00:04:14,379 --> 00:04:18,632
WELL, YOU DON'T DRINK
AND GO ICE FISH ING.

75
00:04:18,800 --> 00:04:21,218
THAT IS JUST COMMON SENSE.

76
00:04:21,386 --> 00:04:22,552
NO, NO, NO. IT'S FINE.

77
00:04:22,720 --> 00:04:24,160
I'LL BE HAPPY
TO PICK UP HER SH IFTS.

78
00:04:24,180 --> 00:04:26,139
OKAY. UH-HUH. BYE.

79
00:04:26,307 --> 00:04:28,100
OH, JEEZ, KITTY, YOU WORK
SO HARD AS IT IS.

80
00:04:28,268 --> 00:04:29,828
I DON'T WANT YOU WORKING
DOUBLE SH IFTS.

81
00:04:29,852 --> 00:04:31,687
WELL, RED, WE NEED THE MONEY.

82
00:04:31,854 --> 00:04:33,272
IT'S NOT EVERY WEEK

83
00:04:33,439 --> 00:04:37,526
THAT CHARLENE'S GONNA GET
SEPTICEMIA FROM A RUSTY HOOK.

84
00:04:37,694 --> 00:04:40,696
WE HAVE GOTTA TAKE
ADVANTAGE OF THAT.

85
00:04:40,863 --> 00:04:42,531
WELL, I DON'T LIKE IT.

86
00:04:42,699 --> 00:04:44,408
OH, YOU KNOW...

87
00:04:44,575 --> 00:04:45,909
IF I'M GONNA BE WORKING N IGHTS,

88
00:04:46,077 --> 00:04:48,453
I'D BETTER PUT SOME MEALS
TOGETHER FOR YOU AND THE BOYS.

89
00:04:48,621 --> 00:04:49,997
OH, COME ON, KITTY.

90
00:04:50,164 --> 00:04:51,748
I'M NOT HELPLESS.

91
00:04:51,916 --> 00:04:54,918
I TH INK I CAN GET
THESE GUYS SOME DINNER.

92
00:05:00,591 --> 00:05:03,343
OKAY. YEAH. UM...

93
00:05:03,511 --> 00:05:06,596
I'M SURE YOU'LL BE GREAT.

94
00:05:08,224 --> 00:05:10,976
FIRE EXTINGU ISHER'S
IN THE GARAGE.

95
00:05:13,229 --> 00:05:15,105
SO MONEY'S A LITTLE TIGHT, HUH?

96
00:05:15,273 --> 00:05:16,690
NO, NO, STEVEN.

97
00:05:16,858 --> 00:05:19,359
EVERYTH ING'S FINE. WE'RE GREAT.

98
00:05:19,944 --> 00:05:22,112
GOOD MORN ING.

99
00:05:23,448 --> 00:05:25,866
AND I AM NOT JUST SAYING THAT.

100
00:05:26,909 --> 00:05:28,349
YOUR MOTHER'S WORKING
DOUBLE SH IFTS,

101
00:05:28,494 --> 00:05:30,329
SO I'LL BE COOKING.

102
00:05:30,496 --> 00:05:31,913
YOU KNOW THE FIRE
EXTINGU ISHER'S

103
00:05:32,081 --> 00:05:35,667
IN THE GARAGE, RIGHT?

104
00:05:36,919 --> 00:05:40,839
YEAH. I KNOW.

105
00:05:41,007 --> 00:05:43,342
I'M GONNA HAVE CEREAL.

106
00:05:43,509 --> 00:05:45,927
OH, YOU'LL BE HAVING
A LOT OF CEREAL.

107
00:05:47,638 --> 00:05:49,598
SO, WHERE'S DONNA, MAN?

108
00:05:49,766 --> 00:05:51,767
DONNA?

109
00:05:51,934 --> 00:05:54,227
DONNA? OH,

110
00:05:54,395 --> 00:05:56,897
YOU MEAN THAT GIRL WHO
SPENT LAST N IGHT IN MY BED?

111
00:05:58,024 --> 00:06:00,067
YEAH. YEAH, THAT'S THE ONE.

112
00:06:00,234 --> 00:06:02,444
SHE WENT HOME TH IS MORN ING.

113
00:06:02,945 --> 00:06:05,364
SO? HEH?

114
00:06:05,531 --> 00:06:08,492
HEH?

115
00:06:08,659 --> 00:06:11,411
SO?

116
00:06:11,579 --> 00:06:15,082
SO LET'S JUST SAY SHE WENT
HOME A VERY HAPPY WOMAN.

117
00:06:15,249 --> 00:06:16,708
[CHORTLING]

118
00:06:16,876 --> 00:06:18,335
ALL RIGHT, MAN,
YOU FINALLY DID IT.

119
00:06:18,503 --> 00:06:20,462
YEAH.

120
00:06:20,630 --> 00:06:23,632
YOU KNOW, IT...

121
00:06:23,800 --> 00:06:28,011
CAN MEAN A LOT OF TH INGS.

122
00:06:28,179 --> 00:06:32,057
NO. IT MEANS ONE TH ING.

123
00:06:32,225 --> 00:06:35,394
AND YOU EITHER DID IT
OR YOU DIDN'T.

124
00:06:35,561 --> 00:06:36,853
OKAY, THEN WE DIDN'T,

125
00:06:37,021 --> 00:06:40,607
BUT WE DID...
PLENTY OF GOOD STUFF.

126
00:06:40,775 --> 00:06:44,027
NEW STUFF.

127
00:06:44,195 --> 00:06:47,614
PLENTY OF GOOD, NEW STUFF.

128
00:06:47,782 --> 00:06:49,062
GOD, MAN, YOU'RE BUMMING ME OUT.

129
00:06:49,158 --> 00:06:52,202
CAN YOU AT LEAST JUST LIE TO ME?

130
00:06:52,370 --> 00:06:55,539
UH, OKAY. WE DID IT.

131
00:06:55,706 --> 00:06:59,000
LIAR.

132
00:07:05,174 --> 00:07:08,510
SO, DO YOU LIKE PHOTOS, MAN?

133
00:07:09,804 --> 00:07:13,014
YEAH, MAN. SURE.

134
00:07:13,182 --> 00:07:17,102
OKAY. YOU GOT THE JOB, MAN.

135
00:07:17,270 --> 00:07:18,437
JUST LIKE THAT?

136
00:07:18,604 --> 00:07:19,855
YOU DON'T HAVE TO
INTERVIEW ANYBODY ELSE?

137
00:07:20,022 --> 00:07:23,483
NOBODY ELSE SHOWED UP, MAN.

138
00:07:23,651 --> 00:07:26,153
SO, WHAT DO I DO HERE, ANYWAY?

139
00:07:26,320 --> 00:07:29,281
WELL, I DON'T EXPECT A LOT, MAN.

140
00:07:29,449 --> 00:07:31,241
PRETTY MUCH, IF THE HUT
DOESN'T BURN DOWN,

141
00:07:31,409 --> 00:07:35,287
IT'S BEEN A GOOD DAY.

142
00:07:35,455 --> 00:07:37,622
AND EVEN IF IT BURNT DOWN,
MAN, IT'S COOL,

143
00:07:37,790 --> 00:07:43,420
'CAUSE I GOT 3 OR 4 MORE
OF THESE LITTLE HUTS SOMEWHERE.

144
00:07:43,588 --> 00:07:45,297
HEY, LISTEN, IF YOU SEE
ONE OF THESE HUTS,

145
00:07:45,465 --> 00:07:48,842
WOULD YOU GIVE ME A CALL, MAN?

146
00:07:49,010 --> 00:07:51,803
OR EVEN BETTER,
I COULD TAKE A PICTURE.

147
00:07:51,971 --> 00:07:54,306
WHOA.

148
00:07:54,474 --> 00:07:57,225
A PICTURE OF A PHOTO HUT.

149
00:07:57,393 --> 00:08:01,813
HEY, THAT'D BE LIKE ART
OR SOMETH ING, HUH?

150
00:08:01,981 --> 00:08:04,733
HEY, LISTEN, MAN,

151
00:08:04,901 --> 00:08:07,319
I HOPE YOU DON'T MIND
IF I PAY YOU IN CASH.

152
00:08:07,487 --> 00:08:08,820
I DON'T LIKE BIG BROTHER

153
00:08:08,988 --> 00:08:11,615
GETTING INTO MY BUSINESS,
YOU DIG?

154
00:08:11,782 --> 00:08:13,283
MAN, KEEPING THE
GOVERNMENT OUT OF IT,

155
00:08:13,451 --> 00:08:15,076
I'M SO WITH YOU.

156
00:08:15,244 --> 00:08:17,704
NO. MY BIG BROTHER, MAN.

157
00:08:17,872 --> 00:08:20,582
HE'S ALWAYS H ITTING ME UP
FOR MONEY.

158
00:08:20,750 --> 00:08:24,169
OH. 'CAUSE YOU'RE
THE RESPONSIBLE ONE?

159
00:08:24,337 --> 00:08:28,507
YEAH. IT'S MY CURSE, MAN.

160
00:08:28,674 --> 00:08:30,300
HEY, LISTEN...

161
00:08:30,468 --> 00:08:32,093
I GOTTA GO, UH...

162
00:08:32,261 --> 00:08:35,639
DO A TH ING AT, UH... A PLACE.

163
00:08:36,557 --> 00:08:39,518
YEAH, MAN. I HEAR THAT.

164
00:08:39,685 --> 00:08:42,312
SO YOU WANT ME TO LOCK
UP WHEN I'D DONE?

165
00:08:42,480 --> 00:08:45,690
LOCK UP.

166
00:08:45,858 --> 00:08:49,611
WOW. THAT'S A GREAT IDEA, MAN.

167
00:08:49,779 --> 00:08:53,573
HEY, YOU'RE ONE OF THOSE
IDEA MEN, AREN'T YOU, MAN?

168
00:08:53,741 --> 00:08:56,743
YEAH. MAYBE SOMEDAY YOU'LL
BE WORKING FOR ME, HUH?

169
00:08:56,911 --> 00:08:59,162
REALLY?

170
00:08:59,330 --> 00:09:02,123
AW, THAT'D BE COOL, MAN.

171
00:09:02,291 --> 00:09:07,837
HEY, BUT CAN I HAVE
SATURDAY N IGHT OFF?

172
00:09:08,005 --> 00:09:11,007
COOL.

173
00:09:14,804 --> 00:09:16,096
SO, YOU KNOW WHAT?

174
00:09:16,264 --> 00:09:18,598
WHAT?

175
00:09:18,766 --> 00:09:20,934
OH, I CAN'T TELL YOU.

176
00:09:21,102 --> 00:09:23,144
OH, MY GOD. NOW YOU
HAVE TO TELL ME.

177
00:09:23,312 --> 00:09:29,150
EVEN IF IT'S NOT ABOUT ME,
I WANT TO HEAR IT.

178
00:09:29,318 --> 00:09:31,778
I WAS REALLY BAD LAST N IGHT.

179
00:09:31,946 --> 00:09:36,199
DID YOU SHOPLIFT? I KNEW IT.

180
00:09:36,367 --> 00:09:38,159
NO.

181
00:09:38,327 --> 00:09:40,370
I SLEPT WITH ERIC LAST N IGHT.

182
00:09:40,538 --> 00:09:43,248
OH, MY GOD!

183
00:09:43,416 --> 00:09:44,583
WAS IT GREAT?

184
00:09:44,750 --> 00:09:48,128
YEAH. I WAS ASLEEP.

185
00:09:48,296 --> 00:09:49,963
EUW!

186
00:09:50,131 --> 00:09:57,470
NO, JACKIE, WE WERE BOTH ASLEEP.

187
00:09:57,638 --> 00:09:59,723
SO NOTH ING HAPPENED?

188
00:09:59,890 --> 00:10:02,434
WELL, YOU KNOW,
SOME TH INGS HAPPENED.

189
00:10:02,602 --> 00:10:05,604
BUT WE MOSTLY SLEPT.

190
00:10:05,771 --> 00:10:07,522
YOU MEAN YOU WERE IN H IS BED

191
00:10:07,690 --> 00:10:09,899
AND HE DIDN'T WH INE AND BEG
FOR, LIKE 2 HOURS

192
00:10:10,067 --> 00:10:12,694
UNTIL YOU'RE SO SICK
OF HEARING H IS STUPID VOICE

193
00:10:12,862 --> 00:10:19,367
THAT YOU JUST GAVE IN
SO HE WOULD SHUT UP?

194
00:10:21,912 --> 00:10:24,748
NO.

195
00:10:24,915 --> 00:10:27,000
I LOVE H IM. HE JUST,
LIKE, HELD ME ALL N IGHT.

196
00:10:27,168 --> 00:10:29,252
OH, MY GOD. THAT'S SO SWEET.

197
00:10:29,420 --> 00:10:31,087
MICHAEL'S JUST AFTER ME
ALL THE TIME.

198
00:10:31,255 --> 00:10:33,757
I UNDERSTAND 'CAUSE I'M
SEXY AND ALL, BUT STILL.

199
00:10:33,924 --> 00:10:36,134
LIKE, OKAY, HE ALWAYS, SAYS,

200
00:10:36,302 --> 00:10:40,096
WHY CUDDLE WHEN WE CAN DO IT?

201
00:10:46,312 --> 00:10:47,937
WELL, WAS HE ALWAYS LIKE THAT?

202
00:10:48,105 --> 00:10:51,191
NO. NO, I GUESS TH INGS KINDA
CHANGED AFTER WE DID IT.

203
00:10:51,359 --> 00:10:54,569
BUT IN A GOOD WAY.

204
00:10:55,696 --> 00:10:57,530
I LOVE IT WHEN ERIC HOLDS ME.

205
00:10:57,698 --> 00:11:01,785
YEAH. I LOVE IT WHEN
MICHAEL BUYS ME STUFF.

206
00:11:05,748 --> 00:11:07,457
WELL, GUYS, I'M A LITTLE
ASHAMED TO ADMIT TH IS,

207
00:11:07,625 --> 00:11:11,628
BUT I GOT A JOB.

208
00:11:12,129 --> 00:11:13,421
YEAH. I'M TH INKING
ABOUT GETTING A JOB

209
00:11:13,589 --> 00:11:15,507
AT A CH IP FACTORY.

210
00:11:15,675 --> 00:11:18,009
I GOTTA KNOW HOW THEY DO TH IS.

211
00:11:18,177 --> 00:11:19,761
YEAH. RED WON'T
LET ME GET A JOB.

212
00:11:19,929 --> 00:11:22,013
HE SAYS IF I DON'T STUDY HARD
AND GET INTO COLLEGE,

213
00:11:22,181 --> 00:11:24,724
ONCE I TURN 18,
HE'S GONNA KILL ME.

214
00:11:24,892 --> 00:11:26,893
I TH INK HE'S SERIOUS, MAN.

215
00:11:27,061 --> 00:11:29,062
HYDE, DID YOU EVER
STOP TO TH INK

216
00:11:29,230 --> 00:11:31,022
HOW YOU WORKING WOULD MAKE ME GO

217
00:11:31,190 --> 00:11:33,316
TO THE MALL ALONE TODAY?

218
00:11:33,484 --> 00:11:35,568
NO, YOU DIDN'T, DID YOU?

219
00:11:35,736 --> 00:11:37,821
NO. SORRY.

220
00:11:37,988 --> 00:11:39,489
HEY, GUYS, CHECK TH IS OUT, MAN.

221
00:11:39,657 --> 00:11:41,574
FORMAN HAD DONNA
IN H IS BED LAST N IGHT,

222
00:11:41,742 --> 00:11:44,494
AND HE DIDN'T EVEN DO IT.

223
00:11:44,662 --> 00:11:48,081
WHAT'S UP?

224
00:11:48,249 --> 00:11:51,251
YEAH. YOU'RE A BONEHEAD, MAN.

225
00:11:51,419 --> 00:11:52,877
I'M NOT A BONEHEAD.

226
00:11:53,045 --> 00:11:54,546
WE DID OTHER STUFF,
AND WE CUDDLED.

227
00:11:54,714 --> 00:11:56,798
IT WAS GREAT.

228
00:11:56,966 --> 00:12:00,552
SOMETIMES WHEN I'M ALONE,
I JUST LOVE TO CUDDLE.

229
00:12:02,888 --> 00:12:06,266
FORMAN, LOOK, SHE CLIMBED UP
THE TRELLIS OF YOUR HOUSE,

230
00:12:06,434 --> 00:12:07,851
THROUGH YOUR WINDOW,

231
00:12:08,018 --> 00:12:10,645
TO GET INTO BED WITH YOU,
AND CUDDLE?

232
00:12:10,813 --> 00:12:14,107
SORRY, MAN. I NEVER READ
THAT LETTER IN PENTHOUSE.

233
00:12:14,275 --> 00:12:17,652
THOSE STORIES ARE
TRUE, YOU KNOW.

234
00:12:17,820 --> 00:12:20,196
WHY WOULD YOU JUST
CUDDLE WITH HER

235
00:12:20,364 --> 00:12:22,866
WHEN YOU COULD DO IT?

236
00:12:23,033 --> 00:12:25,410
FORMAN, DOING IT IS IT.

237
00:12:25,578 --> 00:12:28,329
THAT'S WHY THEY CALL IT "IT."

238
00:12:28,497 --> 00:12:31,499
IT!

239
00:12:31,667 --> 00:12:32,834
GUYS, IT WAS JUST ONE N IGHT.

240
00:12:33,002 --> 00:12:35,712
THERE ARE GONNA BE
LOTS OF OTHER N IGHTS.

241
00:12:35,880 --> 00:12:37,547
ERIC, OPPORTUN ITY
DOES NOT KNOCK

242
00:12:37,715 --> 00:12:39,799
AND THEN RING THE DOORBELL
AND THEN KNOCK AGAIN,

243
00:12:39,967 --> 00:12:41,718
AND THEN LEAVE A NOTE THAT
SAYS, SORRY I MISSED YOU,

244
00:12:41,886 --> 00:12:43,553
AND THEN CALL YOU
ON THE PHONE...

245
00:12:43,721 --> 00:12:45,263
FEZ, WE GET IT.

246
00:12:45,431 --> 00:12:46,765
I MEAN, WE GET IT.

247
00:12:46,932 --> 00:12:49,012
WHAT MY FOREIGN FRIEND HERE
IS TRYING TO SAY, FORMAN,

248
00:12:49,059 --> 00:12:50,769
IS THAT YOU BLEW IT, MAN.

249
00:12:50,936 --> 00:12:54,355
AND YOU BLEW IT, MAN.

250
00:12:54,523 --> 00:12:57,066
I'M LOSING MY PATIENCE
WITH YOU, MAN.

251
00:12:57,234 --> 00:12:58,735
YOU GOTTA GET WITH HER.

252
00:12:58,903 --> 00:13:00,612
THERE'S NOTH ING MORE BEAUTIFUL

253
00:13:00,780 --> 00:13:03,907
THAN WHEN 2 PEOPLE FIT
TOGETHER PERFECTLY LIKE...

254
00:13:04,074 --> 00:13:06,242
WELL, LIKE 2 OF THESE POTATO...

255
00:13:06,410 --> 00:13:10,038
HOW DO THEY DO TH IS?

256
00:13:13,167 --> 00:13:14,626
HEY.

257
00:13:14,794 --> 00:13:15,835
YEAH.

258
00:13:16,003 --> 00:13:19,756
YOU WANNA EAT TH IS?

259
00:13:22,134 --> 00:13:24,928
NO.

260
00:13:25,805 --> 00:13:28,973
WELL, IT'S IN THERE IF YOU
CHANGE YOUR MIND.

261
00:13:32,728 --> 00:13:35,522
I LOVED BEING HERE WITH YOU
THE OTHER N IGHT.

262
00:13:35,689 --> 00:13:38,650
GREAT. 'CAUSE I LOVE
THAT YOU CAME OVER.

263
00:13:38,818 --> 00:13:40,193
IT DIDN'T, LIKE, BOTHER YOU

264
00:13:40,361 --> 00:13:43,196
THAT I WAS SLEEPING WITH YOU
IN YOUR LITTLE SINGLE BED?

265
00:13:43,364 --> 00:13:44,781
NO, IT BOTHERED ME,

266
00:13:44,949 --> 00:13:47,408
BUT IN A REALLY GOOD WAY.

267
00:13:48,619 --> 00:13:49,828
GOOD.

268
00:13:49,995 --> 00:13:53,665
GOOD. UM, SO...

269
00:13:53,833 --> 00:13:56,501
YOU WANNA COME OVER TON IGHT?

270
00:13:56,669 --> 00:13:58,419
YEAH, COOL. I'D LOVE TO.

271
00:13:58,587 --> 00:14:00,213
GREAT.

272
00:14:00,381 --> 00:14:03,591
'CAUSE I'M, LIKE,
WIDE OPEN HERE.

273
00:14:04,844 --> 00:14:06,135
COOL. SO I'LL SEE YOU TON IGHT?

274
00:14:06,303 --> 00:14:08,471
OKAY.

275
00:14:27,241 --> 00:14:30,785
JEEZ. YOU DIDN'T EAT
THAT FISH, DID YOU?

276
00:14:30,953 --> 00:14:33,371
'CAUSE I WAS JUST KIDDING.

277
00:14:33,539 --> 00:14:35,456
NO.

278
00:14:35,624 --> 00:14:37,834
ALL RIGHT, THEN.

279
00:14:38,002 --> 00:14:41,629
STOP ACTING WEIRD.

280
00:14:43,340 --> 00:14:51,340
[MUSIC]

281
00:15:21,420 --> 00:15:22,128
HELLO, MR. FORMAN.

282
00:15:22,296 --> 00:15:24,881
HOW ARE YOU DOING TODAY?

283
00:15:32,598 --> 00:15:34,432
DAMN!

284
00:15:34,600 --> 00:15:38,311
THAT POT'S NO GOOD.

285
00:15:41,190 --> 00:15:42,607
THAT POT WOULD NOT
HAVE BOILED OVER

286
00:15:42,775 --> 00:15:45,860
HAD YOU PUT SOME
SALAD OIL IN THE WATER.

287
00:15:48,072 --> 00:15:51,074
SO YOU KNOW HOW TO BOIL WATER.

288
00:15:52,534 --> 00:15:54,744
DON'T YOU HAVE SOMEPLACE
YOU NEED TO BE?

289
00:15:54,912 --> 00:15:56,272
NOT REALLY. IF I GO
HOME TOO EARLY,

290
00:15:56,413 --> 00:15:59,916
MY HOST PARENTS
MAKE ME READ SCRIPTURE.

291
00:16:01,669 --> 00:16:03,503
WELL, WHY DON'T YOU, UH...

292
00:16:03,671 --> 00:16:04,837
GO SIT IN THE BASEMENT?

293
00:16:05,005 --> 00:16:07,507
ALL RIGHT.

294
00:16:11,887 --> 00:16:15,598
WELL, WHAT'DYA KNOW?

295
00:16:15,766 --> 00:16:19,811
HAJ I HAD IT RIGHT.

296
00:16:28,112 --> 00:16:30,571
HEY, MAN.

297
00:16:33,033 --> 00:16:34,826
SO TH IS IS WHERE YOU WORK, HUH?

298
00:16:34,994 --> 00:16:37,161
YEAH, THAT'S WHAT THEY SAY.

299
00:16:37,329 --> 00:16:39,914
HEY, WON'T YOU GET IN TROUBLE
IF THE BOSS SHOWS UP?

300
00:16:40,082 --> 00:16:42,542
OH, NO. IS THE BOSS HERE?

301
00:16:43,335 --> 00:16:46,129
HEY, WAIT. I'M THE BOSS.

302
00:16:50,134 --> 00:16:54,595
YOU KNOW, MAYBE
TH IRD TIME'S THE CHARM.

303
00:16:55,389 --> 00:17:00,476
MAYBE TH IS TIME IT'LL BE
REALLY, REALLY SUPER.

304
00:17:01,228 --> 00:17:03,938
TA-DA!

305
00:17:04,106 --> 00:17:06,399
OH, MY GOSH, RED.

306
00:17:06,567 --> 00:17:08,735
FRIED CH ICKEN
AND MASHED POTATOES.

307
00:17:08,902 --> 00:17:10,737
COLESLAW.

308
00:17:10,904 --> 00:17:15,575
OH, AND A LITTLE
HALF AN EAR OF CORN.

309
00:17:15,743 --> 00:17:18,703
OH. I FORGOT THE BISCU ITS.

310
00:17:26,128 --> 00:17:27,879
N ICE, HUH?

311
00:17:28,047 --> 00:17:31,132
OH, IT'S REALLY N ICE.

312
00:17:31,300 --> 00:17:34,677
WHERE'D YOU H IDE
THE BUCKET, RED?

313
00:17:37,598 --> 00:17:38,973
HERE.

314
00:17:39,141 --> 00:17:41,684
HAVE A WETNAP.

315
00:17:44,521 --> 00:17:47,356
ALL RIGHT. THE COLONEL.

316
00:17:47,524 --> 00:17:50,693
OH, UH, THERE YOU GO.

317
00:17:51,570 --> 00:17:53,154
WELL, NOW WHAT IS TH IS?

318
00:17:53,322 --> 00:17:55,490
LOOK, I GOT A JOB, ALL RIGHT?

319
00:17:55,657 --> 00:17:57,697
AND I DON'T WANNA HEAR
ANYTH ING ABOUT "WE'RE FINE."

320
00:17:57,701 --> 00:17:59,261
BECAUSE I KNOW MONEY'S
TIGHT AROUND HERE

321
00:17:59,286 --> 00:18:00,745
AND YOU WON'T LET FORMAN WORK,

322
00:18:00,913 --> 00:18:03,372
SO JUST TAKE THE MONEY
AND DROP IT.

323
00:18:06,710 --> 00:18:09,962
OH, HE'S A KEEPER.

324
00:18:12,299 --> 00:18:13,841
I'M GONNA TAKE THAT MONEY

325
00:18:14,009 --> 00:18:15,718
AND OPEN H IM A SAVINGS ACCOUNT.

326
00:18:15,886 --> 00:18:18,221
WELL, THAT'S N ICE, RED.

327
00:18:18,388 --> 00:18:19,889
OR BLOW IT ALL ON BOOZE.

328
00:18:20,057 --> 00:18:23,101
I STILL HAVEN'T MADE UP MY MIND.

329
00:18:28,816 --> 00:18:30,733
AH, IT'S MY GOOD FRIEND ERIC.

330
00:18:30,901 --> 00:18:32,193
SO, WHAT WILL IT BE?

331
00:18:32,361 --> 00:18:33,653
GILLIGAN'S ISLAND?

332
00:18:33,821 --> 00:18:34,946
PINBALL? STRATEGO?

333
00:18:35,114 --> 00:18:37,490
YOU DECIDE.

334
00:18:37,658 --> 00:18:38,866
WELL, ACTUALLY, FEZ,

335
00:18:39,034 --> 00:18:40,201
DONNA'S COMING OVER TON IGHT.

336
00:18:40,369 --> 00:18:43,538
SO I'M JUST HERE TO GET
MY BARRY WH ITE ALBUM.

337
00:18:45,332 --> 00:18:46,749
OTHERWISE, I WOULD JUST LOVE...

338
00:18:46,917 --> 00:18:50,086
BLAH BLAH BLAH. JUST GO.

339
00:18:59,263 --> 00:19:02,807
[MUSIC]

340
00:19:02,975 --> 00:19:06,727
BABY. I AM READY FOR LOVE.

341
00:19:11,984 --> 00:19:14,193
WHY, HELLO.

342
00:19:14,361 --> 00:19:16,988
I'VE BEEN EXPECTING YOU.

343
00:19:22,411 --> 00:19:24,829
YAWN. SO, OKAY. READY
FOR BED? SURE.

344
00:19:28,834 --> 00:19:30,960
WHAT, NO SPIDERMAN SHEETS?

345
00:19:31,128 --> 00:19:34,547
WELL, I JUST USE THOSE
ON WASH DAY.

346
00:19:50,355 --> 00:19:52,356
ERIC.

347
00:19:52,524 --> 00:19:54,442
CAN WE, LIKE, SLOW DOWN
FOR A SECOND?

348
00:19:54,610 --> 00:19:57,528
SURE.

349
00:19:58,405 --> 00:20:01,073
WELL... REMEMBER
THE OTHER N IGHT,

350
00:20:01,241 --> 00:20:04,243
WE JUST, LIKE,
CUDDLED ALL N IGHT?

351
00:20:04,411 --> 00:20:06,662
I REALLY LIKED THAT.

352
00:20:06,830 --> 00:20:10,041
RIGHT. YEAH.

353
00:20:11,752 --> 00:20:14,503
BUT I WAS TH INKING...

354
00:20:14,671 --> 00:20:17,882
WHY CUDDLE WHEN WE COULD DO IT?

355
00:20:20,844 --> 00:20:22,094
OKAY. YOU'VE BEEN TALKING

356
00:20:22,262 --> 00:20:23,346
TO THOSE IDIOTS
IN THE BASEMENT AGAIN.

357
00:20:23,513 --> 00:20:25,139
NO.

358
00:20:25,307 --> 00:20:28,643
YES.

359
00:20:29,811 --> 00:20:32,063
LOOK, ERIC, I KNOW
IT'S A LONG DRIVE,

360
00:20:32,231 --> 00:20:34,106
AND... AND WE'RE
GONNA GET THERE.

361
00:20:34,274 --> 00:20:35,691
WE'RE GONNA GET THERE.

362
00:20:35,859 --> 00:20:37,068
BUT, I DON'T KNOW,

363
00:20:37,236 --> 00:20:40,404
I WANNA SEE SOME
TREES ALONG THE WAY.

364
00:20:54,086 --> 00:20:56,671
OKAY.

365
00:20:56,838 --> 00:20:58,381
BUT I'LL BE DRIVING?

366
00:20:58,548 --> 00:21:01,342
YOU'LL BE DRIVING, YES.

367
00:21:01,510 --> 00:21:03,386
YOU SWEAR TO GOD?

368
00:21:03,553 --> 00:21:05,805
I DO. I SWEAR TO GOD.

369
00:21:05,973 --> 00:21:07,223
OKAY.

370
00:21:07,391 --> 00:21:09,308
OKAY, GOOD.

371
00:21:09,476 --> 00:21:12,478
BECAUSE I DO LOVE YOU.

372
00:21:13,981 --> 00:21:16,065
BUT I'M NOT GONNA
TAKE MY PANTS OFF.

373
00:21:16,650 --> 00:21:19,151
OKAY.

374
00:21:19,319 --> 00:21:20,778
WOULD YOU BE MORE COMFORTABLE
IF I PUT MINE BACK ON?

375
00:21:20,946 --> 00:21:22,238
MM... MIGHT SLEEP BETTER.

376
00:21:22,406 --> 00:21:25,116
WILL DO.

377
00:21:38,088 --> 00:21:43,259
[MUSIC]

378
00:21:44,636 --> 00:21:47,430
HEY, WHAT ARE YOU DOIN', MAN?

379
00:21:47,597 --> 00:21:50,141
YOU TURN THAT TH ING OFF
AND GET READY FOR WORK!

380
00:21:50,851 --> 00:21:52,435
I'M NOT WORKING TODAY, MAN.

381
00:21:52,602 --> 00:21:54,770
I GOT AN EARACHE.

382
00:21:54,938 --> 00:21:57,315
EARACHE, MY EYE! HOW'D
YOU LIKE A BUTT ACHE?

383
00:21:57,482 --> 00:21:58,774
NOW GET YOUR LITTLE
FANNY PERPENDICULAR

384
00:21:58,942 --> 00:22:00,109
AND OPEN THE HUT!

385
00:22:00,277 --> 00:22:03,279
YOU GOT IT?

386
00:22:03,447 --> 00:22:06,073
WHAT A HARD-ASS, MAN.

387
00:22:06,241 --> 00:22:09,618
CAPTION ING MADE POSSIBLE BY CARSEY-WERNER
PRODUCTIONS AND FOX BROADCASTING COMPANY

